September 21 through 27, 2014 is “Adopt a Less Adoptable Pet Week“, a campaign founded by Petfinder.com to help promote the adoption of pets who are often passed by when people are looking for a new pet. “Less adoptable” can refer to physical or emotional characteristics, from black pets—yes, black cats are often left behind!—to blind and deaf pets, pets missing an eye or a leg, not uncommon in rescued pets who’ve had a hard life on the streets or come from an abusive or hoarding situation, older pets, even just pets who are adults and not cute babies, undesirable breeds, like pit bulls, or carrying chronic illnesses like diabetes, heart disease, or FIV in cats.
Many of the cats who’ve lived with me as permanent members or fosters were considered “unadoptable” or “less adoptable”. One of the reasons I ply you with photos and paintings and sketches and stories is to reinforce, every day, every way I can, that there is no such thing as “unadoptable” or “less adoptable”, that there is nothing at all different about these cats. Behind their appearance and the knowledge of something about them that is somehow different from what we think of as a pet, they are simply the same loving animals as those who seem to be perfect. There is nothing to fear in living with an animal that is different, once you know them, once you’ve fallen in love, you’ll forget all about that missing eye, or their advanced years. Frankencat and Old Grand Dad both fell into this category, and who could not love them once we’d met them? And if you don’t want to run out and get your very own house panther by now then I’m not working hard enough!
Sally was genetically deaf, and very high-spirited, a combination that didn’t suit her original owner though he’d wanted a cat with her looks, not uncommon with deaf cats. I agreed to take her rather than see her go to a shelter; read “My First ‘Less Adoptable’ Kitty”, and look at this painting and tell me if you could know that she was in any way different, or that it would even be important to you in the face of that much beauty.
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You’ve seen other works featuring Sally, but this was one of the first. Just after I’d painted Stanley in “After Dinner Nap” I felt I’d arrived at a style and a level of ability and began painting at a furious pace, both my cats and landscapes. This was the year after I’d lost Kublai, and begun painting en plein air and painting serious landscapes, and all that had come together for me. I had studied Sally’s silky white fur from the day she’d come to live with me in 1984, photographed her regularly, but finally felt I had the insight and ability to capture all the colors and textures of her creamy tresses.
Photographing a cat in the process of a bath, white or black or striped or spotted, was no easier then than it is now except that I didn’t know what I hadn’t caught until I had the photos developed. Most of the photos were when Sally had her back turned. I chose this pose because you could still see Sally’s face, though she was looking down, and there is something I love about a cat’s face at that angle, the soft forehead, the nose, the whiskers sprouting here and there.
This painting sold in the days before I took adequate photos, and though I’ve been working on getting an image of the original I just have to live with this for now, so I don’t have any closeups. Still, this is the painting where I remember the feeling of “fingerpainting” for the first time, applying layers and colors of pastel, them mixing them with my fingertips and knuckles, the sides of my hands, both hands, a different color in each area. It was because I looked at the fur on Sally’s head in the reference photo and imagined digging my fingers into it to scratch the top of her head, which she loved, and I did my best to make the top of her head make me, and you, want to do that, even to feel it. The bright pink of her ear, the cool and warm highlights in her fur, it was all I could do to focus on one area to work it out completely.
Then there were the long angled shadows from the metal muntins in the windows, on the wall and book case and on Sally, the white-painted stucco wall, and the dappled side yard outside the window. I’m still very pleased with this painting, and even if I painted it today I may do some things differently, but I don’t think I could improve on this.
Once I’d finished four similar paintings, “After Dinner Nap”, “A Warm Bath”, “A Rosy Glow” and “The Little Sunflower”, I decided I had to have color note cards with my artwork on them to sell, and in 1998 had the set entitled “My Cats in the Sun” printed by traditional offset printing, not the ease of digital printing today. I still have a few left of this original set of cards; they’ve gone in and out of popularity, but some customers find them nice for professional correspondence and for sympathy cards, so they will still be around.
I had taken several reference photos of Sally having a good bath in front of that old metal casement window; I replaced it with the big north window where Giuseppe sings and we all watch birds, lots of morning light, angled in, and my cats have always loved to gather in that light through the years, and you still see it in my artwork. I also used another photo from this set for a commissioned piece, “Welcome Spring With a Unique Commission”.
Take a look at other portraits and read other stories
Read articles on The Creative Cat featuring current and past commissioned portraits.
Read about how I create commissioned portraits.
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Visit my website to see portraits of my cats, commissioned cats, commissioned dogs, people and a demonstration of how I put a portrait together from photos.
Download a Brochure
My brochure is an 8.5″ x 11″ two-page full-color PDF that half-folds when it’s all printed out, showing examples of portraits with an explanation of my process and basic costs.
Purchase a Gift Certificate
I offer gift certificates for portraits in any denomination beginning at $125.00, which is the basic cost of a portrait; the recipient is responsible for any amount the portrait costs over $125.00.
The certificate itself is 8.5″ x 11″ and features a collage of portrait images with the recipient’s and giver’s names, printed on parchment cover stock. The whole thing is packaged in a pocket folder and includes a brochure, a letter from me to the recipient and several business cards.The certificate package can be easily mailed or wrapped as a gift and shipped directly to your recipient.
I can also make it downloadable if you’re in a hurry.
Portrait certificates are a minimum of $125.00 because that is the minimum cost of a portrait.
Certificates are good for up to one year after issue.
You can purchase gift certificates from my Etsy shop if you are also purchasing other animal-inspired merchandise.
All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.
© 2014 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski