Whooping Cranes, a Summer Afternoon in the Marsh

Taking Flight © original pastel painting, B.E. Kazmarski

Above is “Taking Flight”, an original pastel painting of two whooping cranes taking off in a marsh on a summer afternoon. Visiting what had once been their habitat on Assateague Island, Virginia, I imagined what they might have looked like in the whispering marshes.

Studying a wild animal in its natural habitat is a reminder that the world does not revolve around us, that these creatures get along just fine (and probably better) without us, that we are really only one more species carrying out our lives on Earth. And while, for me, the inspiration to put an image on paper is always primarily a visual inspiration, wild animals carry the same emotional inspiration as domestic pets—animals are so un-selfconscious. Add to that the beauty of a natural landscape and you’ve got a perfect recipe for visual pleasure.

I have traveled too little to see any real wildlife aside from the critters who inhabit my suburban garden, but the Pittsburgh Zoo is quite an impressive place of natural habitat and we also have conservation sites to visit in the western part of Pennsylvania where endangered species are kept in hopes they’ll breed enough to carry on their species. I also read many magazines and visit websites to learn about these species and reference pictorial resources.

Many years ago I saw two captive whooping cranes, likely at the Pittsburgh Zoo. I marveled at their size—they were nearly as tall as me! But it was when one of them spread its wings that I was truly enchanted by the pure white body, neat brown wing tips and tiny touches of yellow highlight here and there, and the grace of that huge bird.

And I read about them and discovered their plight, having no idea they were so imperiled, I remembered again that visit to Assateague Island.

What would their afternoon have been like? Using my photos of those marshes and many images of whooping cranes, I painted this in pastel, trying to capture the details that had stayed with me at seeing them, and also the feeling of movement in the marshes I had visited, the waving sedges, lapping water and constant breeze from the ocean.

And those summer colors, blue sky reflected on the water, reflected on the cranes.

The painting is 23″ wide x 15″ high, matted with a 4″ warm cream acid-free mat with 1/4″ burnished gold wood fillet edging and 1-1/4″ burnished gold frame. The backing is acid-free foam core and the glass is premium clear glass.

In July, 2011 I’ve reduced the price from $400 to $300 to make sure the whooping cranes find a place in someone’s home or office, and to make room for more artwork.

Along with the original painting I also offer this as a canvas print, digital print and a giclee.

You can find this painting in my Etsy shop under “Wildlife” along with a number of other wildlife paintings.

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If you’d like to be informed about new artwork plus sales and specials before everyone else, please sign up for my Art & Merchandise e-newsletter. In September I’m planning an autumn-themed artwork sale as well as a review of an exhibit from 2008 entitled “My Home Town”, with a few originals as well as many prints still available, and a special set of notecards. “Art & Merchandise” is a separate list from my Creative Cat e-newsletter if you’re already signed up for that one.

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.

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“Taking Flight”, Original Pastel and Prints

“Taking Flight”, pastel on Canson pastel paper, 18.25″ wide x 12.25″ high

Many years ago I saw two captive whooping cranes, likely visiting the Pittsburgh Zoo. I marveled at their size–they were nearly as tall as me! But it was when one of them spread its wings that I was truly enchanted by the pure white body, neat brown wing tips and tiny touches of yellow highlight here and there, and the grace of that huge bird.

Detail, cranes.

And I read about them and discovered their plight, having no idea they were so imperiled. Visiting what had once been their habitat on Assateague Island, Virginia, I imagined what they might have looked like in the whispering marshes.

Detail, marsh grasses.

What would their afternoon have been like? Using my photos of those marshes and many images of whooping cranes, I painted this in pastel, trying to capture the details that had stayed with me at seeing them, but also the feeling of movement in the marshes I had visited, the waving sedges, lapping water and constant breeze from the ocean.

Detail, water, “Taking Flight”.

And those late summer colors, blue sky reflected on the water, reflected on the cranes.

This painting is 18.25″ wide x 12.25″ high using Rembrandt pastels on Canson pastel paper because, again, I wanted to use the texture of the paper to break up the image, loosen up the edges to capture that feeling of constant movement on a breezy day in a marsh, the marsh grasses waving, the water lapping, the cranes splashing through the water. Though I wanted it loose it ended up being looser than I’d intended; I was still working in a fairly detailed style then and had pictured the birds with more detail, but I reached this point and stopped, then decided this was it.

This is an original pastel painting of two whooping cranes taking off in a marsh on a summer afternoon, 18.25″ wide x 12.25″ high using Rembrandt pastels on Canson pastel paper.

ORIGINAL PAINTING

The painting is 18.5″ wide x 13″ high, matted with a 4″ warm cream acid-free mat with 1/4″ burnished gold wood fillet edging and 1-1/4″ burnished gold frame. The backing is acid-free foam core and the glass is premium clear glass. You can find the original and prints made from it in my Etsy shop.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 18.25″ wide x 12.25″ and a roughly half-size of 8″ x 12″.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I, as the artist, could tell where detail and color were not as sharp as the original. Digital prints are available up to full size of 18.25″ wide x 12.25″, which is printed on 13″ x 19″ paper and so has very little white border. Other sizes have at least a 1″ white border, 2″ if possible. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. While I usually I set up canvases so the image runs from edge to edge, then the sides are black or white or a color that coordinates with the painting, these canvases actually wrap around using the area of the painting outside of the trim size.

SHIPPING

Prints up to 16″ x 20″ are shipped flat in a rigid envelope.

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Other Wildlife Art

You can find other wildlife artwork in my Etsy shop.

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All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.

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“Taking Flight” and the Fall Migration Festival with Wildbird Recovery

“Taking Flight”, pastel, 12.25″ x 18.25″, 2002 © Bernadette E. Kazmarski

I’ll be attending the Wildbird Recovery Fall Migration Festival Sunday, September 22, 2013, and a print of the work above is my donation. If you’re local, join us—the rain promises to clear up for a lovely autumn afternoon!

Back in May I found a bird that had obviously been injured on the street in front of my house and knew it needed medical assistance. I called around and eventually took this bird to Wildbird Recovery, and promised that for their kindness and all the work they do rehabilitating wild birds I’d donate a piece of artwork when I could, and this is my chance.

This is an archival-quality full-size giclee printed on acid-free hot press art paper from an original pastel painting of two whooping cranes taking off in a marsh on a summer afternoon.

Many years ago I saw two captive whooping cranes, likely at the Pittsburgh Zoo. I marveled at their size–they were nearly as tall as me! But it was when one of them spread its wings that I was truly enchanted by the pure white body, neat brown wing tips and tiny touches of yellow highlight here and there, and the grace of that huge bird.

And I read about them and discovered their plight, having no idea they were so imperiled. Visiting what had once been their habitat on Assateague Island, Virginia, I imagined what they might have looked like in the whispering marshes.

What would their afternoon have been like? Using my photos of those marshes and many images of whooping cranes, I painted this in pastel, trying to capture the details that had stayed with me at seeing them, but also the feeling of movement in the marshes I had visited, the waving sedges, lapping water and constant breeze from the ocean.

And those summer colors, blue sky reflected on the water, reflected on the cranes.

The print image is 24″ wide x 16″ high with 1/4″ of white around the outside edges, countersigned by the me. This print is a little larger than the original painting—the printer simply printed it the wrong size. I also have an actual size giclee of this painting, as well as a quarter-size giclee.

I also have the original painting, matted and framed and ready to hang.

If you’d like to be informed about new artwork plus sales and specials before everyone else, please sign up for my Art & Merchandise e-newsletter. In September I’m planning an autumn-themed artwork sale as well as a review of an exhibit from 2008 entitled “My Home Town”, with a few originals as well as many prints still available, and a special set of notecards. “Art & Merchandise” is a separate list from my Creative Cat e-newsletter if you’re already signed up for that one.

Wolves and Bison and Polar Bears, Oh My!

Over the years I’ve done a number of wildlife paintings because I love those animals too: bison and wolves and whooping cranes and other wild birds, and even a “big cat”. It’s what “Portraits of Animals” is all about, not just my commissioned portraits, but animals of all species. Some originals are still available, highest-quality giclees are available for nearly all, and smaller prints are available upon request. Follow the links to the “wildlife” section my Etsy shop to read more about them and see what’s available.

“Wolf Howl”, above, is an archival-quality 26″ x 18.5″ signed giclee print on acid-free hot press art paper from an original pastel painting of wolves howling in a twilight snow. It’s easy to personify what animals do, but when I saw this picture I pondered what made these wolves stop at that point and howl while the rest of the group moved on, and what they had to say. The range of dusky earth tones and the textures inspired me to render it in a looser and more sketchy manner than usual, much as our eyes perceive things at dusk, letting the texture of the paper add to the image, and allowing rough edges to show some of the actual natural paper tone.

Now there’s a look that will put us mere humans in our places. I combined images of wolves and their habitat to do a quick sketch, focusing on the unworried, unhurried expression. Wolves know they are near the food chain, and we don’t really worry them. This is worked in pastel on acid-free Canson drawing paper in one of the threaded dusky green shades that reminds me so much of leaf litter in the woods, and the matted, framed original is still available, painted in 1994 and I’d love to find a home for this guy. The mat is 2-1/2″ on all sides in slate blue black core to pull the cool tones from the snow, and the frame is solid cherry with a gray wash to pull the warm tones from the wolf.

We go from snowy mountains to the hot and arid Great Plains.  “Shadow of Bison” is an archival-quality 26.5″ x 17.5″ signed giclee print on acid-free hot press art paper from an original pastel painting of bison in a western twilight. I saw a photo in a magazine and remembered historical and fictional novels I’d read about Native Americans (wearing my long hair in two braids my entire childhood) to the “Little House on the Prairie” series and the settlement of the Great Plains and put together what I saw in photos and what I’d visualized while reading of a countryside I’ve never seen. This looks like a lot of bison, but considering how many populated this country just 200 years ago, this herd is just a shadow of what it once was, and in this orange twilight even their shapes are reduced to shadows. I also have quarter-size digital and giclee prints of this image as well as the original painting which is not listed, but ask if you are interested.

“Taking Flight” is an original pastel painting of two whooping cranes taking off in a marsh on a summer afternoon. Many years ago I saw two captive whooping cranes, likely at the Pittsburgh Zoo. I marveled at their size–they were nearly as tall as me! But it was when one of them spread its wings that I was truly enchanted by the pure white body, neat brown wing tips and tiny touches of yellow highlight here and there, and the grace of that huge bird. And I read about them and discovered their plight, having no idea they were so imperiled. Visiting what had once been their habitat on Assateague Island, Virginia, I imagined what they might have looked like in the whispering marshes. This original is available as well as full-size and smaller giclee and digital prints; click here to see more.

I have always seemed to be inspired by polar bears, and it might be that I love snow and their white fur, neither of which is truly white and that becomes the beauty of the scene. The Pittsburgh Zoo and PPG Aquarium has an excellent polar bear exhibit, and combined with all the images seen on the news, even a decade or more ago, I was moved to paint them.  I saw a photo in a wildlife magazine of the family settling down in a snowdrift for a night’s sleep, keeping warm with their own fur, the insulation of the snow and cuddling together. This painting was drawn from many photos of snow, of Alaska, of polar bears, but the basic composition was from that one photo I had seen and somehow remembered, wondering at the stark, quiet, even threatening beauty of the Arctic that the polar bears endured on a daily basis. In this case, the original is sold so I have full-size giclee prints; when the purchase ordered the art they had a mat and frame for it so I retained the mat and frame I’d prepared and can use it for your giclee if you’d like. Read more for details.

Yes, a big kitty! “Practice”, well, big cat, small cat, in many ways they act the same, and this cougar, obviously practicing a stalk and pounce is doing what all cats do in their spare time, when they aren’t sleeping. This is a small print, 8″ x 10″, of a larger piece because I sold the original before I could take an adequate photo of it; the small print is fine, but larger and it loses detail, though I’ve contacted the original purchaser about rephotographing it as an original.

You’ll find several more paintings plus a few pencil drawings and linoleum block prints in my gallery of wildlife art and prints on Etsy. As always, I can create custom-sized digital and giclee prints, and I also offer custom framing for your print. Just follow the link for “Ordering Custom Artwork”, below, or send a conversation when you visit my Etsy shop.

 

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All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.

Wildlife Artwork

Yes, a big kitty! And other wild creatures too!

I haven’t run out of feline-themed ideas, but I also want to include other animal-inspired artwork in my holiday deals—and “Cyber-tooth Cat Monday” lends itself to this. It’s what “Portraits of Animals” is all about.

Over the years I’ve done many wildlife pieces because I love those animals too: bison and wolves and whooping cranes and other wild birds, and even the cougar above. “Practice”, above, well, big cat, small cat, in many ways they act the same, and this cougar, obviously practicing a stalk and pounce is doing what all cats do in their spare time, when they aren’t sleeping. This is a small print, 8″ x 10″, of a larger piece because I sold the original before I could take an adequate photo of it; the small print is fine, but larger and it loses detail.

“Wolf Howl” is an archival-quality 26″ x 18.5″ signed giclee print on acid-free hot press art paper from an original pastel painting of wolves howling in a twilight snow. It’s easy to personify what animals do, but when I saw this picture I pondered what made these wolves stop at that point and howl while the rest of the group moved on, and what they had to say. The range of dusky earth tones and the textures inspired me to render it in a looser and more sketchy manner than usual, much as our eyes perceive things at dusk, letting the texture of the paper add to the image, and allowing rough edges to show some of the actual natural paper tone.

I’ve only flown over the Great Plains, but read so much about it and can visualize from a good manuscript. “Shadow of Bison” is an archival-quality 26.5″ x 17.5″ signed giclee print on acid-free hot press art paper from an original pastel painting of bison in a western twilight. I saw a photo in a magazine and remembered historical and fictional novels I’d read from the “Little House on the Prairie” series to the settlement of the Great Plains and put together what I saw in photos and what I’d visualized while reading of a countryside I’ve never seen. This looks like a lot of bison, but considering how many populated this country just 200 years ago, this herd is just a shadow of what it once was, and in this orange twilight even their shapes are reduced to shadows.

“Taking Flight” is an original pastel painting of two whooping cranes taking off in a marsh on a summer afternoon. Many years ago I saw two captive whooping cranes, likely at the Pittsburgh Zoo. I marveled at their size–they were nearly as tall as me! But it was when one of them spread its wings that I was truly enchanted by the pure white body, neat brown wing tips and tiny touches of yellow highlight here and there, and the grace of that huge bird. And I read about them and discovered their plight, having no idea they were so imperiled. Visiting what had once been their habitat on Assateague Island, Virginia, I imagined what they might have looked like in the whispering marshes.

You’ll find several more in my gallery of wildlife art and prints on Etsy.

Please visit my other posts about Black Cat Friday Weekend too:

Black Cat Friday

Small Business “Cat”-urday Specials

Shop Cat Sunday Deals

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All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.

Taking Flight, a Summer Afternoon in the Marsh

Taking Flight © original pastel painting, B.E. Kazmarski

Above is “Taking Flight”, an original pastel painting of two whooping cranes taking off in a marsh on a summer afternoon. Visiting what had once been their habitat on Assateague Island, Virginia, I imagined what they might have looked like in the whispering marshes as I watched the other cranes and egrets as I enjoyed the quiet rustling breezes of the marsh.

Studying a wild animal in its natural habitat is a reminder that the world does not revolve around us, that these creatures have their own lives and are not primarily subjects for our entertainment or sport. And while, for me, the inspiration to put an image on paper is always primarily a visual inspiration, wild animals carry the same emotional inspiration as domestic pets—animals are so un-selfconscious and don’t care what the artist does with them. Add to that the beauty of a natural landscape and you’ve got a perfect recipe for visual pleasure.

Detail of cranes.

I have traveled too little to see any real wildlife aside from the critters who inhabit my suburban garden, but the Pittsburgh Zoo and National Aviary in Pittsburgh are quite impressive places of natural habitat, and we also have conservation sites to visit in the western part of Pennsylvania where endangered species are kept in hopes they’ll breed enough to carry on their species, so I do get to see these species in life aside from the many magazines and visit websites I learn from.

Many years ago I saw two captive whooping cranes, likely at the Pittsburgh Zoo. I marveled at their size—they were nearly as tall as me! But it was when one of them spread its wings that I was truly enchanted by the pure white body, neat brown wing tips and tiny touches of yellow highlight here and there, and the grace of that huge bird.

And I read about them and discovered their plight, having no idea they were so imperiled, I remembered again that visit to Assateague Island.

Detail of marsh grasses and sky.

What would their afternoon have been like? Using my photos of those marshes and many images of whooping cranes plus another visit to the Zoo, I painted this in pastel, trying to capture the details that had stayed with me at seeing them, and also the feeling of movement in the marshes I had visited, the waving sedges, lapping water and constant breeze from the ocean.

And those summer colors, blue sky reflected on the water, reflected on the cranes.

Detail of water.

The painting is 23″ wide x 15″ high, matted with a 4″ warm cream acid-free mat with 1/4″ burnished gold wood fillet edging and 1-1/4″ burnished gold frame. The backing is acid-free foam core and the glass is premium clear glass.

You can find the original painting, “Taking Flight”,  along with a number of other wildlife paintings.

Prints are available, both a full-size high-quality giclee: www.etsy.com/listing/104435028/taking-flight-whooping-cranes-giclee, and an 18″ x 12″ digital print.: www.etsy.com/listing/104435800/taking-flight-whooping-cranes-digital.

I’m happy to be donating a print of this painting to Operation Migration, the non-profit that teaches Whooping Crane chicks the migration route from Wisconsin to Florida, for their benefit in September. Read about the difficult but rewarding effort this organization puts forth to help reintroduce this endangered species to their original lifestyle and pattern of migration.

Whooping Cranes, a Summer Afternoon in the Marsh

Taking Flight © original pastel painting, B.E. Kazmarski

Above is “Taking Flight”, an original pastel painting of two whooping cranes taking off in a marsh on a summer afternoon. Visiting what had once been their habitat on Assateague Island, Virginia, I imagined what they might have looked like in the whispering marshes.

Studying a wild animal in its natural habitat is a reminder that the world does not revolve around us, that these creatures get along just fine (and probably better) without us, that we are really only one more species carrying out our lives on Earth. And while, for me, the inspiration to put an image on paper is always primarily a visual inspiration, wild animals carry the same emotional inspiration as domestic pets—animals are so un-selfconscious. Add to that the beauty of a natural landscape and you’ve got a perfect recipe for visual pleasure.

I have traveled too little to see any real wildlife aside from the critters who inhabit my suburban garden, but the Pittsburgh Zoo is quite an impressive place of natural habitat and we also have conservation sites to visit in the western part of Pennsylvania where endangered species are kept in hopes they’ll breed enough to carry on their species. I also read many magazines and visit websites to learn about these species and reference pictorial resources.

Many years ago I saw two captive whooping cranes, likely at the Pittsburgh Zoo. I marveled at their size—they were nearly as tall as me! But it was when one of them spread its wings that I was truly enchanted by the pure white body, neat brown wing tips and tiny touches of yellow highlight here and there, and the grace of that huge bird.

And I read about them and discovered their plight, having no idea they were so imperiled, I remembered again that visit to Assateague Island.

What would their afternoon have been like? Using my photos of those marshes and many images of whooping cranes, I painted this in pastel, trying to capture the details that had stayed with me at seeing them, and also the feeling of movement in the marshes I had visited, the waving sedges, lapping water and constant breeze from the ocean.

And those summer colors, blue sky reflected on the water, reflected on the cranes.

The painting is 23″ wide x 15″ high, matted with a 4″ warm cream acid-free mat with 1/4″ burnished gold wood fillet edging and 1-1/4″ burnished gold frame. The backing is acid-free foam core and the glass is premium clear glass.

In July, 2011 I’ve reduced the price from $400 to $300 to make sure the whooping cranes find a place in someone’s home or office, and to make room for more artwork.

I also offer this as a digital print and a giclee.

You can find this painting in my Etsy shop under “Original Art” along with a number of other wildlife paintings.

Wildlife Artwork on Sale

Taking Flight © original pastel painting, B.E. Kazmarski

Gray wolves and polar bears and whooping cranes, oh my! Well, the whooping cranes aren’t very threatening, but they are endangered and are one of the species I have read about and studied, interpreting my findings in a pastel painting. All four of these pieces are available matted, framed and ready to hang. The full details of size dimension and mat and frame are available in my Etsy shop under “Original Art”. You can click on the title or the image to link to the post on Etsy.

Above is “Taking Flight”, an original pastel painting of two whooping cranes taking off in a marsh on a summer afternoon. Visiting what had once been their habitat on Assateague Island, Virginia, I imagined what they might have looked like in the whispering marshes.

Studying a wild animal in its natural habitat is a reminder that the world does not revolve around us, that these creatures get along just fine (and probably better) without us, that we are really only one more species carrying out our lives on Earth. And while, for me, the inspiration to put an image on paper is always primarily a visual inspiration, wild animals carry the same emotional inspiration as domestic pets—animals are so un-selfconscious. Add to that the beauty of a natural landscape and you’ve got a perfect recipe for visual pleasure.

Asleep in the Snow © original pastel by B.E. Kazmarski

“Asleep in the Snow” is an original pastel painting of a polar bear family settling down in the snow at sunset. This painting was drawn from many photos of snow, of Alaska, of polar bears, but the basic composition was from one photo I had seen, wondering at the stark, quiet, even threatening beauty of the Arctic that the polar bears endured on a daily basis.

I’ve sold prints of these pieces and I love having the originals hanging in my studio, but in reading more and more about the plight of endangered species, especially polar bear habitat, I need to make room for some new pieces to interpret what’s happening now. I have reduced the prices on these pieces to make them more affordable for those who want a touch of the wild in their home.

White? © original watercolor by B.E. Kazmarski

I’ve painted polar bears several times, fascinated by the “white” of the bears and snow. This painting is “White?”—we know that snow and polar bears are both white, right? I can assure you there’s not one speck of white anywhere in this piece. In addition to being a dedication to polar bears, it’s also a comment on the perception of color. It’s a small original watercolor sketch painted from photo references.

I have traveled too little to see any real wildlife aside from the critters who inhabit my suburban garden, but the Pittsburgh Zoo is quite an impressive place of natural habitat and we also have conservation sites to visit in the western part of Pennsylvania where endangered species are kept in hopes they’ll breed enough to carry on their species. I also read many magazines and visit websites to learn about these species and reference pictorial resources.

His Majesty, Gray Wolf © original pastel by B.E. Kazmarski

I don’t think I’d be so calm if I had been walking along a trail and met “His Majesty, Gray Wolf”, but I did want to capture the essence of the wolfish expression, and again, there’s snow, one of my favorite subjects with or without wildlife.

Blue Tuna © original pastel by B.E. Kazmarski

But I have always found “Blue Tuna” to be a very calming piece to be around. I am captivated by underwater scenes and water reflections and kept this as monochromatic as possible.

These four originals are ones that would be reasonable to ship, but I have other wildlife originals as well as prints of just about all of my wildlife pieces, large and small. You can see more on my website in “fine art>wildlife”, but the prices you see aren’t accurate—they’re now on sale at my Etsy shop. I’d love to know that these originals were hanging in the home, office or other collection of someone who enjoyed looking at them and had a feeling for the species.

Again, all four of these pieces are available matted, framed and ready to hang. The full details of size dimension and mat and frame are available in my Etsy shop under “Original Art”.