The Sunny Upstairs Window, Framed Original or Prints

pastel sketch of two cats

“The Sunny Upstairs Window”, 6″ wide x 8″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels © Bernadette E. Kazmarski

This art is “The Sunny Upstairs Window”, 6″ wide x 8″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels © Bernadette E. Kazmarski, signed and dated 5/11/12.

ABOUT THE ARTWORK

If you’ve been following my sketches for any length of time, you’ve probably seen gradual changes that begin with a particular sketch—adding new media, using a new color palette, finding a new style, even using a new and different paper. In my everyday life as an artist I took the time to experiment far lest often, in part because I did less art, and because my visualization and aesthetic senses moved more slowly. With this daily practice everything happens faster, and with more daring I’ll add.

Up to this point I’d done most of my sketches away from my studio, with my toy bag full of older, lower-quality and well-used pencils, pastels, charcoal, pens and even sketch pads. The sketches were just for practice after all, and I didn’t want to use “good” materials on what was basically a quick and temporary item.

But leading up to this with oil pastels and ink and watercolor, this particular morning I picked up my imported pastel paper and my really good pastels and quickly came up with this sketch, and it was truly inspired and enhanced by using the better materials. The two girls have such dimension and interest all over their tiny figures, the light streams in and changes tone and color just as natural light tends to do, and even the shadows have dimension. Let that be a lesson to me.

. . . . . . .

Mimi and Mewsette enjoy the morning sunshine in front of the sunniest window in the house.

Friday morning was the first of several completely sunny mornings after a row of somewhat dark and rainy ones. All the cats were gravitating to the back of the house, facing east, as the sun streamed in the back door into the kitchen, and in the windows at the top of the stairs and in the bathroom.

I also recently took all the geraniums outside, so this top level of the wardrobe is now accessible, and a perfect spot to enjoy a sunny morning.

In my studio for part of the morning, I used the very Italianate Fabriano Tiziano Pastello drawing paper and a small set of my Sennelier pastels. Typically, what I have easily available downstairs in my toybox of art materials is not this quality of stuff, but in my studio I can play around with other things.

. . . . . . .

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

"The Sunny Upstairs Window" framed.

“The Sunny Upstairs Window” framed.

ORIGINAL PAINTING

This sketch is 6″ wide x 8″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels. It is matted with 1-1/4″ acid-free purple top and bottom mats, framed in a 1-1/2″ dusk blue barnwood 8″ x 10″ solid wood frame. The backing is acid-free foam core and the glass is premium clear glass. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

"The Sunny Upstairs Window" canvas.

“The Sunny Upstairs Window” canvas.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

MOUSEPADS

"The Sunny Upstairs Window" mousepad.

“The Sunny Upstairs Window” mousepad.

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

Stay tuned for other items with this image, like keepsake boxes, wood-mounted prints and coasters!

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.


Find out about events and festivals  where you can find me and my work.

Sign up for my e-newsletter (below), check the widget on the sidebar on my home page, or sign up to receive posts on Portraits of Animals Marketplace. I plan on plenty of events this coming summer in the Pittsburgh area.

Once a week on Thursday I feature something new in my “shop”, whether that’s here on The Creative Cat, in my Etsy shop, on my main website or even at one of the bricks and mortar shops that carry my work.



Browse some rescued cats and kittens!


All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


Inspired by felines you know! Visit Portraits of Animals on Etsy.
Inspired by felines you know! Visit Portraits of Animals on Etsy!

© 2014 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski

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