“A Bend in the Road”

“A Bend in the Road”, pastel, 14″ x 22″ © Bernadette E. Kazmarski

The original of this painting was a pastel, 14″ x 22″ in soft pastel on 2-ply acid-free natural illustration board.

The original is sold but I offer a full size giclee print framed in a custom plain matte black moulding with a 4″ acid-free white mat, a simple and complimentary combination for my larger paintings featuring the woods in summer. Framed size is 22″ x 30″. The original is sold but I also have giclee, digital and and canvas prints.

ABOUT THE ARTWORK

In early June, on a lovely sunny day just about noon, I was leaving a morning event and on errands traveling the back roads just for fun, knowing this narrow back road had some wonderful spots. The trees had finally reached full cover in the woods and all along the trails and I simply could not get enough.

Then I saw this spot and hit the brakes, gasping with awe at the complicated beauty of nature, the shapes and colors, the sun and shadow, the straight-up height of the trees along the road, arching far overhead, the road bending ahead as if you were to enter a magical place. I knew I should have carried my art materials! There was no one but me on this road so I took a few photos through my windshield, then put the car in park, shut off the engine with flashers flashing and stood in the middle of the road to take photos, barefoot and listening, smelling, feeling, taking in as much of the spot as I could to remember. The light would change significantly if I were to run home and come back, the moment gone. I also knew I’d see a few other special places today, and vowed if the time came I would return and paint en plein air, but if I could not I would remember it all when I used the photos for a painting.

Often I wait years to do a painting, but in front of everything I’ve worked on for the past month has been this spot and the painting I had visualized, and something a little larger than what I’d been doing lately. Weekends were rainy, so I decided to start from a photo, then finish from memory and referencing the trees outside my windows for the closer details.

This painting is 14″ x 22″ and painted in pastel, mostly Sennelier but also a few Rembrandts and a few others I have on hand for special greens, on 2-ply acid-free natural illustration board. The illustration board with no added finish was an experiment—I am accustomed to working on Wallis sanded pastel, but that’s been difficult to find, and I want to be able to do sketches and paintings on other surfaces. I’m a little disappointed as I couldn’t layer and blend as usual, but really, no one knows that but me to look at it.

A Bend in the Road detail.

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINT LIKE THE ORIGINAL PAINTING

I can only have a giclee print made the size of this Shipping charges are included in the prices listed above.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 14″ x 22″, a half-size of 10.5″ x 16.5″ and a proportional quarter size of 7″ x 11″.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 12″ x 15.5″ but I also have the 10.5″ x 16.5″ and 7″ x 11″.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

I sign all prints next to my original signature.

Visit my Etsy shop to see more about purchasing giclee, digital or canvas prints.

A Bend in the Road detail.

. . . . . . .

If you are interested in purchasing this painting or any other originals I have posted here on Today, please contact me. I will also have prints of this painting after the exhibit.

See other art and landscapes

Visit my Etsy shop to see what’s available in my Landscapes and Still Lifes Gallery.

I also have an e-newsletter for non-animal art like my landscapes and photography, which I usually deliver seasonally, click here to add your e-mail address.

. . . . . . .

This post is shared on Inspire Me Monday on Create With Joy

. . . . . .

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Advertisement

My Feline- and Nature-themed Stuff at “The Outlet Barn”

Display from the other side.

So who would think a drafty old unheated honest-to-God barn from a long-time farm would be a hot spot for unique art and decorative items?

The Outlet Barn Garden and Art Center has been in business in this very same old barn for the past 20 years, with a list of loyal customers and new people stopping every day. They close on Christmas Eve and reopen on April 1, weather permitting. I’ve had a display of greeting cards and art there since 2011 when the Agway closed, but at that time I was the only artist. This year they’ve set up an area for many artists to display in this open and rustic setting, so I have a nice space with an antique entryway piece and and wall space to hang things.

Display from one side.

Because the barn is just that—an old wooden and unheated barn—I have chosen things that can be easily dusted or cleaned, or are in packaging. That makes it perfect for my handmade keepsake boxes and wall art, trivets and garden flags as well as a selection of framed and packaged prints of feline, flowers and nature photos. I’m excited to be expanding my selection of floral and landscape gift items in addition to my feline gift items. I will have a small selection of note cards and greeting cards, but because the place is open I often have difficulty with the envelopes sealing shut, even in packaging.

Gift items.

I began visiting there because the place looked like the sort of place I’d like to check out, not carefully coiffed or neatly arranged, but artfully arranged and colorful outside, and inside just crowded enough in the semi-darkness of the old barn that I could take my time to peruse without feeling overwhelmed.

Garden flags.

I ended up moving things into there because the former manager of the Agway I had been selling at was friends with Kathy, The Outlet Barn’s owner, and simply went to her and said I’d be over with my things, she’d like them and me. Life should be filled with such friends. Kathy herself is the one who artfully arranges things in a way that makes people passing on the road find it hard to resist, and is also a master with ribbon and grapevines and such and creates all the wreaths and swags sold throughout the year, often custom-making them for long-time customers. She also makes beaded jewelry for sale in the shop.

Packaged, matted and framed prints.

She also holds events with local musicians playing jazz and folk and alternative in among the gargoyles and gazing globes, or out back in one of the sample gazebos or on the deck.

Canvas prints.

And I can’t forget the enthusiastic rescued chocolate lab named Irish Malarkey, named so because his eyes were green when he was a puppy, who rides in with his human every day. He carefully checked each of my boxes for treats, in between trotting around the place with that huge destructive lab tail without overturning as much as a small terra cotta flowerpot.

Irish Malarkey.

Supporting a local small business is important from both standpoints, from buying and selling, so in addition to placing my things there on consignment, I also promote the places where my things are consigned. I’ll share notices of events, which will be of greatest interest to local friends, and also of things I find there that you might enjoy—feline-themed of course But there plenty of animal-themed things about the place, plus really cool gargoyles.

Feline-themed planting pots.

I have a love-hate relationship with retail. I love to create my artwork and even to create the derivative items from it like cards and notepads and prints, and the best way to get my artwork known is to create and sell these things, but it takes time to drive around and visit shops, introduce myself, deliver the goods and maintain a display; if I seem to have disappeared now and then, this is why—calling and driving around, following up suggestions from friends to visit and introducing myself and showing a few representative pieces of what I have for sale. The actual sales from this might break even for expenses and time, but the real benefit is in finding new customers and making new friends, and just sharing my inspirations. Finding a shop where I also have other reasons to visit just makes it better.

And there’s another constant—animals and animal rescue. One door closes and another one opens as our friends share us with their friends. It is not a loss and a gain, but simply a change.

Where to find The Outlet Barn

The Outlet Barn

The Outlet Barn Garden Center

4577 Campbells Run Rd Pittsburgh, PA 15205

outletbarn@gmail.com – Phone: 412-494-5190

If you see merchandise pictured here, whether it’s mine or not, that you are interested in, please follow the link to The Outlet Barn website or let me know. The website is not an online store for things in the shop because there’s just too much, but Kathy will be glad to give you a few details and ship something to you if purchase it with the possible exception of a concrete gargoyle.

Handmade furniture and ceramic gift items.

Below is a gallery of things in the barn, and another slideshow of other artisans’ items.

The Outlet Barn

Vintage tools.

Ceramics and wood

All sizes of terra cotta pots

Lots of ceramic planters

Feline-themed planting pots.

Wire baskets with liners

Animal ceramics.

Handmade furniture and ceramic gift items.

Welcome

Here are a few of the artisans’ displays.

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Basil inspects all the new goods.

Marketplace

Mimi scolds me for not letting the blocks dry properly.

Take a look at other new merchandise and featured artwork.

Once a week on Thursday I feature something new in my “shop”, whether that’s here on The Creative Cat, in my Etsy shop, on my main website or even at one of the bricks and mortar shops that carry my work.

Read about creating custom items

Find out more about creating custom items for your own home using the images you see here. Visit the “Ordering Custom Art” page to see samples and read bout how to order.

Find out about events and festivals where you can find me and my work.

Sign up for my e-newsletter (below), check the widget on the sidebar on my home page, or sign up to receive posts on Portraits of Animals Marketplace. I plan on plenty of events this coming summer in the Pittsburgh area.

It’s all done under the close and careful supervision of my studio cats!

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Subscribe to My E-newsletter

Subscribe to The Creative Cat e-newsletter for specials on exclusively feline-themed art and merchandise.

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All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.

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Inspired by felines you know! Visit Portraits of Animals on Etsy.

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© 2015 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski

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“Morning Snow I and II”, set of originals and prints

“Morning Snow 1″, pastel 8″ x 8”, 1998 © Bernadette E. Kazmarski

This is a pair of paintings of identical size and mat and frame, original pastels, 8″ x 8″, on sanded pastel paper, framed originals as well as full-size giclee prints as well as digital and canvas prints.

“Morning Snow 2″, pastel 8″ x 8”, 1998 © Bernadette E. Kazmarski

ABOUT THE ARTWORK

We only get heavy snows every few winters here in Western Pennsylvania, so being able to revel in the sparkling beauty of a winter morning after a heavy snowfall provided much inspiration. These two scenes are actually in my suburban backyard. I was fascinated at the multitude of colors in the early morning sunlight as it reflected on the snow, and in the colors in the shadows.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope.

FRAMED ORIGINALS

The frame is 1″ dark walnut scoop with antique gold decoration frame, top mat 2-7/8″ pacific blue, middle mat 1/8″ forest green, bottom mat 1/4″ medium blue, frame size is 15″ x 15″.

I might consider selling them individually for $300.00 each.

Set of paintings.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on Epson Velvet fine art paper, acid-free matte-finish white 100# cotton rag archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. In fact, I make the prints myself as ordered and ensure each one is as close to the original as my printer can get.

CANVAS PRINTS

The larger canvas print is twice the size of the original because that’s a standard size with the company which makes my canvas prints. The actual size canvas is actually a custom-order item and the print is made and stretched by the same small local company as my giclee prints. Because I have limited space, I order canvases as they are ordered. The larger canvas is 1-1/2″ in depth, the smaller is 3/4″, and I set them up so the image runs from edge to edge; on these canvases the sides are black.

Find this set of paintings in my Etsy shop.

See other art and landscapes

Visit my Etsy shop to see what’s available in my Landscapes and Still Lifes Gallery.

I also have an e-newsletter for non-animal art like my landscapes and photography, which I usually deliver seasonally, click here to add your e-mail address.

. . . . . .

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

“Morning Snow 1″, pastel 8″ x 8”, 1998 © Bernadette E. Kazmarski

“Hemlocks, Snowy Morning”, original and prints

“Hemlocks, Snowy Morning”, pastel on Coulourfix sanded pastel paper, 7.5″ x 10.5″ © Bernadette E. Kazmarski

The painting is an original pastel, 7.5″ x 10.5″, on Colourfix sanded pastel paper, framed original as well as full-size giclee prints as well as digital and canvas prints.

ABOUT THE ARTWORK

The view out my side window of my neighbor’s hemlock trees with the hills far beyond and the morning sky with clouds and sun and snow. In this sketch, I not only wanted to capture the sun streaming through the hemlock and the cool colors of a snowy morning, I also wanted to capture the nature of the hemlocks, their shape and growth habit, the straight trunks with the branches that tend to break easily, the bare little twigs inside the tree, and the tufts of needles at the ends of the branches. At one time there had been another hemlock that completely blocked the view, and the sun, hence the bare insides of these trees. I hate to see a tree go down but when that one was lost in a storm it literally opened up a new view for me, and much more sunlight. I stood at the window and sketched this.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope.

FRAMED ORIGINAL

The frame is 1.5″ white painted wood frame, the mat 1″ slate blue with black core, frame size is 9″ x 12″. I purchase the frames randomly from my frame supplier so the style may vary a little from what is shown.

This would make a nice set with “Tributary” as they are the same size and matted and framed similarly. Please ask for details if purchasing the pair.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. All are countersigned by me.

Though the print is an odd size, it fits well enough into a 12″ x 16″ frame with a mat; see my framing option below.

DIGITAL PRINTS

Digital prints are made on Epson Velvet fine art paper, acid-free matte-finish white 100# cotton rag archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. In fact, I make the prints myself as ordered and ensure each one is as close to the original as my printer can get.

CANVAS PRINTS

The larger canvas print is twice the size of the original because that’s a standard size with the company which makes my canvas prints. The actual size canvas is actually a custom-order item and the print is made and stretched by the same small local company as my giclee prints. Because I have limited space, I order canvases as they are ordered. The larger canvas is 1-1/2″ in depth, the smaller is 3/4″, and I set them up so the image runs from edge to edge; on these canvases the sides are white.

 

Find this painting in my Etsy shop.

See other art and landscapes

Visit my Etsy shop to see what’s available in my Landscapes and Still Lifes Gallery.

I also have an e-newsletter for non-animal art like my landscapes and photography, which I usually deliver seasonally, click here to add your e-mail address.

. . . . . .

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

“Snowfall”

“Snowfall”, pastel, 11″ x 8″ © Bernadette E. Kazmarski

It isn’t always eternal summer on the trail, though memories might make us think so. This is a scene along the Panhandle Trail in Collier Township. Winter is my favorite season to paint. I love the subtleties of color and shape with snow in the air and on the ground, and on the trail I am often all alone with the quiet of a winter day, or a gentle snowfall.

In this case, I was glad for the time alone and quiet, and my art materials. This is from several years ago, one of the sketches I’d actually done in the front seat of my car during a late winter ice and snow storm, with a personal connection. I’d moved my mother to a personal care home in a neighborhood adjacent to the trail and often combined visits to the trail and visits to my mother. She didn’t care at all for trails, but she thought it was pretty cool when I would pull up in front of the home on my bicycle in shorts and a tank top to visit and cool off and eat my lunch on a summer afternoon when all the other daughters were in jogging suits driving minivans. Though my mother suffered from a number of heart and lung conditions she was overall well but weak, though she often suffered from mild dementia; visits could be troubling.

So it was this winter day when I had driven there. The roads were cleared but the trail was not, still, I wanted a dose of nature after my visit and knew of a spot close where I could pull up next to the trail. Not a mark was in the deeply fallen snow, and I decided I would not be the one to leave mine, it was just too perfect. The snow was falling too heavily to work outside my car, so I angled my car just right and sat in my font seat and began a sketch, then decided I should leave before the roads grew worse.

I’d always intended to finish this off, adding some bare trees fading into the distance in the heavy snowfall, but I think there was a reason I stopped at this point, and I think it captures this snowy afternoon and my conversations with my mother as it is.

This painting won in the second highest award category, “Award of Excellence”, in the South Hills Art League Juried Exhibit in autumn 2014.

Original painting and prints

The original is still available and I offer a variety of prints of this painting, as digital, giclee or on canvas. Visit my Etsy shop to see the options and purchasing information.

See other art and landscapes

Visit my Etsy shop to see what’s available in my Landscapes and Still Lifes Gallery.

I also have an e-newsletter for non-animal art like my landscapes and photography, which I usually deliver seasonally, click here to add your e-mail address.

. . . . . .

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

“Tributary”, original and prints

“Tributary”, pastel on Coulourfix sanded pastel paper, 7.5″ x 10.5″ © Bernadette E. Kazmarski

The painting is an original pastel, 7.5″ x 10.5″, on Colourfix sanded pastel paper, framed original as well as full-size giclee prints as well as digital and canvas prints.

ABOUT THE ARTWORK

On a quiet sunny winter afternoon this little unnamed tributary surely had a lot to say, babbling along over rocks and shelves of slate and limestone on its way to Scrubgrass Creek a distance away. I see a few things I’d still like to do with it but I’m pretty pleased. The light changes quickly at this time of year, and I had to work quickly.

Off in the woods today, I stood in the snow and painted a little pastel sketch as well as took photos of the snowy hollow at Kane’s Woods in Scott Township, PA. I’ve been waiting for a significant snowfall, enough to give good even cover to most of the leaf litter. Much of this conservation area faces north and doesn’t catch significant sunlight, especially in the winter when the sun’s angle is low, but this little hollow and the hill next to it face south. Once the sun gets into the hollow it just fills it up, especially when snow can reflect it in all directions.

A friend took my photo while I sketched in the woods.

The Kane Woods Conservation Area is a place I’ve known since I was a child, before it was conserved and trails were established, but my lifetime of visiting and that of others is what inspired Scott Conservancy to consider the site worth working for.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope.

FRAMED ORIGINAL

The frame is 1.5″ white painted wood frame, the mat 1″ slate blue with black core, frame size is 9″ x 12″. I purchase the frames randomly from my frame supplier so the style may vary a little from what is shown.

This would make a nice set with “Hemlocks, Snowy Morning” as they are the same size and matted and framed similarly. Please ask for details if purchasing the pair.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. All are countersigned by me.

Though the print is an odd size, it fits well enough into a 12″ x 16″ frame with a mat; see my framing option below.

DIGITAL PRINTS

Digital prints are made on Epson Velvet fine art paper, acid-free matte-finish white 100# cotton rag archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. In fact, I make the prints myself as ordered and ensure each one is as close to the original as my printer can get.

CANVAS PRINTS

The larger canvas print is twice the size of the original because that’s a standard size with the company which makes my canvas prints. The actual size canvas is actually a custom-order item and the print is made and stretched by the same small local company as my giclee prints. Because I have limited space, I order canvases as they are ordered. The larger canvas is 1-1/2″ in depth, the smaller is 3/4″, and I set them up so the image runs from edge to edge; on these canvases the sides are white.

Find this painting in my Etsy shop.

See other art and landscapes

Visit my Etsy shop to see what’s available in my Landscapes and Still Lifes Gallery.

I also have an e-newsletter for non-animal art like my landscapes and photography, which I usually deliver seasonally, click here to add your e-mail address.

. . . . . .

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

“Snow at Night”, original and prints

“Snow at Night”, 7″ x 10″, pastel on pastello paper © Bernadette E. Kazmarski

The painting is an riginal pastel, 11.5″ x 8″, on Fabriano Pastello Tiziano paper, in the dark green hue. I offer full-size giclee prints as well as digital and canvas prints.

ABOUT THE ARTWORK

From the window at the back of my house I can see out over the valley and the hill beyond. When it snows at night the scene is transformed from black velvet punctuated by rooftops and streetlights and lit windows to a hazy wonderland of blue and creamy white, the familiar rooftops and trees given depth and dimension by the falling snow. Just like “Frosty Morning, Just Before Sunrise”, I’d been visualizing this little painting of the snow falling at night, the house with lit windows nestled into the snow-dusted branches and bramble and trees, silhouettes of rooftops beyond, the lights of Carnegie’s Main Street brightening the view behind them, then the haze of snowfall where normally I’d see only darkness. It looks quaint and kind of cliché, but it looks like home to me.

This painting is done in Sennelier pastels on Fabriano Pastello Tiziano paper, in the dark green hue. I knew that I could get the softness I wanted from the Sennelier pastels on this paper which has a nice soft surface to capture pastel, and though I wasn’t sure I wanted the texture of the laid finish it worked well to break up and soften the edges. I used three tones of Prussian blue which is a cool blue tending toward slate blue and tempered it with violet and gray in the shadows, then added pinks and yellows to the lighter areas. The windows, of course, are several shades of yellow.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope.

FRAMED ORIGINAL

The frame is 1.5″ gray barnwood with a white wash, the top mat slate blue with black core, and the bottom mat pale yellow with white core. Mat size total is 2″, frame size is 16″ x 12″.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. All are countersigned by me.

Though the print is an odd size, it fits well enough into a 12″ x 16″ frame with a mat; see my framing option below.

DIGITAL PRINTS

Digital prints are made on Epson Velvet fine art paper, acid-free matte-finish white 100# cotton rag archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. In fact, I make the prints myself as ordered and ensure each one is as close to the original as my printer can get.

CANVAS PRINTS

The larger canvas print is twice the size of the original because that’s a standard size with the company which makes my canvas prints. The actual size canvas is actually a custom-order item and the print is made and stretched by the same small local company as my giclee prints. Because I have limited space, I order canvases as they are ordered. The larger canvas is 1-1/2″ in depth, the smaller is 3/4″, and I set them up so the image runs from edge to edge; on these canvases the sides are black.

Find this painting in my Etsy shop.

See other art and landscapes

Visit my Etsy shop to see what’s available in my Landscapes and Still Lifes Gallery.

I also have an e-newsletter for non-animal art like my landscapes and photography, which I usually deliver seasonally, click here to add your e-mail address.

. . . . . .

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

“Snowfall”

“Snowfall”, pastel, 11″ x 8″ © Bernadette E. Kazmarski

I submitted three paintings and learned that I’d won an award in the South Hills Art League annual juried show in October. Above, “Snowfall”, which I’d shown in my exhibit “Sun Shadow Ice & Snow: Seasons of the Panhandle Trail”, won in the second highest award category, “Award of Excellence”. Of the three pieces I entered I’m surprised this one was a winner, but I like snow, so why not? The original is for sale, framed, for $250, as well as prints in my Etsy shop.

Below is the story behind the painting, and below that are the other two paintings I entered in the exhibit.

It isn’t always eternal summer on the trail, though memories might make us think so. Winter is my favorite season to paint. I love the subtleties of color and shape with snow in the air and on the ground, and on the trail I am often all alone with the quiet of a winter day, or a gentle snowfall.

In this case, I was glad for the time alone and quiet, and my art materials. This is from several years ago, one of the sketches I’d actually done in the front seat of my car during a late winter ice and snow storm, with a personal connection. I’d moved my mother to a personal care home in a neighborhood adjacent to the trail and often combined visits to the trail and visits to my mother. She didn’t care at all for trails, but she thought it was pretty cool when I would pull up in front of the home on my bicycle in shorts and a tank top to visit and cool off and eat my lunch on a summer afternoon when all the other daughters were in jogging suits driving minivans. Though my mother suffered from a number of heart and lung conditions she was overall well but weak, though she often suffered from mild dementia; visits could be troubling.

So it was this winter day when I had driven there. The roads were cleared but the trail was not, still, I wanted a dose of nature after my visit and knew of a spot close where I could pull up next to the trail. Not a mark was in the deeply fallen snow, and I decided I would not be the one to leave mine, it was just too perfect. The snow was falling too heavily to work outside my car, so I angled my car just right and sat in my font seat and began a sketch, then decided I should leave before the roads grew worse.

I’d always intended to finish this off, adding some bare trees fading into the distance in the heavy snowfall, but I think there was a reason I stopped at this point, and I think it captures this snowy afternoon and my conversations with my mother as it is.

. . . . . . .

A Bend in the Road (sold), prints available

“A Bend in the Road”, pastel, 14″ x 22″ © Bernadette E. Kazmarski

 The Swimming Hole, $350 (available)

“The Swimming Hole”, pastel, 17″ x 8″ © Bernadette E. Kazmarski

Visit my Etsy shop to see more about purchasing the original painting or giclee, digital or canvas prints.

. . . . . . .

If you are interested in purchasing this painting or any other originals I have posted here on Today, please contact me. I will also have prints of this painting after the exhibit.

Prints of this painting

“Frosty Morning” traveled to its final home over the holidays this year, to a friend “just north of us” in Canada. I offer a variety of prints of this painting, as digital, giclee or on canvas. Visit my Etsy shop to see the options and purchasing information.

See other art and landscapes

Visit my Etsy shop to see what’s available in my Landscapes and Still Lifes Gallery.

I also have an e-newsletter for non-animal art like my landscapes and photography, which I usually deliver seasonally, click here to add your e-mail address.

. . . . . .

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Frosty Morning, Just Before Sunrise

“Frosty Morning, Just Before Sunrise”, 2012, 17.25″ x 9″, pastel © Bernadette E. Kazmarski

It looks like this out there this morning.

The coldest, frostiest mornings always seem to come in January, right after all the warmth and color of the holiday season. I painted this just one week shy of two years ago in January 2012, standing at my window to sketch the basics but finishing from a photo, the light so fleeting, but I look at this view each day and know the details in all seasons. This morning’s hazy frosty look with the valley in shadow but the bright sky was very inspiring. I decided to finally do this sketch that I’ve been visualizing for years.

Not just the colors of a snowy, frigid morning, but the steam rising from all the chimneys were part of the inspiration. I’m not sure why, but seeing the steam rise over the neighborhoods and town on a frosty morning has always had a sense of both melancholy and security for me. As I watched the sun rise and the day grow light, photographing as it went, it seemed everyone’s furnace turned on at the same time and I knew I had to paint this scene.

The four houses across from me I’ve sketched a number of times before, but in this case I’ve also included what is Main Street in Carnegie off to the left, the little collection of square-cornered things are the buildings there with steam rising just as well.

The one element I did leave out was the row of trees in my back yard which were just featured in a dawn photo the other day. They were just too chaotic and detailed, but really when I visualized the scene I realized my visualization had left them out. There is plenty of interest here without them. You can also see a portion of this scene in a frosty photo from last year before the heavy snowfall and ice knocked down a number of trees on the left, and in another snowy scene from this same vantage point. “Snow at Night”.

This painting is done in hues of only four colors, a Prussian blue which is a cool blue tending toward slate blue, haze blue that is a warmer color with a red tint and has elements of violet, and one shade each of yellow and pink.

This was one of those times when the photograph just wasn’t going to work.

Prints of this painting

“Frosty Morning” traveled to its final home over the holidays this year, to a friend “just north of us” in Canada. I offer a variety of prints of this painting, as digital, giclee or on canvas. Visit my Etsy shop to see the options and purchasing information.

See other art and landscapes

Visit my Etsy shop to see what’s available in my Landscapes and Still Lifes Gallery.

I also have an e-newsletter for non-animal art like my landscapes and photography, which I usually deliver seasonally, click here to add your e-mail address.

. . . . . .

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Interior With Cat, Framed Original Watercolor or Prints

“Interior With Cat” framed.

“Interior With Cat”, watercolor, 8″ x 12″, 2000.

ABOUT THE ARTWORK

Those calendulas, which had braved a pretty hard frost, opened fully when the sun shone in the windows the next day, and that was the first inspiration for this piece. I photographed the calendula, intending to paint only them, but when I looked over the photographs in preparation for painting, I noticed the cloth, the paperwhites in the pot, the light glare on the table, and of course, the cat. It developed into a much larger work than I had wanted, but it was a real challenge to create something from a different perspective than I usually have. And since I create so many other works involving my cats, I really tried hard to keep the cat out of it, but it just wasn’t complete until I painted her in.

Read what I offer below, or find this art in my Etsy shop.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

ORIGINAL PAINTING

This painting is 8″ wide x 12″ high on acid-free 90 lb. watercolor paper. It is matted with 2-5/8″ acid-free white mats with black core on top, then 1/8″ red mat with white core, then 1/4″ white with black core on the bottom. The frame is a 1″ decorative solid wood frame painted white. The backing is acid-free foam core and the glass is premium clear glass. All framing is done by me in my studio.

WHEN ORDERING PRINTS
Because this painting is 8″ x 12″, ordering an 8″ x 10″ will crop a portion from the top of the image so I’ve offered full-size prints in various types for the same price.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

You can find this art in my Etsy shop.

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All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.

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