Tag Archives: winter artwork

Winter White

pastel painting of panhandle trail in winter

Panhandle Outbound, pastel © B.E. Kazmarski

I love winter, and I don’t care who thinks I’m crazy.

I love the light, so much more of it with the leaves down from the trees and with the sun’s angle so much lower, more of it in the house and in the woods.

pastel painting of snow under trees

Morning Snow 2, pastel © B.E. Kazmarski

I love the colors, from the subtle pastels of a snowy morning to the bold jewel tones and earth tones of brambles, branches, stems and tree trunks and leaves left behind in contrast to the snow on a bright afternoon.

And I love the minimal, stark beauty of branches etched against snow and sky during a snowfall. I go out and play in it, and paint and photograph it.

Several years ago I collected all my winter sketches and hosted an exhibit entitled “Winter White”, and my guests and I enjoyed the art so much that I set it up on my website, each painting with the information about where it came from.

pastel painting of blue jays in bare tree

Jammin Jay Blues, pastel © B. E. Kazmarski

These are all small sketches, none larger than 12″ x 12″, in pastel, watercolor, pencil and pen and ink nearly all done en plein air, sometimes on the trails, sometimes in my backyard, often standing on my deck or sitting in the front seat of the car when the temperature was near zero.

In many cases they are my experiments with materials and styles, preparing my own drawing surfaces and using papers I’d never used before, breaking my own boundaries of studio work to refresh my palette and visualization.

pastel painting of small cat at big window

Winter Window, pastel © B.E. Kazmarski

I did my best to capture the essence of winter, and you’ll even see a few winter cats in here too.

I was greatly inspired by the book for an exhibit organized and shown in New York and San Francisco in 1999 entitled “Impressionists in Winter: Effets de Neige”. You can read about it on Artnet.com, or check your local library for the book from the exhibit. If you go there, find a painting called “The Magpie” by Claude Monet.

pastel painting of trees and snow

Solstice, pastel © B.E. Kazmarski

“Solstice”, pastel, 6″ x 6″

This painting is indeed from the Winter Solstice about a decade ago. As the sun began to set on a zero-degree day with a foot or more of snow the light was so beautiful that I took off in my car with my camera and art supplies. At the top of the hill the gentle pink and coral tones of the sunset melded with the blue of dusk on the field of unbroken snow at the old Christmas tree farm, one of my favorite spots. It was too cold to draw outside since I can’t wear gloves and would soon be dropping my pastels in the snow, so I positioned my car on a convenient side road and sketched this in my front seat. As it does sometimes, the sun seemed to hang in the trees just before it disappeared: solstice, “sun-stand-still”. It’s just a little thing, 6″ x 6″, one of my favorites, especially now that the place is gone to development. It became the inspiration for an exhibit I hosted in 2004, “Winter White”.

pastel painting

“Winter Colors”, pastel © B.E. Kazmarski

If you’re interested in any of the originals, you’ll see the available originals have prices listed and thumbnails to see them framed. I also have digital prints of of them, and because they are small they are available for $15.00 plus $5.00 in shipping. I also offer custom framing services. If you have any questions, please send me an e-mail. In the meantime, enjoy my views of winter! Visit Winter White.

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Solstice

pastel painting of winter sunset

Solstice, pastel © B.E. Kazmarski

The above painting is indeed from the Winter Solstice about a decade ago. As the sun began to set on a zero-degree day with a foot or more of snow the light was so beautiful that I took off in my car with my camera and art supplies. At the top of the hill the gentle pink and coral tones of the sunset melded with the blue of dusk on the field of unbroken snow at the old Christmas tree farm, one of my favorite spots.

It was too cold to draw outside since I can’t wear gloves and would soon be dropping my pastels in the snow, so I positioned my car on a convenient side road and sketched this in my front seat. As it does sometimes, the sun seemed to hang in the trees just before it disappeared: solstice, “sun-stand-still”. It’s just a little thing, 6″ x 6″, one of my favorites, especially now that the place is gone to development. It became the inspiration for an exhibit I hosted in 2004, “Winter White”.

Winter

I love winter, and I don’t care who thinks I’m crazy.

I love the light, so much more of it with the leaves down from the trees and with the sun’s angle so much lower, more of it in the house and in the woods.

I love the colors, from the subtle pastels of a snowy morning to the bold jewel tones and earth tones of brambles, branches, stems and tree trunks and leaves left behind in contrast to the snow on a bright afternoon.

And I love the minimal, stark beauty of branches etched against snow and sky during a snowfall. I got out and play in it, and paint and photograph.

Winter White

pastel painting of panhandle trail in winter

Panhandle Outbound, pastel © B.E. Kazmarski

Several years ago I collected all my winter sketches and hosted an exhibit entitled “Winter White”, and my guests and I enjoyed the art so much that I set it up on my website, each painting with the information about where it came from.

These are all small sketches, none larger than 12″ x 12″, in pastel, watercolor, pencil and pen and ink nearly all done en plein air, sometimes on the trails, sometimes in my backyard, often standing on my deck or sitting in the front seat of the car when the temperature was near zero.

In many cases they are my experiments with materials and styles, preparing my own drawing surfaces and using papers I’d never used before, breaking my own boundaries of studio work to refresh my palette and visualization.

I did my best to capture the essence of winter, and you’ll even see a few winter cats in here too.

I was greatly inspired by the book for an exhibit organized and shown in New York and San Francisco in 1999 entitled “Impressionists in Winter: Effets de Neige”. You can read about it on Artnet.com, or check your local library for the book from the exhibit.

In the meantime, enjoy my views of winter! Visit Winter White.


Winter White

pastel painting of panhandle trail in winter

Panhandle Outbound, pastel © B.E. Kazmarski

I love winter, and I don’t care who thinks I’m crazy.

I love the light, so much more of it with the leaves down from the trees and with the sun’s angle so much lower, more of it in the house and in the woods.

pastel painting of snow under trees

Morning Snow 2, pastel © B.E. Kazmarski

I love the colors, from the subtle pastels of a snowy morning to the bold jewel tones and earth tones of brambles, branches, stems and tree trunks and leaves left behind in contrast to the snow on a bright afternoon.

And I love the minimal, stark beauty of branches etched against snow and sky during a snowfall. I go out and play in it, and paint and photograph it.

Several years ago I collected all my winter sketches and hosted an exhibit entitled “Winter White”, and my guests and I enjoyed the art so much that I set it up on my website, each painting with the information about where it came from.

pastel painting of blue jays in bare tree

Jammin Jay Blues, pastel © B. E. Kazmarski

These are all small sketches, none larger than 12″ x 12″, in pastel, watercolor, pencil and pen and ink nearly all done en plein air, sometimes on the trails, sometimes in my backyard, often standing on my deck or sitting in the front seat of the car when the temperature was near zero.

In many cases they are my experiments with materials and styles, preparing my own drawing surfaces and using papers I’d never used before, breaking my own boundaries of studio work to refresh my palette and visualization.

pastel painting of small cat at big window

Winter Window, pastel © B.E. Kazmarski

I did my best to capture the essence of winter, and you’ll even see a few winter cats in here too.

I was greatly inspired by the book for an exhibit organized and shown in New York and San Francisco in 1999 entitled “Impressionists in Winter: Effets de Neige”. You can read about it on Artnet.com, or check your local library for the book from the exhibit. If you go there, find a painting called “The Magpie” by Claude Monet.

pastel painting of trees and snow

Solstice, pastel © B.E. Kazmarski

“Solstice”, pastel, 6″ x 6″

This painting is indeed from the Winter Solstice about a decade ago. As the sun began to set on a zero-degree day with a foot or more of snow the light was so beautiful that I took off in my car with my camera and art supplies. At the top of the hill the gentle pink and coral tones of the sunset melded with the blue of dusk on the field of unbroken snow at the old Christmas tree farm, one of my favorite spots. It was too cold to draw outside since I can’t wear gloves and would soon be dropping my pastels in the snow, so I positioned my car on a convenient side road and sketched this in my front seat. As it does sometimes, the sun seemed to hang in the trees just before it disappeared: solstice, “sun-stand-still”. It’s just a little thing, 6″ x 6″, one of my favorites, especially now that the place is gone to development. It became the inspiration for an exhibit I hosted in 2004, “Winter White”.

If you’re interested in any of the originals, please send me an e-mail; the available originals have prices listed. I also have prints of most of them, and because they are small they are available for $15.00 plus $5.00 in shipping. In the meantime, enjoy my views of winter! Visit Winter White.


Just A Little Polar Bear

watercolor of polar bear

White?

The title of this painting is White?

That’s important because we know that snow and polar bears are both white, right? I can assure you there’s not one speck of white anywhere in this piece. In addition to being a dedication to polar bears, it’s also a comment on the perception of color.

I have always seemed to be inspired by polar bears, and it might be that I love snow and their white fur, neither of which is truly white and that becomes the beauty of the scene. The Pittsburgh Zoo and PPG Aquarium has an excellent polar bear exhibit, and combined with all the images seen on the news, even a decade ago, I was moved to paint them.

Now that they are losing their habitat, it becomes even more of an imperative.

This is a small original watercolor sketch painted from photo references, and it’s just a little thing. The painting is 8″ wide x 8″ high, matted with 3″ acid-free mats, 1/2″ iridescent ice blue on the bottom, 2-1/2″ iridescent ice pink on the top with a German silver metal frame. The total size is just under 12″ x 12″. The backing is acid-free foam core and the glass is premium clear glass.

You can find this painting in my shop on Etsy: White? Polar Bear, Original Watercolor


Welcome Winter, visit my online exhibit “Winter White”

pastel painting of winter sunset

Solstice, pastel © B.E. Kazmarski

The above painting is indeed from the Winter Solstice about a decade ago. As the sun began to set on a zero-degree day with a foot or more of snow the light was so beautiful that I took off in my car with my camera and art supplies. At the top of the hill the gentle pink and coral tones of the sunset melded with the blue of dusk on the field of unbroken snow at the old Christmas tree farm, one of my favorite spots.

It was too cold to draw outside since I can’t wear gloves and would soon be dropping my pastels in the snow, so I positioned my car on a convenient side road and sketched this in my front seat. As it does sometimes, the sun seemed to hang in the trees just before it disappeared: solstice, “sun-stand-still”. It’s just a little thing, 6″ x 6″, one of my favorites, especially now that the place is gone to development. It became the inspiration for an exhibit I hosted in 2004, “Winter White”.

Winter

I love winter, and I don’t care who thinks I’m crazy.

I love the light, so much more of it with the leaves down from the trees and with the sun’s angle so much lower, more of it in the house and in the woods.

I love the colors, from the subtle pastels of a snowy morning to the bold jewel tones and earth tones of brambles, branches, stems and tree trunks and leaves left behind in contrast to the snow on a bright afternoon.

And I love the minimal, stark beauty of branches etched against snow and sky during a snowfall. I got out and play in it, and paint and photograph.

Winter White

trail in snow

Panhandle Outbound

Several years ago I collected all my winter sketches and hosted an exhibit entitled “Winter White”, and my guests and I enjoyed the art so much that I set it up on my website, each painting with the information about where it came from.

These are all small sketches, none larger than 12″ x 12″, in pastel, watercolor, pencil and pen and ink nearly all done en plein air, sometimes on the trails, sometimes in my backyard, often standing on my deck or sitting in the front seat of the car when the temperature was near zero.

In many cases they are my experiments with materials and styles, preparing my own drawing surfaces and using papers I’d never used before, breaking my own boundaries of studio work to refresh my palette and visualization.

I did my best to capture the essence of winter, and you’ll even see a few winter cats in here too.

I was greatly inspired by the book for an exhibit organized and shown in New York and San Francisco in 1999 entitled “Impressionists in Winter: Effets de Neige”. You can read about it on Artnet.com, or check your local library for the book from the exhibit.

In the meantime, enjoy my views of winter! Visit Winter White.


“Eye on the Sparrow”, note cards inspired by birds, nature and winter

sketch of junco

Snowbird

I feed birds at feeders all year, but in winter have many more feeders to enjoy, and as I travel around on foot or on bike I carry a little 5” x 8” sketchbook and small drawing paper scraps plus various pens and pencils, charcoal and ink. The stark light of winter, branches and shadows etched on fresh snow and the quick movements of birds make me leave the complications of my pastels behind in favor of quick sketches.

This set of notecards was compiled from years of little sketches I did for enjoyment and kept in the sketchbooks.

Eye on the Sparrow logo

birds in snow sketch

Birds in Snow

sketch of junco on snowy branch

Snowbird

charcoal sketch of chartiers creek in snow

Creek Study in Snow

pen and ink sketch of bare trees in snow

Light Woods

charcoal sketch of bare trees

The Path of the Elves

charcoal sketch of tree on hillside

The Sentinel

pen and ink sketch of an iron fence and bare tree

Wrought Iron Fence

pencil sketch of bare tree branches

Tree Study

charcoal sketch of small stream in heavy snow

Stream in the Snow

charcoal sketch of sparrows in a spruce tree

The Sparrows in the Spruce

Cards are 4-1/4″ x 5-1/2″, blank inside with matching envelopes, printed in soy-based ink on 25% cotton fiber stock with a 35% recycled content.

They are available in packs of 12 with three cards in each of the four images. Packs or boxes of individual images or different combinations are available on request.

Writing Paper and Memo Pads

In addition, I also offer these images on 5.5″ x 8.5″ writing paper with second sheets matching envelopes and on 2.75″ x 8.5″ memo pads.

  • twelve sheets of writing paper, twelve blank sheets, twelve envelopes in a clear, resealable plastic sleeve
  • memo pads with 25 sheets

And Prints

I also offer these images as 4″ x 6″ prints centered on 8″ x 10″ paper.

Visit the Marketplace on my website for more information.


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