Tag Archives: pastel painting

Frosty Morning, Just Before Sunrise

pastel painting of cold snowy sunrise

“Frosty Morning, Just Before Sunrise”, 2012, 17.25″ x 9″, pastel © Bernadette E. Kazmarski

It looks like this out there this morning.

The coldest, frostiest mornings always seem to come in January, right after all the warmth and color of the holiday season. I painted this just one week shy of two years ago in January 2012, standing at my window to sketch the basics but finishing from a photo, the light so fleeting, but I look at this view each day and know the details in all seasons. This morning’s hazy frosty look with the valley in shadow but the bright sky was very inspiring. I decided to finally do this sketch that I’ve been visualizing for years.

Not just the colors of a snowy, frigid morning, but the steam rising from all the chimneys were part of the inspiration. I’m not sure why, but seeing the steam rise over the neighborhoods and town on a frosty morning has always had a sense of both melancholy and security for me. As I watched the sun rise and the day grow light, photographing as it went, it seemed everyone’s furnace turned on at the same time and I knew I had to paint this scene.

The four houses across from me I’ve sketched a number of times before, but in this case I’ve also included what is Main Street in Carnegie off to the left, the little collection of square-cornered things are the buildings there with steam rising just as well.

The one element I did leave out was the row of trees in my back yard which were just featured in a dawn photo the other day. They were just too chaotic and detailed, but really when I visualized the scene I realized my visualization had left them out. There is plenty of interest here without them. You can also see a portion of this scene in a frosty photo from last year before the heavy snowfall and ice knocked down a number of trees on the left, and in another snowy scene from this same vantage point. “Snow at Night”.

This painting is done in hues of only four colors, a Prussian blue which is a cool blue tending toward slate blue, haze blue that is a warmer color with a red tint and has elements of violet, and one shade each of yellow and pink.

This was one of those times when the photograph just wasn’t going to work.

Prints of this painting

“Frosty Morning” traveled to its final home over the holidays this year, to a friend “just north of us” in Canada. I offer a variety of prints of this painting, as digital, giclee or on canvas. Visit my Etsy shop to see the options and purchasing information.

See other art and landscapes

Visit my Etsy shop to see what’s available in my Landscapes and Still Lifes Gallery.

I also have an e-newsletter for non-animal art like my landscapes and photography, which I usually deliver seasonally, click here to add your e-mail address.

. . . . . .

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.


Featured Artwork: “A Warm Bath”, 1997, and “Less Adoptable Pets”

painting of white cat

A Warm Bath, pastel, 12″ x 10″, 1997 © Bernadette E. Kazmarski

September 21 through 27, 2014 is “Adopt a Less Adoptable Pet Week“, a campaign founded by Petfinder.com to help promote the adoption of pets who are often passed by when people are looking for a new pet. “Less adoptable”  can refer to physical or emotional characteristics, from black pets—yes, black cats are often left behind!—to blind and deaf pets, pets missing an eye or a leg, not uncommon in rescued pets who’ve had a hard life on the streets or come from an abusive or hoarding situation, older pets, even just pets who are adults and not cute babies, undesirable breeds, like pit bulls, or carrying chronic illnesses like diabetes, heart disease, or FIV in cats.

Many of the cats who’ve lived with me as permanent members or fosters were considered “unadoptable” or “less adoptable”. One of the reasons I ply you with photos and paintings and sketches and stories is to reinforce, every day, every way I can, that there is no such thing as “unadoptable” or “less adoptable”, that there is nothing at all different about these cats. Behind their appearance and the knowledge of something about them that is somehow different from what we think of as a pet, they are simply the same loving animals as those who seem to be perfect. There is nothing to fear in living with an animal that is different, once you know them, once you’ve fallen in love, you’ll forget all about that missing eye, or their advanced years. Frankencat and Old Grand Dad both fell into this category, and who could not love them once we’d met them? And if you don’t want to run out and get your very own house panther by now then I’m not working hard enough!

Sally was genetically deaf, and very high-spirited, a combination that didn’t suit her original owner though he’d wanted a cat with her looks, not uncommon with deaf cats. I agreed to take her rather than see her go to a shelter; read “My First ‘Less Adoptable’ Kitty”, and look at this painting and tell me if you could know that she was in any way different, or that it would even be important to you in the face of that much beauty.

. . . . . . .

You’ve seen other works featuring Sally, but this was one of the first. Just after I’d painted Stanley in “After Dinner Nap” I felt I’d arrived at a style and a level of ability and began painting at a furious pace, both my cats and landscapes. This was the year after I’d lost Kublai, and begun painting en plein air and painting serious landscapes, and all that had come together for me. I had studied Sally’s silky white fur from the day she’d come to live with me in 1984, photographed her regularly, but finally felt I had the insight and ability to capture all the colors and textures of her creamy tresses.

Photographing a cat in the process of a bath, white or black or striped or spotted, was no easier then than it is now except that I didn’t know what I hadn’t caught until I had the photos developed. Most of the photos were when Sally had her back turned. I chose this pose because you could still see Sally’s face, though she was looking down, and there is something I love about a cat’s face at that angle, the soft forehead, the nose, the whiskers sprouting here and there.

This painting sold in the days before I took adequate photos, and though I’ve been working on getting an image of the original I just have to live with this for now, so I don’t have any closeups. Still, this is the painting where I remember the feeling of “fingerpainting” for the first time, applying layers and colors of pastel, them mixing them with my fingertips and knuckles, the sides of my hands, both hands, a different color in each area. It was because I looked at the fur on Sally’s head in the reference photo and imagined digging my fingers into it to scratch the top of her head, which she loved, and I did my best to make the top of her head make me, and you, want to do that, even to feel it. The bright pink of her ear, the cool and warm highlights in her fur, it was all I could do to focus on one area to work it out completely.

Then there were the long angled shadows from the metal muntins in the windows, on the wall and book case and on Sally, the white-painted stucco wall, and the dappled side yard outside the window. I’m still very pleased with this painting, and even if I painted it today I may do some things differently, but I don’t think I could improve on this.

"A Warm Bath"

“A Warm Bath”

Once I’d finished four similar paintings, “After Dinner Nap”, “A Warm Bath”, “A Rosy Glow” and “The Little Sunflower”, I decided I had to have color note cards with my artwork on them to sell, and in 1998 had the set entitled “My Cats in the Sun” printed by traditional offset printing, not the ease of digital printing today. I still have a few left of this original set of cards; they’ve gone in and out of popularity, but some customers find them nice for professional correspondence and for sympathy cards, so they will still be around.

I had taken several reference photos of Sally having a good bath in front of that old metal casement window; I replaced it with the big north window where Giuseppe sings and we all watch birds, lots of morning  light, angled in, and my cats have always loved to gather in that light through the years, and you still see it in my artwork. I also used another photo from this set for a commissioned piece, “Welcome Spring With a Unique Commission”.

pastel portrait of cat looking out window

“Spring”, pastel, 12″ x 24″ © Bernadette E. Kazmarski

You can see more images of Sally in “My First ‘Less Adoptable’ Kitty” and in Sally’s Photo Shoot or search the category Sally


 

Take a look at other portraits and read other stories

Read articles on The Creative Cat featuring current and past commissioned portraits.

Read about how I create commissioned portraits.

Commissioned Cat Portraits

portrait of black cat on wicker chair

Samantha, pastel, 1994 © B.E. Kazmarski

Commissioned Dog Portraits

portrait of two dogs

Sophie and Ellie, pastel, 2009 © B.E. Kazmarski

Portraits of
My Cats

pastel painting of cat on table

After Dinner Nap, pastel, 1996 © B.E. Kazmarski

Visit my website to see portraits of my cats, commissioned cats, commissioned dogs, people and a demonstration of how I put a portrait together from photos.


Download a Brochure

cover of brochure

My Portraits Brochure

My brochure is an 8.5″ x 11″ two-page full-color PDF that half-folds when it’s all printed out, showing examples of portraits with an explanation of my process and basic costs.

 


Purchase a Gift Certificate

sample portrait certificate

Sample Commissioned Portrait Certificate

I offer gift certificates for portraits in any denomination beginning at $125.00, which is the basic cost of a portrait; the recipient is responsible for any amount the portrait costs over $125.00.

The certificate itself is 8.5″ x 11″ and features a collage of portrait images with the recipient’s and giver’s names, printed on parchment cover stock. The whole thing is packaged in a pocket folder and includes a brochure, a letter from me to the recipient and several business cards.The certificate package can be easily mailed or wrapped as a gift and shipped directly to your recipient.

I can also make it downloadable if you’re in a hurry.

Portrait certificates are a minimum of $125.00 because that is the minimum cost of a portrait.

Certificates are good for up to one year after issue.

You can purchase gift certificates from my Etsy shop if you are also purchasing other animal-inspired merchandise.


All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


Inspired by felines you know! Visit Portraits of Animals on Etsy.

AfterDinnerNap-Etsy


© 2014 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski
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“Taking Flight”, Original Pastel and Prints

detail of whopping crane painting“Taking Flight”, pastel on Canson pastel paper, 18.25″ wide x 12.25″ high

Many years ago I saw two captive whooping cranes, likely visiting the Pittsburgh Zoo. I marveled at their size–they were nearly as tall as me! But it was when one of them spread its wings that I was truly enchanted by the pure white body, neat brown wing tips and tiny touches of yellow highlight here and there, and the grace of that huge bird.

detail of whopping crane painting
Detail, cranes.

And I read about them and discovered their plight, having no idea they were so imperiled. Visiting what had once been their habitat on Assateague Island, Virginia, I imagined what they might have looked like in the whispering marshes.

detail of whopping crane painting
Detail, marsh grasses.

What would their afternoon have been like? Using my photos of those marshes and many images of whooping cranes, I painted this in pastel, trying to capture the details that had stayed with me at seeing them, but also the feeling of movement in the marshes I had visited, the waving sedges, lapping water and constant breeze from the ocean.

detail of whopping crane painting
Detail, water, “Taking Flight”.

And those late summer colors, blue sky reflected on the water, reflected on the cranes.

This painting is 18.25″ wide x 12.25″ high using Rembrandt pastels on Canson pastel paper because, again, I wanted to use the texture of the paper to break up the image, loosen up the edges to capture that feeling of constant movement on a breezy day in a marsh, the marsh grasses waving, the water lapping, the cranes splashing through the water. Though I wanted it loose it ended up being looser than I’d intended; I was still working in a fairly detailed style then and had pictured the birds with more detail, but I reached this point and stopped, then decided this was it.

This is an original pastel painting of two whooping cranes taking off in a marsh on a summer afternoon, 18.25″ wide x 12.25″ high using Rembrandt pastels on Canson pastel paper.

ORIGINAL PAINTING

The painting is 18.5″ wide x 13″ high, matted with a 4″ warm cream acid-free mat with 1/4″ burnished gold wood fillet edging and 1-1/4″ burnished gold frame. The backing is acid-free foam core and the glass is premium clear glass. You can find the original and prints made from it in my Etsy shop.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 18.25″ wide x 12.25″ and a roughly half-size of 8″ x 12″.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I, as the artist, could tell where detail and color were not as sharp as the original. Digital prints are available up to full size of 18.25″ wide x 12.25″, which is printed on 13″ x 19″ paper and so has very little white border. Other sizes have at least a 1″ white border, 2″ if possible. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. While I usually I set up canvases so the image runs from edge to edge, then the sides are black or white or a color that coordinates with the painting, these canvases actually wrap around using the area of the painting outside of the trim size.

SHIPPING

Prints up to 16″ x 20″ are shipped flat in a rigid envelope.

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Other Wildlife Art

You can find other wildlife artwork in my Etsy shop.


Subscribe to My E-newsletter

Subscribe to The Creative Cat e-newsletter for specials on exclusively feline-themed art and merchandise.

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


© 2014 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski

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“Sun Shadow Ice & Snow: Seasons Along the Panhandle Trail”, August 22 and 23

I'm having an art exhibit!

I’m having an art exhibit!

SUN SHADOW ICE & SNOW

seasons along the panhandle trail

original paintings and sketches

opening friday august 22 5:00 p.m. to 9:00 p.m.
through saturday august 23 noon to 9:00 p.m.

panhandle trail quarry area as part of Rock the Quarry

FEATURED WORK: “The Rope Swing” 14” X 22” Pastel

. . . . . . .

I’ve been visiting the Panhandle Trail for nearly 15 years with my bike and on foot, for exercise and inspiration, more inspiration than exercise, packing in with backpacks of camera equipment and art supplies. I’ve taken thousands of photos along the trail and off in the woods, but I’ve also done a number of sketches while there in pencil, charcoal, pastel and watercolor, and arriving home in my studio to do more from photos. I’ve collected a number of these for an exhibit, but not in a gallery—right on the trail, where I’ve spent so much time and found these inspirations. It’s the place where I found the scene of one of my favorite paintings, “Dusk in the Woods”.

quarry pond

The Quarry Pond

You’ll find me in my tent during Rock the Quarry, the annual fundraiser for the Collier Friends of the Panhandle Trail. I’ll have my exhibit set up and also have a small display of prints, photos and notecards I’ve created over the years of scenes from along the trail and off in the woods. Once Rock the Quarry is over, they all come home with me so this will be your only opportunity to see them all together, although I will set them up as an online gallery as I have been setting up each of my exhibits.

A portion of sales of art and merchandise during Rock the Quarry will benefit the Collier Friends of the Panhandle Trail.

So join me at Rock the Quarry August 22 and 23

I use this trail all the time, and part of my giveback is to maintain their website and the little bit of social networking that we do, along with photographing things. I always volunteer during the event, usually in the kitchen dishing out easy food, but this year I’m giving something different.

rock the quarry

Rock the Quarry 2013

What’s the quarry? The Panhandle rail line, which was removed to built the trail in the old rail bed, runs right through a century-old limestone quarry, a portion of which is still actively quarried. The quarry ponds are there and that and the woods around make a natural gathering place.

Music, food, science demo, games, raffles, bonfire, fire trucks, fun for all ages.

For over ten years, Rock the Quarry (RTQ) has been an annual tradition. RTQ features two days of music, food, and fun. Each year, RTQ showcases up-and-coming local musical talent. Day two of RTQ features lots of activities for the kids as well as the Grand Rubber Duck Race and the traditional Sunset Remembrance Ceremony.

For more information on the event including maps and parking, please visit www.panhandletrail.org.


Find out about events and festivals where you can find me and my work.

Sign up for my e-newslettesr (below) or sign up to receive posts here using the subscription box in the right column.

E-newsletters

Subscribe to The Creative Cat e-newsletter for specials on exclusively feline-themed art and merchandise.

Or if you’d like to subscribe to my Art & Merchandise e-newsletter, delivered seasonally, that features everything that’s not feline, click here to add your e-mail address.


All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


© 2014 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski

FACEBOOK | TWITTER | LINKEDIN | ETSY SHOP | PINTEREST | TUMBLR | STUMBLEUPON | GOOGLE+ | EMAIL

 


Morning on the Creek

pastel of geese on creek

“Morning on the Creek”, pastel, 22″ x 29″, 2008 © Bernadette E. Kazmarski

A placid morning canoe trip on Chartiers Creek as the sun spills over the top of the hill, and a goose and goslings head upstream. Of course, I couldn’t paint this while paddling, but I kept it in mind for later. I wear a small digital camera around my neck while canoeing and probably spend more time taking photos than paddling, and I’ve tipped the canoe more than once while swinging around trying to focus on a heron flying overhead. It’ s a good thing Chartiers Creek averages about 1o inches deep most of the year.

detail of landscape painting

Morning on the Creek, detail top left.

This scene is in June somewhere near Peters Township and Upper St. Clair where the creek’s channel is still winding in its traditional channel of oxbows and hairpin turns with high banks and deeper pools and rocky ledges in many places, alive with the calls and flight of herons, wood thrushes and kingfishers as well as the more common cardinals, jays and sparrows, and the occasional fish jumping out of the water. It’s difficult to believe you are paddling past back yards and the parking lots of industry, under the interstate and through a golf course.

detail of landscape painting

Morning on the Creek, detail top right

I did a small study of the top section of this image several years ago in preparation for this painting, which is sold but I have prints of this one as well. I have a series of photos from this canoe trip and many others, which are all worthy of artwork, but this spill of sunbeams broken by the tree trunks, touching the leaves with bright gold and shining a spotlight on the surface of the water is simply so descriptive of the summer creek, the one that I remember from my childhood when it was still fairly wild and overgrown all up and down its corridor, that I kept returning to it.

pastel painting of sunbeams through trees

“Sunbeams”, pastel, 6″ x 8″, 2002 © B.E. Kazmarski

I had originally intended to paint just the creek and its banks, but when I looked closer at my photos I found the little family of Canada geese floating along in the shadows. Even though Canada Geese are not native to the watershed, and are, in fact, invasive in some areas, they are such a common sight that I still welcome their entry on the scene.

goose and goslings

A goose and goslings.

This piece was the signature painting at my second annual poetry reading and fine art show at Andrew Carnegie Free Library & Music Hall, “Winter Twilight”; those long nights of midwinter can inspire some very deep thoughts. Even though this piece depicts summer, I painted it during a series of those longs nights, remembering the sweet and mild June morning, full of life and sound. Visit my website to see more artwork and read the poetry from that reading.

This painting is an original pastel on acid-free two-ply natural white drawing board to which I applied Art Spectrum Colourfix fine pastel ground tinted light green.

The image size 22″ x 29″, painted in 2008. I framed it in a custom plain matte black moulding with a 4″ acid-free white mat. Framed size is 30″ x 37″, and you can find it in my Etsy shop along with a variety of digital prints, giclee prints and canvas prints:

  • Original, framed or
  • Painting only
  • 11″ x 14″ Digital
  • 22″ x 29″ Giclee
  • 11″ x 14″ Giclee
  • 24 x 18 Canvas
  • 20 x 16 Canvas
  • 14 x 11 Canvas

For local friends, this painting is on display at Wesbanco in Carnegie, 100 Broadway Avenue, Carnegie 15106.

If you’d like to be informed about new artwork plus sales and specials before everyone else, please sign up for my Art & Merchandise e-newsletter. In September I’m planning an autumn-themed artwork sale as well as a review of an exhibit from 2008 entitled “My Home Town”, with a few originals as well as many prints still available, and a special set of notecards. “Art & Merchandise” is a separate list from my Creative Cat e-newsletter if you’re already signed up for that one.

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


“Shadow of Bison” Original Art and Prints

detail of painting of bison grazing in sunset prairie
“Shadow of Bison “, pastel on 26.5″ x 17.5” on Hahnemuhle sanded watercolor paper.

I have traveled too little to see any real wildlife aside from the critters who inhabit my back yard, so I began my wildlife excursions from pictorial resources such as magazines and calendars. Nonetheless, after being accustomed to seeing domesticated animals in the relative comfort of my home and neighborhood, it is almost a shock to see an animal which has never known a human and cares nothing for human companionship. Studying a wild animal in its natural habitat is a reminder that the world does not revolve around us, that these creatures get along just fine (and probably better) without us, that we are really only one more species carrying out our lives on Earth. And while, for me, the inspiration to put an image on paper is always primarily a visual inspiration, wild animals carry the same emotional inspiration for me as domestic pets. Add to that the beauty of a natural landscape and you’ve got a perfect recipe for visual pleasure.

I regularly write about my “Registered Backyard Wildlife Habitat”, and even though small and in a regular old neighborhood near Main Street, it is host to plenty of native species of all sorts, especially songbirds hence my quantity of bird art, but I have a series of photos I took at the Pittsburgh Zoo and intend to go there in good weather to sketch and paint. Until then, here are two featured wildlife paintings with links to more.

I saw a photo in a magazine of bison grazing on the plains and remembered historical and fictional novels I’d read from the “Little House on the Prairie” series to the settlement of the Great Plains.

detail of painting of bison grazing in sunset prairie
Detail, bison grazing.

I put together what I saw in photos and what I’d visualized while reading of a countryside I’ve never seen.

detail of painting of bison grazing in sunset prairie
Detail of bison on left.

This looks like a lot of bison, but considering how many populated this country just 200 years ago, this herd is just a shadow of what it once was, and in this orange twilight even their shapes are reduced to shadows.

detail of painting of bison grazing in sunset prairie
Detail of bison on right.

The original pastel painting, 26.5″ x 17.5″, was done in Rembrandt pastels on Hahnemühle sanded watercolor paper. You can see a lot of ambient textures in the paper in this painting, and even, just above in the lower right corner, you can see the actual color of the paper. This is a sturdy German-made 300# watercolor paper with deckle edges which has the sanded finish used for pastel and charcoal layered onto it, tinted various colors. This was my preferred paper for pastels in the 90s and early 2000s in part because of the colors in which it was available. I rarely begin a painting with white paper, when when I saw the photos of the bison and envisioned this painting it begged to be painted on this shade of this paper, knowing I’d be able to use that ambient texture to enhance the feel of the prairie grass.

This painting is larger than my usual and was actually difficult to paint because my easel at that time was quite small. Framing was another issue—I looked everywhere for the frame that would coordinate in style as well as color, and be able to support a painting that large with mats and glass and ended up with a custom-ordered 4″ wide solid wood rounded profile with a faux calfskin finish, an expense I never undertake except for this one painting. The mats are black core in a tone of orange that exactly match the mid-range tones of the painting. I still look at this painting and love every bit of it and am glad I followed my star to make it what it is.

I have the original painting alone or matted and framed, and I also have giclee and digital prints available in my Etsy shop and I even have one last 12 oz. mug available too.

ORIGINAL PAINTING

The original pastel painting, 26.5″ x 17.5″, was done in Rembrandt pastels on Hahnemuhle sanded watercolor paper and is currently matted with two tones of deep orange black-core mats, and framed with a 4″ wide solid wood rounded profile with a faux calfskin finish.

I am happy to sell the matted and framed painting, or just the original painting if you’d like to choose your own mat and frame. Shipping charges are included in the prices listed above.

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

Please ask for shipping on the original or framed original.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 26.5″ x 17.5″, a half-size of 17.5″ x 11″ and a proportional quarter size of 13.25″ x 8.75″.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ so I trim a bit off each end to fit, and also offer the quarter-size 13.25″ x 8.75″.

Right now I also have one 15″ x 9.5″ digital print that I had made for a series to fit frames I had on hand.

The giclees have 2″ of white around the outside edges, while the digital print has 1/2″ around the edges. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

SHIPPING

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

. . . . . . .

Other Wildlife Art

Below is a slideshow of more of my wildlife artwork linked to those images in my Etsy shop. You can also find these and more on my original website under Wildlife and in my Marketplace purchase greeting cards with most of the images.


Subscribe to My E-newsletter

Subscribe to The Creative Cat e-newsletter for specials on exclusively feline-themed art and merchandise.

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


© 2014 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski

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The Sunny Upstairs Window, Framed Original or Prints

pastel sketch of two cats

“The Sunny Upstairs Window”, 6″ wide x 8″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels © Bernadette E. Kazmarski

This art is “The Sunny Upstairs Window”, 6″ wide x 8″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels © Bernadette E. Kazmarski, signed and dated 5/11/12.

ABOUT THE ARTWORK

If you’ve been following my sketches for any length of time, you’ve probably seen gradual changes that begin with a particular sketch—adding new media, using a new color palette, finding a new style, even using a new and different paper. In my everyday life as an artist I took the time to experiment far lest often, in part because I did less art, and because my visualization and aesthetic senses moved more slowly. With this daily practice everything happens faster, and with more daring I’ll add.

Up to this point I’d done most of my sketches away from my studio, with my toy bag full of older, lower-quality and well-used pencils, pastels, charcoal, pens and even sketch pads. The sketches were just for practice after all, and I didn’t want to use “good” materials on what was basically a quick and temporary item.

But leading up to this with oil pastels and ink and watercolor, this particular morning I picked up my imported pastel paper and my really good pastels and quickly came up with this sketch, and it was truly inspired and enhanced by using the better materials. The two girls have such dimension and interest all over their tiny figures, the light streams in and changes tone and color just as natural light tends to do, and even the shadows have dimension. Let that be a lesson to me.

. . . . . . .

Mimi and Mewsette enjoy the morning sunshine in front of the sunniest window in the house.

Friday morning was the first of several completely sunny mornings after a row of somewhat dark and rainy ones. All the cats were gravitating to the back of the house, facing east, as the sun streamed in the back door into the kitchen, and in the windows at the top of the stairs and in the bathroom.

I also recently took all the geraniums outside, so this top level of the wardrobe is now accessible, and a perfect spot to enjoy a sunny morning.

In my studio for part of the morning, I used the very Italianate Fabriano Tiziano Pastello drawing paper and a small set of my Sennelier pastels. Typically, what I have easily available downstairs in my toybox of art materials is not this quality of stuff, but in my studio I can play around with other things.

. . . . . . .

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

"The Sunny Upstairs Window" framed.

“The Sunny Upstairs Window” framed.

ORIGINAL PAINTING

This sketch is 6″ wide x 8″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels. It is matted with 1-1/4″ acid-free purple top and bottom mats, framed in a 1-1/2″ dusk blue barnwood 8″ x 10″ solid wood frame. The backing is acid-free foam core and the glass is premium clear glass. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

"The Sunny Upstairs Window" canvas.

“The Sunny Upstairs Window” canvas.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

MOUSEPADS

"The Sunny Upstairs Window" mousepad.

“The Sunny Upstairs Window” mousepad.

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

Stay tuned for other items with this image, like keepsake boxes, wood-mounted prints and coasters!

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.


Find out about events and festivals  where you can find me and my work.

Sign up for my e-newsletter (below), check the widget on the sidebar on my home page, or sign up to receive posts on Portraits of Animals Marketplace. I plan on plenty of events this coming summer in the Pittsburgh area.

Once a week on Thursday I feature something new in my “shop”, whether that’s here on The Creative Cat, in my Etsy shop, on my main website or even at one of the bricks and mortar shops that carry my work.



Browse some rescued cats and kittens!


All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


Inspired by felines you know! Visit Portraits of Animals on Etsy.
Inspired by felines you know! Visit Portraits of Animals on Etsy!

© 2014 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski

FACEBOOK | TWITTER | LINKEDIN | ETSY SHOP | PINTEREST | TUMBLR | STUMBLEUPON | GOOGLE+ | EMAIL

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Commissioned Portrait: Little Gooney

pastel portrait of orange cat

“Little Gooney”, pastel on Hahnemühle velour paper, 8″ x 10″, 1999 © Bernadette E. Kazmarski

Little Gooney was her name, and yes, she did have an attitude, perhaps because of her name. She was commissioned as a small Hanukkah gift for from wife to husband, as Little Gooney had been his girl before they were married.

Even though this pose is not the most flattering, it was the only full-face photo available, and it was clear and direct. It’s one of my favorites, though, small, simple and honest. LG was on a table, I think, but I decided to add a colored background to complement her rich red-orange fur, and what better than a rich cobalt blue?

She is drawn in pastel on a velour drawing paper made by Hahnemühle art papers. The base is a heavy mold-made watercolor paper, meaning the pulp is dropped into a mold and pressed and dried the old-fashioned way which gives it a little more body as well as a slight texture. The velour is a finish just like velour fabric except that it’s not woven. Short vertical bristles that are pretty stiff are adhered to the surface of the paper and tend to hold the pastel forever once it drops down between the fibers. Because of even just the slight depth of the bristles the painting looks ever-so-slightly dimensional, a very interesting effect, especially around the eyes and in finer details like our girl’s face. The texture also tends to soften lines and shapes, and a truly fine detailed line needs to be planned and executed with a fairly sharp pastel.

I will note that Little Gooney looks especially soft here, softer than her actual portrait, because this was scanned from a photograph and the details just aren’t as sharp as the original.

I had used the paper frequently at the time for portraits of both animals and people because of that softness and dimension. The painting of Cookie “The Little Sunflower” is painted on this paper as well as “Blue Tuna”. The paper came in large sheets and I could cut it down to any size I wanted, and could still use the scraps. I’m sure “Little Gooney” came from the same sheet as “Blue Tuna”.

And partly because of Gooney’s expression and partly that softness and dimension, this portrait almost has the character of a caricature. I had actually used her portrait as a slightly cartoony character in one of my illustration brochures years ago.

I know nothing abut her story than what I’ve noted here, and really barely knew her people, just three conversations at a hurried time just before the holidays that year. But Little Gooney is decidedly unique among my portraits for her attitude and she’s still one of my favorites.

. . . . . . .

Coming Soon: Portrait in Progress…

NOTE: I’m starting a few new portraits this weekend, and two of them I know I’ll be able to share. I always leave that decision up to my customers. I would have shared Paige’s portrait, but she was a surprise gift and that just wouldn’t do! With other portraits my customers wanted me to wait a while before I shared them with the world so I began posting about portraits I’d done in the past. But next Wednesday, and for the next few Wednesdays most likely, I’ll be sharing progress images of portraits I’m working on, one a watercolor and one a pastel. Until then…


Commissioned Portraits and Featured Artwork

If you’d like to read more about artwork as I develop it, about my current and past portraits and paintings and art assignments, each week I feature a piece of artwork on Wednesday and a new product on Thursday. Choose the category for featured artwork to see an archive of all these posts, or if you want to see only my portraits choose commissioned portraits.


Take a look at other portraits and read other stories

Read articles here on The Creative Cat featuring current and past commissioned portraits.

Read about how I create commissioned portraits.

Commissioned Cat Portraits
portrait of black cat on wicker chair

Samantha, pastel, 1994 © B.E. Kazmarski

Commissioned Dog Portraits

portrait of two dogs

Sophie and Ellie, pastel, 2009 © B.E. Kazmarski

Portraits of
My Cats

pastel painting of cat on table

After Dinner Nap, pastel, 1996 © B.E. Kazmarski

Visit my website to see portraits of my cats, commissioned cats, commissioned dogs, people and a demonstration of how I put a portrait together from photos.


Download a Brochure

cover of brochure

My Portraits Brochure

My brochure is an 8.5″ x 11″ two-page full-color PDF that half-folds when it’s all printed out, showing examples of portraits with an explanation of my process and basic costs.

 


Purchase a Gift Certificate

sample portrait certificate

Sample Commissioned Portrait Certificate

I offer gift certificates for portraits in any denomination beginning at $125.00, which is the basic cost of a portrait; the recipient is responsible for any amount the portrait costs over $125.00.

The certificate itself is 8.5″ x 11″ and features a collage of portrait images with the recipient’s and giver’s names, printed on parchment cover stock. The whole thing is packaged in a pocket folder and includes a brochure, a letter from me to the recipient and several business cards.The certificate package can be easily mailed or wrapped as a gift and shipped directly to your recipient.

I can also make it downloadable if you’re in a hurry.

Portrait certificates are a minimum of $125.00 because that is the minimum cost of a portrait.

Certificates are good for up to one year after issue.

You can purchase gift certificates here or from my Etsy shop if you are also purchasing other animal-inspired merchandise.

Enter the recipient’s name
Enter shipping address

You only need to enter an address if it is different from the address I’ll receive through PayPal. These are often surprise gifts and need to be shipped away from the home address to make sure they are a surprise.


Subscribe to My E-newsletter

Subscribe to The Creative Cat e-newsletter for specials on exclusively feline-themed art and merchandise.

 


Browse some rescued cats and kittens!

FinnBaxter-ad


All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


© 2014 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski
FACEBOOK | TWITTER | LINKEDIN | ETSY SHOP | PINTEREST | TUMBLR | STUMBLEUPON | GOOGLE+ | EMAIL

HOME


 

 


 

Take a look at other portraits and read other stories

Read articles here on The Creative Cat featuring current and past commissioned portraits.

Read about how I create commissioned portraits.

Commissioned Cat Portraitsportrait of black cat on wicker chair Commissioned Dog Portraitsportrait of two dogs Portraits of
My Cats
pastel painting of cat on table

Visit my website to see portraits of my cats, commissioned cats, commissioned dogs, people and a demonstration of how I put a portrait together from photos.


Download a Brochure

cover of brochure

My brochure is an 8.5″ x 11″ two-page full-color PDF that half-folds when it’s all printed out, showing examples of portraits with an explanation of my process and basic costs.


Purchase a Gift Certificate

Sample Commissioned Portrait Certificate

I offer gift certificates for portraits in any denomination beginning at $125.00, which is the basic cost of a portrait; the recipient is responsible for any amount the portrait costs over $125.00.

The certificate itself is 8.5″ x 11″ and features a collage of portrait images with the recipient’s and giver’s names, printed on parchment cover stock. The whole thing is packaged in a pocket folder and includes a brochure, a letter from me to the recipient and several business cards.The certificate package can be easily mailed or wrapped as a gift and shipped directly to your recipient.

I can also make it downloadable if you’re in a hurry.

Portrait certificates are a minimum of $125.00 because that is the minimum cost of a portrait.

Certificates are good for up to one year after issue.

You can purchase gift certificates here or from my Etsy shop if you are also purchasing other animal-inspired merchandise.

Enter the recipient’s name
Enter shipping address

You only need to enter an address if it is different from the address I’ll receive through PayPal. These are often surprise gifts and need to be shipped away from the home address to make sure they are a surprise.


Also browse Featured Artwork

I also feature artwork which has not been commissioned, especially my paintings of my own cats. If you’d like to read more about artwork as I develop it, about my current portraits and art assignments and even historic portraits and paintings, I feature commissioned portrait or other piece of artwork on Wednesday. Choose the categories featured artwork.


Browse some rescued cats and kittens!

FinnBaxter-ad


Subscribe to My E-newsletter

Subscribe to The Creative Cat e-newsletter for specials on exclusively feline-themed art and merchandise.

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


Inspired by felines you know! Visit Portraits of Animals on Etsy.

AfterDinnerNap-Etsy


© 2014 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski

Weekly schedule of features:
Sunday: Essays, Pet Loss, Poetry, The Artist’s Life
Monday: Adoptable Cats, TNR & Shelters
Tuesday: Rescue Stories
Wednesday: Commissioned Portrait or Featured Artwork
Thursday: New Merchandise
Friday: Book Review, Health and Welfare, Advocacy
Saturday: Your Backyard Wildlife Habitat, Living Green With Pets, Creating With Cats
And sometimes, I just throw my hands in the air and have fun!

FACEBOOK | TWITTER | LINKEDIN | ETSY SHOP | PINTEREST | TUMBLR | STUMBLEUPON | GOOGLE+ | EMAIL

HOME


Commissioned Portrait: Milan and Felix

portrait of two cats

“Milan and Felix”, pastel, 22″ x 15″, 2005 © Bernadette E. Kazmarski

Milan and Felix spend some time together; yesterday we read their rescue story and today we study their portrait. Their rescuers volunteered for Animal Friends in Pittsburgh and won a portrait certificate I’d donated in a benefit auction. They’d won a portrait from another artist a few years before and had two other cats done, and it was actually Milan’s diabetes diagnosis that gave them the idea to have a portrait done of these two in 2005.

I remember looking at photos and planning the composition to show the best angles of their faces and all the best markings on each of them, Milan’s distinctive white areas and Felix’s many bracelets and necklaces. The two have completely different styles of stripes, but both have that classic eyeliner that I always find so lovely around a cat’s eyes. I actually look forward to firming up that eyeliner as a finishing touch at the end of working on the face.

detail of portrait

Detail of Felix’s face.

I wanted to choose a pose for each that suited their nature. The two were friendly but didn’t cuddle so I also knew I’d have to leave some sort of space between them, yet I also wanted the portrait composition to work. I saw this pose of Milan and I really liked how it showed Milan’s interesting resting position; the pose was also different enough from the sitting position I’d had in mind for Felix that it just might work as a way to “leave space” between them and yet have a composition without holes in it. The open upper left corner kind of naturally balanced.

This portrait of Milan and Felix, with their everyday markings and casual postures, could be any two cats in any household, a couple of rescued cats enjoying their day.

detail of portrait

Detail of Felix’s face.

The two had quiet, friendly natures and their postures certainly conveyed that, but the way I’d work the background should as well. Normally I’d choose a color and shade the subjects would stand out well in front of but in this case it would be a shade of blue and that didn’t really suit them. I used a neutral tan, the shade you find between a tabby cat’s stripes, but worked many pastel colors into the tan, especially in the highlights, and used deep greens for the shadows so they’d stay vibrant though dark.

This portrait is done in Rembrandt pastels for the most part, with finishing detail in Conté pastel pencils, on Wallis sanded pastel paper.

A little more about Milan and Felix and their people—and doggy brother

two cats on deck

Milan and Felix enjoy the deck in June 2011.

Some time after the two cats had come together in the house, their mom noticed Milan wasn’t walking quite right, especially in using his hind legs. Milan was diagnosed with diabetes so she gave him insulin shots and he was fine with it—no one would ever know. Diabetes is not difficult to treat but can be a challenge because of testing and needles. This didn’t bother their mom, so Milan certainly chose the best people to impress! He survived eight years with a great quality of life as Missy let me know in the autumn of 2012 that he’d passed.

This was one of the portraits I had to re-photograph when I discovered my image from a few years before wasn’t up to current reproduction standards. Unfortunately, the details aren’t quite what they could be but no matter, I enjoyed meeting the two and their mom again, and their doggy sister Murphy as well.

Felix said goodbye to Murphy in October 2013, but Missy let me know of a new addition to the Bauer Famil—Izzy, a corgi/spaniel/unknown mix, and says that Felix and Izzy have a special bond.

And I was fascinated with what Missy did with her purses and quilts; you can read more about Missy and Vic in Creating With Cats: Quilted Kitties for Fun and Charity.


About Great Rescues Calendar and Gift Book and Great Rescues Day Book

day book with cat portraits

Great Rescues Day Book

Milan and Felix are the April cats in my Great Rescues Day Book, an undated monthly journal to record the dates of birthdays, anniversaries and events featuring sixteen of my commissioned portraits of rescued cats along with their rescue stories.

This book is built from Great Rescues Calendar and Gift Book, the original 16-month calendar published in 2011 to inaugurate my series of rescue stories related to the portraits I’ve painted over the years.

Click here or on the image of the book at left, or either of the links above to read more.

Also, read more about Great Rescues families, those who appear in each of the two volumes so far. I’ll be featuring one story each month corresponding with the portrait that appears in the book for that month. That means there are four extra, and I’ll slip those in when the story itself feels appropriate.


 

Take a look at other portraits and read other stories

Read articles here on The Creative Cat featuring current and past commissioned portraits.

Read about how I create commissioned portraits.

Commissioned Cat Portraits

portrait of black cat on wicker chair

Samantha, pastel, 1994 © B.E. Kazmarski

Commissioned Dog Portraits

portrait of two dogs

Sophie and Ellie, pastel, 2009 © B.E. Kazmarski

Portraits of
My Cats

pastel painting of cat on table

After Dinner Nap, pastel, 1996 © B.E. Kazmarski

Visit my website to see portraits of my cats, commissioned cats, commissioned dogs, people and a demonstration of how I put a portrait together from photos.


Download a Brochure

cover of brochure

My Portraits Brochure

My brochure is an 8.5″ x 11″ two-page full-color PDF that half-folds when it’s all printed out, showing examples of portraits with an explanation of my process and basic costs.


Purchase a Gift Certificate

Sample Commissioned Portrait Certificate

Sample Commissioned Portrait Certificate

I offer gift certificates for portraits in any denomination beginning at $125.00, which is the basic cost of a portrait; the recipient is responsible for any amount the portrait costs over $125.00.

The certificate itself is 8.5″ x 11″ and features a collage of portrait images with the recipient’s and giver’s names, printed on parchment cover stock. The whole thing is packaged in a pocket folder and includes a brochure, a letter from me to the recipient and several business cards.The certificate package can be easily mailed or wrapped as a gift and shipped directly to your recipient.

I can also make it downloadable if you’re in a hurry.

Portrait certificates are a minimum of $125.00 because that is the minimum cost of a portrait.

Certificates are good for up to one year after issue.

You can purchase gift certificates here or from my Etsy shop if you are also purchasing other animal-inspired merchandise.

Enter the recipient’s name
Enter shipping address

You only need to enter an address if it is different from the address I’ll receive through PayPal. These are often surprise gifts and need to be shipped away from the home address to make sure they are a surprise.


Also browse Featured Artwork

I also feature artwork which has not been commissioned, especially my paintings of my own cats. If you’d like to read more about artwork as I develop it, about my current portraits and art assignments and even historic portraits and paintings, I feature commissioned portrait or other piece of artwork on Wednesday. Choose the categories featured artwork.


Browse some rescued cats and kittens!

FinnBaxter-ad


Subscribe to My E-newsletter

Subscribe to The Creative Cat e-newsletter for specials on exclusively feline-themed art and merchandise.

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


Inspired by felines you know! Visit Portraits of Animals on Etsy.

AfterDinnerNap-Etsy


© 2014 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski

Weekly schedule of features:
Sunday: Essays, Pet Loss, Poetry, The Artist’s Life
Monday: Adoptable Cats, TNR & Shelters
Tuesday: Rescue Stories
Wednesday: Commissioned Portrait or Featured Artwork
Thursday: New Merchandise
Friday: Book Review, Health and Welfare, Advocacy
Saturday: Your Backyard Wildlife Habitat, Living Green With Pets, Creating With Cats
And sometimes, I just throw my hands in the air and have fun!

FACEBOOK | TWITTER | LINKEDIN | ETSY SHOP | PINTEREST | TUMBLR | STUMBLEUPON | GOOGLE+ | EMAIL

HOME


A Great Rescue: Milan and Felix

portrait of two cats

“Milan and Felix”, pastel, 22″ x 15″, 2005 © Bernadette E. Kazmarski

TWO ADULT CATS who’d lost their people but found their way to the same rescuing household; we build our rescued families first out of need and then out of love—do we really find our way to each other, animals and people, until we’re where we should be?

. . . . . . .

After his owner went into a nursing home Milan found himself at Animal Friends in Pittsburgh. His mom, who volunteered there, noticed the shy tabby and white cat and took him home for a cage break. He blossomed and she and her husband fell in love with his big personality; cage break was over as he became permanent.

Felix was found wandering in the neighborhood between Christmas and New Years about a year later with no collar and no microchip; neighbors agreed that he had just appeared about a week before. His people took him in and got him on the wait list for Animal Friends. Three weeks later when Animal Friends called and said there was room for him at the shelter he had already worked his way into their hearts and made best friends with Milan—no shelter for Felix! He had chosen the right home to wander by; cats always know.

. . . . . . .

Sadly, we lost Milan in September 2012, but this family has not stopped rescuing cats—or dogs, and the continue to volunteer for Animal Friends. Also, Milan and Felix’s mom is a skilled quilter and makes cat-themed quilts to donate for shelter benefits. Read Creating With Cats Quilted Kitties for Fun and Charity.

. . . . . . .

Tomorrow I’ll write about Milan and Felix’s portrait as this week’s featured commissioned portrait. Here is April with Milan and Felix’s portrait and rescue story in Great Rescues Day Book:

page in day book with cats

April in Great Rescues Day Book.


About Great Rescues Calendar and Gift Book and Great Rescues Day Book

day book with cat portraits

Great Rescues Day Book

Holly is one of the rescued cats in my Great Rescues Day Book, an undated monthly journal to record the dates of birthdays, anniversaries and events featuring sixteen of my commissioned portraits of rescued cats along with their rescue stories. This book is built from Great Rescues Calendar and Gift Book, the original 16-month calendar published in 2011 to inaugurate my series of rescue stories related to the portraits I’ve painted over the years. Click here or on the image of the book at left, or either of the links above to read more. Also, read more about Great Rescues families, those who appear in each of the two volumes so far. I’ll be featuring one story each month corresponding with the portrait that appears in the book for that month. That means there are four extra, and I’ll slip those in when the story itself feels appropriate.


Read other stories in my Rescue Stories series.

Browse some rescued cats and kittens!

FinnBaxter-ad


Subscribe to My E-newsletter

Subscribe to The Creative Cat e-newsletter for specials on exclusively feline-themed art and merchandise.

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


Inspired by felines you know! Visit Portraits of Animals on Etsy.

AfterDinnerNap-Etsy


© 2014 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski

Weekly schedule of features: Sunday: Essays, Pet Loss, Poetry, The Artist’s Life Monday: Adoptable Cats, TNR & Shelters Tuesday: Rescue Stories Wednesday: Commissioned Portrait or Featured Artwork Thursday: New Merchandise Friday: Book Review, Health and Welfare, Advocacy Saturday: Your Backyard Wildlife Habitat, Living Green With Pets, Creating With Cats And sometimes, I just throw my hands in the air and have fun!

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