House By Tracks, End of Summer Painting

pastel painting of house by railroad tracks

House by Tracks, pastel © B. E. Kazmarski

Nothing captures the heat of a summer day for me more than a view of railroad tracks, gravel blazing in the relentless August sun, the empty tracks themselves seeming to magnify the silence of a summer afternoon. Add to that the lush trees with deep, welcoming shadows and a faded blue sky and that’s late summer for me, possibly because I often used railroad tracks as a shortcut when walking around in summer.

I also wanted to capture the brilliant highlights on the greenery, and the greenery itself aside from the trees, the scrubby, tough wildflowers that grow in the gravel along the railroad tracks.

framed painting

Framed view.

I will really digress here and mention that I always associate it with the short story from Stephen King’s anthology Different Seasons entitled “The Body”, which became the movie Stand By Me. I was past my childhood days of following railroad tracks to the next town, but when I read that story something clicked for me—as a writer. As I read I could feel the sun beat down on my head, hear the insects, see the tracks stretch out before me in the quivering mirages of summer heat as if I was walking those tracks again and I decided I wanted to do that too, to take people to the place I was in my imagination by writing about it. I had always dismissed the things I’d taken in through my senses as my own experience and which others wouldn’t be interested in. I realized that the descriptive terms that built an image of physical place for the reader are built on what we take in through our senses.

I’ve always been fascinated by houses that were right next to railroad tracks as well, wondering how people managed to live there in the days when trains screamed by and emitted tons of toxic pollution. It all tells a story of a time gone by extending into today. While this house reminds me of many I’ve seen along other railroad tracks, this house is right off of Main Street in Carnegie and is still occupied. I took a few hours on a Sunday afternoon in 2002 to paint it for our annual art exhibit, Carnegie Painted.

frame corner for painting

Frame and mat.

This original pastel is painted on Wallis Sanded pastel paper, image size 9″ x 12″. I framed it in a custom moulding pine frame painted dark green with edges trimmed to natural wood, a 2-1/4″ acid-free natural white top mat and a 1/4″ acid-free forest green bottom mat. Finished framed size is 14″ x 17″. It’s in my shop on Etsy, so click on over and take a look.


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