Tag Archives: original art

“Sun Shadow Ice & Snow: Seasons Along the Panhandle Trail”, August 22 and 23

I'm having an art exhibit!

I’m having an art exhibit!


SUN SHADOW ICE & SNOW

seasons along the panhandle trail

original paintings and sketches

opening friday august 22 5:00 p.m. to 9:00 p.m.
through saturday august 23 noon to 9:00 p.m.

panhandle trail quarry area as part of Rock the Quarry

FEATURED WORK: “The Rope Swing” 14” X 22” Pastel

. . . . . . .

I’ve been visiting the Panhandle Trail for nearly 15 years with my bike and on foot, for exercise and inspiration, more inspiration than exercise, packing in with backpacks of camera equipment and art supplies. I’ve taken thousands of photos along the trail and off in the woods, but I’ve also done a number of sketches while there in pencil, charcoal, pastel and watercolor, and arriving home in my studio to do more from photos. I’ve collected a number of these for an exhibit, but not in a gallery—right on the trail, where I’ve spent so much time and found these inspirations. It’s the place where I found the scene of one of my favorite paintings, “Dusk in the Woods”.

quarry pond

The Quarry Pond

You’ll find me in my tent during Rock the Quarry, the annual fundraiser for the Collier Friends of the Panhandle Trail. I’ll have my exhibit set up and also have a small display of prints, photos and notecards I’ve created over the years of scenes from along the trail and off in the woods. Once Rock the Quarry is over, they all come home with me so this will be your only opportunity to see them all together, although I will set them up as an online gallery as I have been setting up each of my exhibits.

A portion of sales of art and merchandise during Rock the Quarry will benefit the Collier Friends of the Panhandle Trail.

So join me at Rock the Quarry August 22 and 23

I use this trail all the time, and part of my giveback is to maintain their website and the little bit of social networking that we do, along with photographing things. I always volunteer during the event, usually in the kitchen dishing out easy food, but this year I’m giving something different.

rock the quarry

Rock the Quarry 2013

What’s the quarry? The Panhandle rail line, which was removed to built the trail in the old rail bed, runs right through a century-old limestone quarry, a portion of which is still actively quarried. The quarry ponds are there and that and the woods around make a natural gathering place.

Music, food, science demo, games, raffles, bonfire, fire trucks, fun for all ages.

For over ten years, Rock the Quarry (RTQ) has been an annual tradition. RTQ features two days of music, food, and fun. Each year, RTQ showcases up-and-coming local musical talent. Day two of RTQ features lots of activities for the kids as well as the Grand Rubber Duck Race and the traditional Sunset Remembrance Ceremony.

For more information on the event including maps and parking, please visit www.panhandletrail.org.


Find out about events and festivals where you can find me and my work.

Sign up for my e-newslettesr (below) or sign up to receive posts here using the subscription box in the right column.

E-newsletters

Subscribe to The Creative Cat e-newsletter for specials on exclusively feline-themed art and merchandise.

Or if you’d like to subscribe to my Art & Merchandise e-newsletter, delivered seasonally, that features everything that’s not feline, click here to add your e-mail address.


All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


© 2014 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski

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A Garden Party Summer Art Exhibit

Garden Bench-1000px-for exhibit

The Studio of
Bernadette E. Kazmarski

presents

A Garden Party Summer Art Exhibit

And there’s no need to go anywhere—it’s all on your computer!

I’ve decided to add a few more new originals and a few prints to the mix so I’m extending my annual Garden Party Summer Art Exhibit through the end of August. The art includes some of last year’s original en plein air paintings and  framed originals from previous years as well as framed and unframed archival prints and canvas prints of summer-themed artwork, all in my Etsy shop.

I’m offering a special discount for the month of August, 25% off anything in my Landscapes and Still Lifes Gallery. Just use the code “GARDENPARTY” for your special discount. I’ve featured a few in this post—click any image to find out more about it or visit my Landscapes and Still Lifes Gallery.

If you are interested in receiving my Art and Merchandise e-newsletter, click here to sign up. I don’t do anything with your e-mail but send the occasional e-newsletter, I never share or sell or use in any other way. I’d rather be doing artwork!

April Cloud Study framed original pastel.

April Cloud Study framed original pastel.

Main Street Sunday digital print.

Main Street Sunday digital print.

Red Climbers framed print.

Red Climbers framed print.

Spring Morning Leaves original pastel.

Spring Morning Leaves original pastel.

Fruit framed original pastel.

Fruit framed original pastel.

Evening on the Beach canvas print.

Evening on the Beach canvas print.

Lilacs and Laundry framed original pastel.

Lilacs and Laundry framed original pastel.

And there are many more! Click any image to find out more about it or visit my Landscapes and Still Lifes Gallery, and don’t forget to use your “GARDENPARTY14″ discount code for 25% off your purchases.

If you’d like to sign up to receive this e-newsletter, which I usually deliver seasonally, click here to add your e-mail address.


All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


“Two Cats After van Gogh” Prints on Paper and Canvas

oil pastel sketch of two cats

Two Cats After van Gogh, oil pastel © B.E. Kazmarski

This art is “Two Cats After van Gogh”, 5″ x 6″ oil pastel on textured paper, © Bernadette E. Kazmarski, signed and dated 4/12/12.

After seeing the  “Van Gogh Up Close” exhibit I wanted to work the same energy and form I saw in his brush strokes choosing oil pastel to layer and blend the strokes. It’s Giuseppe and Mr. Sunshine, just quietly hanging together on the landing, Giuseppe sitting upright, Sunshine loafing. Originally the sketch had only the two cats but I decided that if I was to truly create homage to van Gogh, I needed to have a background for these two to exist within, especially that lovely cerulean blue and turquoise van Gogh often used. I scraped my name into the oil pastel in the lower left as Vincent often did in his paint.

I am honored that this painting, and the series based on it, won the President’s Award in the Cat Writers’ Association 2013 Communications Contest.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

PRINTS

Note that prints are not the same dimensions as the original and may be cropped  on the top or sides to fit the dimensions of the print size.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

FRAMED PRINT

This print is matted with a double mat 1.5″ wide, white on top with a rust underneath to match the outline of the two cats. The frame is a molded 1.25″ natural white flat painted wood. On this piece, the frame and mats may vary slightly since both the mat and frame are on the list to be discontinued, though that may take more than a year. The framed pieces will definitely resemble the one shown here.

framed print of oil pastel painting

Two Cats After van Gogh, framed digital print, 8″ x 10″ © B.E. Kazmarski

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

mousepads with cats

“Two Cats After van Gogh” mousepad.

Stay tuned for other items with this image, like keepsake boxes, wood-mounted prints and coasters!

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.


Find out about events and festivals  where you can find me and my work.

Sign up for my e-newsletter (below), check the widget on the sidebar on my home page, or sign up to receive posts on Portraits of Animals Marketplace. I plan on plenty of events this coming summer in the Pittsburgh area.

Once a week on Thursday I feature something new in my “shop”, whether that’s here on The Creative Cat, in my Etsy shop, on my main website or even at one of the bricks and mortar shops that carry my work.



Browse some rescued cats and kittens!


All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


Inspired by felines you know! Visit Portraits of Animals on Etsy.
Inspired by felines you know! Visit Portraits of Animals on Etsy!

© 2014 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski

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“Interior With Cat”, Framed Original or Prints

watercolor of flowers and cat

“Interior With Cat”, watercolor, 8″ x 12″ © Bernadette E. Kazmarski

reference photo for painting

Reference photo for painting.

This is a painting I’ve been intending to introduce here for a while, though I painted it in 2000, right about this time of year. With its cheery reds, the bright sun coming in the door and the paperwhite narcissus sprouting out of the pot in the middle of the table, it’s always dated to February for me. It was also one of the first paintings I did after I’d left my day job and began working at home, and I remember the almost guilty feeling of taking a couple of hours in the afternoon to paint, which I’d dreamed of doing for years and hoped to make a part of my daily schedule.

Those calendula, which had braved a pretty hard frost, opened fully when the sun shone in the windows the next day, and that was the first inspiration for this piece. I photographed the calendula, intending to paint only them and have a number of closeups of the flowers. But when I looked over the photographs in preparation for painting, I noticed the cloth, the paperwhites in the pot, the light glare on the table, and of course, Sophie at the door, but I really intended to keep it as just a still life. It developed into a much larger work than I had intended, but it was a fun challenge to create something from a different perspective and in a different style than I had before, visualizing a bright, simplified watercolor. I pictured an “interior”, not just a still life of objects in an arrangement but a moment in time involving more of the space, and I really tried hard to keep Sophie out of it, but it just wasn’t complete until I painted her in, hence the title, “Interior With Cat”.

Being able to begin painting as soon I had the photos developed was another joy because many works had waited years to come to fruition as I worked a day job and had freelance assignments at night.

I enjoyed painting the flowers on that cloth, in part because those flowers were actually handpainted as well. The cloth was woven linen handpainted in Poland, one of the souvenirs of traditional work my mother’s sister had brought back in her travels to find family in Ukraine and Poland; I treasure those items. Though this is brightly colored and might work better for summer, I like it for winter because those bright colors enliven short winter days.

watercolor of flowers

Detail of cloth, calendula and pots.

I managed to have fresh calendula flowers as described above, and I also remember that we had a mild winter that first winter I worked at home, and the calendula was growing in a sheltered spot near my chimney and continued producing flower buds. The other flowers are paperwhite narcissus, one of many flowering bulbs I had always forced in the house in spring to put around on all the windowsills and tables—by February I was ready for blooming flowers and bright colors—and also to place outdoors in my windowboxes (a little more on that, below).

I did enjoy painting those marbles too, in fact I could have done one painting of just those marbles. I found dozens in the yard in the house I had rented, so excited at possibly finding truly vintage marbles, but they were not vintage, actually quite recent. Still, I’ve always loved having them in the bottom of a vase or a jar of plant cuttings and still use them for that today.

detail of watercolor

Detail of glass vase with marbles.

And as I’d mentioned I had not intended to have a cat in this painting. As I worked my way around, though, and looked at the composition I realized I’d have a weak, rather blank spot in the upper left because just the door wasn’t strong enough to balance the patterns, shapes and colors at the bottom. So, in keeping with the loose style of this painting, and with the fact that Sophie and the door are both blurry, I added a loose rendition of Sophie looking out the door. I couldn’t picture it without her, and I’m glad I have her immortalized in another of my paintings.

watercolor of flowers and cat

Detail of Sophie looking out the door.

I was very pleased with the looser, more decorative quality of this painting. Up to then all my watercolors had been very tight, detailed, realistic images. Of course I had set goals for my art career when I’d started working at home, and this was one of them—loosen up!

One other thing to note with this painting—paperwhite narcissus and most other plants growing from bulbs can be very toxic to cats, causing renal failure in a matter of hours. I knew about lilies at the time, but not about other bulbs, and I force-bloomed daffodils, tulips, crocuses, hyacinth, snowdrops, squills, you name it. I know my cats had chewed on them through the years because they chewed on everything, and I never noticed any issues. A couple of years after this, however, I suddenly lost my dilute tortie Nikka in February to acute renal failure and I will always wonder if this was what caused it and I removed all of these materials from my home. If I force blooms for display now, it is done outside, in my cold frame, and they stay outside too.

I hope you enjoy your February image!

Original, prints, cards and merchandise

"Interior With Cat" framed.

“Interior With Cat” framed.

“Interior with Cat” is available in my Etsy shop and the original is still available. I used two elements in the mat and frame that I liked in the cloth pattern: the red outline around the outside, and the outlines on the fruit, which were actually a deep olive green but I used black core mats for the outline effect, and finished it with a narrow white painted wood frame. Click here to see the framed original on Etsy.

I also have it available as a full-size 8 x 12 print or an 8 x 10 print that will fit in a premade frame by trimming a bit off the top of the image in a digital print, a giclee print and a canvas print. Visit this product in my Etsy shop to see all the possibilities.

“Interior With Cat” is also one of the images included in my  Feline Greetings Art Cards as a 5 x 7 image.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

And I will soon have keepsake boxes and wall-mounted art in this design.


Find out about events and festivals  where you can find me and my work.

Sign up for my e-newsletter (below), check the widget on the sidebar on my home page, or sign up to receive posts on Portraits of Animals Marketplace. I plan on plenty of events this coming summer in the Pittsburgh area.

Once a week on Thursday I feature something new in my “shop”, whether that’s here on The Creative Cat, in my Etsy shop, on my main website or even at one of the bricks and mortar shops that carry my work.



Browse some rescued cats and kittens!


All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


Inspired by felines you know! Visit Portraits of Animals on Etsy.
Inspired by felines you know! Visit Portraits of Animals on Etsy!

© 2014 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski

FACEBOOK | TWITTER | LINKEDIN | ETSY SHOP | PINTEREST | TUMBLR | STUMBLEUPON | GOOGLE+ | EMAIL

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Several Original Sketches Sold

watercolor of cat

“Blending”, watercolor.

Over on my feline art sit, The Creative Cat, I post a daily sketch of my cats among other images, photos and informative articles and stories. The sketches began as a way for me to get a little practice each day, completed in the moment and posted that day. They’ve grown into quite the feature and all these images have become new products as framed art and on handmade and printed products. You can read more about my daily cat sketches in the article Muse Medallions and a Special Award in the CWA Communications Contest.

I love being able to send a piece of original artwork, knowing these images of my cats are off in someone’s home. I always have ideas for mats and frames while I’m working, and do the framing myself. Also, once an original has been purchased, it’s also added to the gallery of prints for sale in my Etsy shop.Above is “Blending” and below is “Clash of Titans“, both headed for the same home, someone who has purchased several other framed daily sketches.

framed sketch of cats

“Clash of Titans”, pastel and charcoal.

Below is “Tonal Nap”, which went off to the same home as the two sketches above a few months ago.

framed sketch of cat

“Tonal Nap”, pastel.

The photos document the mats and frames for future reference since prints of paintings often work well with the same mat and frame as the original—sometimes I like to put one together for myself.

Below, “Vigilant Nap”, came out just as I’d wanted, with two mats that coordinate with the paper and some of the colors and textures in the sketch, but it’s overall monochromatic.

You can also find “Vigilant Nap” as the November image in my 12 Sketches of Cats 2014 Fine Art Wall Calendar—read more below!

framed sketch of cat

“Vigilant Nap”, charcoal.

framed sketch of cats

“Their Faces to the Sun”, ink and watercolor.

“Their Faces in the Sun”, above, and “Blue Purple Cats”, below, made their way to the same home, one of our friends in Canada, who has also purchased a few other sketches.

framed sketch of cats

“blue Purple Cats”, ink and watercolor.

Below, I deliver “Highlighted Silhouette” to a friend and customer who is Fromage and Cranberry‘s human—does Fromage think the sketch is her? Or another interloper house panther? And what does Cranberry think of a painting of a black cat in her home?

two cats looking at painting

Fromage inspects the painting close up, which Cranberry inspects Fromage and the painting!

Framed daily sketches usually add up to between $100 and $150 which includes the sketch, the framing and the shipping. I choose the framing from all my samples here, and cut the mat and finish the framing myself in my studio. If you are interested in an original sketch or any other artwork, just send me a message. it’s difficult to post all the sketches I do on Etsy or elsewhere since there are so many, but I often try to anticipate the ones others will want to purchase, and I sometimes mat and frame the ones I like personally.

Prints of these sketches will now be available as well in my Etsy shop, and in addition to the image itself I’ve also posted a photo of the framed original as an idea for framing a print, and mentioned that cost as well, just to see how that works.


12 Sketches of Cats 2014 Wall Calendar

"12 Sketches of Cats Calendar"

“12 Sketches of Cats 2014 Calendar”

If you’d like a few of my daily sketches but prefer to purchase prints, I have a deal for you. This calendar includes 14 images printed in archival inks on acid-free paper in a lovely calendar you can enjoy all year. Considering that I typically sell prints at this size and level of quality for $15.00 each, 14 prints would be $210.00. But this calendar, priced at $45.00, is a perfect idea if you want to purchase a number of prints, and $10.00 of each purchase is donated to a different feline rescue each month—right now it’s FosterCat.

I’ve always admired oversized “art calendars”, the ones where the art is foremost and the calendar just an incidental means of presenting it. Calendars are printed on quality text or cover stock and are only printed on one side of the page with plenty of clear space around the artwork because the image is intended to be framable with nothing printed on the back.

And so 12 Sketches of Cats is digitally printed in the same archival inks and acid-free natural 100# smooth cover stock I use for the digital art prints I sell. Each page is 11″ x 17″ so there is plenty of space to have the art at or near its native size with room for the name and information about the art with the calendar at the bottom. The calendar is spiral-bound at the top with a hole drilled just beneath the spiral so you display one page at a time.

In addition to keeping art near its native size I’ve also sized most of the artwork so it will easily fit a standard frame size. Some images, such as “Shades of Gray” and “World Cat” are smaller than the originals to fit the page. I chose sketches for popularity and narrowed them down for a variety of style and medium. All are in color but there is one bonus pencil sketch; no charcoal or ink sketches seemed to fit with the color art, so of course that might be a calendar of its own someday.

Read more about the 12 Sketches of Cats 2014 Fine Art Wall Calendar here.


black cat with mat cutter

Mimi manages things with the mat cutter.

Take a look at other new merchandise and featured artwork.

Once a week on Thursday I feature something new in my “shop”, whether that’s here on The Creative Cat, in my Etsy shop, on my main website or even at one of the bricks and mortar shops that carry my work.

Read about creating custom items

Find out more about creating custom items for your own home using the images you see here. Visit the “Ordering Custom Art” page to see samples and read bout how to order.

 

It’s all done under the close and careful supervision of my studio cats!


Subscribe to The Creative Cat e-newsletter for specials on exclusively feline-themed art and merchandise

 


All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


© 2014 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski
FACEBOOK | TWITTER | LINKEDIN | ETSY SHOP | PINTEREST


The Sunny Upstairs Window, Framed Original or Prints

pastel sketch of two cats

“The Sunny Upstairs Window”, 6″ wide x 8″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels © Bernadette E. Kazmarski

This art is “The Sunny Upstairs Window”, 6″ wide x 8″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels © Bernadette E. Kazmarski, signed and dated 5/11/12.

ABOUT THE ARTWORK

If you’ve been following my sketches for any length of time, you’ve probably seen gradual changes that begin with a particular sketch—adding new media, using a new color palette, finding a new style, even using a new and different paper. In my everyday life as an artist I took the time to experiment far lest often, in part because I did less art, and because my visualization and aesthetic senses moved more slowly. With this daily practice everything happens faster, and with more daring I’ll add.

Up to this point I’d done most of my sketches away from my studio, with my toy bag full of older, lower-quality and well-used pencils, pastels, charcoal, pens and even sketch pads. The sketches were just for practice after all, and I didn’t want to use “good” materials on what was basically a quick and temporary item.

But leading up to this with oil pastels and ink and watercolor, this particular morning I picked up my imported pastel paper and my really good pastels and quickly came up with this sketch, and it was truly inspired and enhanced by using the better materials. The two girls have such dimension and interest all over their tiny figures, the light streams in and changes tone and color just as natural light tends to do, and even the shadows have dimension. Let that be a lesson to me.

. . . . . . .

Mimi and Mewsette enjoy the morning sunshine in front of the sunniest window in the house.

Friday morning was the first of several completely sunny mornings after a row of somewhat dark and rainy ones. All the cats were gravitating to the back of the house, facing east, as the sun streamed in the back door into the kitchen, and in the windows at the top of the stairs and in the bathroom.

I also recently took all the geraniums outside, so this top level of the wardrobe is now accessible, and a perfect spot to enjoy a sunny morning.

In my studio for part of the morning, I used the very Italianate Fabriano Tiziano Pastello drawing paper and a small set of my Sennelier pastels. Typically, what I have easily available downstairs in my toybox of art materials is not this quality of stuff, but in my studio I can play around with other things.

. . . . . . .

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

"The Sunny Upstairs Window" framed.

“The Sunny Upstairs Window” framed.

ORIGINAL PAINTING

This sketch is 6″ wide x 8″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels. It is matted with 1-1/4″ acid-free purple top and bottom mats, framed in a 1-1/2″ dusk blue barnwood 8″ x 10″ solid wood frame. The backing is acid-free foam core and the glass is premium clear glass. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

"The Sunny Upstairs Window" canvas.

“The Sunny Upstairs Window” canvas.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

MOUSEPADS

"The Sunny Upstairs Window" mousepad.

“The Sunny Upstairs Window” mousepad.

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

Stay tuned for other items with this image, like keepsake boxes, wood-mounted prints and coasters!

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.


Find out about events and festivals  where you can find me and my work.

Sign up for my e-newsletter (below), check the widget on the sidebar on my home page, or sign up to receive posts on Portraits of Animals Marketplace. I plan on plenty of events this coming summer in the Pittsburgh area.

Once a week on Thursday I feature something new in my “shop”, whether that’s here on The Creative Cat, in my Etsy shop, on my main website or even at one of the bricks and mortar shops that carry my work.



Browse some rescued cats and kittens!


All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


Inspired by felines you know! Visit Portraits of Animals on Etsy.
Inspired by felines you know! Visit Portraits of Animals on Etsy!

© 2014 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski

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Featured Artwork: “Interior With Cat”

watercolor of flowers and cat

“Interior With Cat”, watercolor, 8″ x 12″ © Bernadette E. Kazmarski

reference photo for painting

Reference photo for painting.

This is a painting I’ve been intending to introduce here for a while, though I painted it in 2000, right about this time of year. With its cheery reds, the bright sun coming in the door and the paperwhite narcissus sprouting out of the pot in the middle of the table, it’s always dated to February for me. It was also one of the first paintings I did after I’d left my day job and began working at home, and I remember the almost guilty feeling of taking a couple of hours in the afternoon to paint, which I’d dreamed of doing for years and hoped to make a part of my daily schedule.

Those calendula, which had braved a pretty hard frost, opened fully when the sun shone in the windows the next day, and that was the first inspiration for this piece. I photographed the calendula, intending to paint only them and have a number of closeups of the flowers. But when I looked over the photographs in preparation for painting, I noticed the cloth, the paperwhites in the pot, the light glare on the table, and of course, Sophie at the door, but I really intended to keep it as just a still life. It developed into a much larger work than I had intended, but it was a fun challenge to create something from a different perspective and in a different style than I had before, visualizing a bright, simplified watercolor. I pictured an “interior”, not just a still life of objects in an arrangement but a moment in time involving more of the space, and I really tried hard to keep Sophie out of it, but it just wasn’t complete until I painted her in, hence the title, “Interior With Cat”.

Being able to begin painting as soon I had the photos developed was another joy because many works had waited years to come to fruition as I worked a day job and had freelance assignments at night.

I enjoyed painting the flowers on that cloth, in part because those flowers were actually handpainted as well. The cloth was woven linen handpainted in Poland, one of the souvenirs of traditional work my mother’s sister had brought back in her travels to find family in Ukraine and Poland; I treasure those items. Though this is brightly colored and might work better for summer, I like it for winter because those bright colors enliven short winter days.

watercolor of flowers

Detail of cloth, calendula and pots.

I managed to have fresh calendula flowers as described above, and I also remember that we had a mild winter that first winter I worked at home, and the calendula was growing in a sheltered spot near my chimney and continued producing flower buds. The other flowers are paperwhite narcissus, one of many flowering bulbs I had always forced in the house in spring to put around on all the windowsills and tables—by February I was ready for blooming flowers and bright colors—and also to place outdoors in my windowboxes (a little more on that, below).

I did enjoy painting those marbles too, in fact I could have done one painting of just those marbles. I found dozens in the yard in the house I had rented, so excited at possibly finding truly vintage marbles, but they were not vintage, actually quite recent. Still, I’ve always loved having them in the bottom of a vase or a jar of plant cuttings and still use them for that today.

detail of watercolor

Detail of glass vase with marbles.

And as I’d mentioned I had not intended to have a cat in this painting. As I worked my way around, though, and looked at the composition I realized I’d have a weak, rather blank spot in the upper left because just the door wasn’t strong enough to balance the patterns, shapes and colors at the bottom. So, in keeping with the loose style of this painting, and with the fact that Sophie and the door are both blurry, I added a loose rendition of Sophie looking out the door. I couldn’t picture it without her, and I’m glad I have her immortalized in another of my paintings.

watercolor of flowers and cat

Detail of Sophie looking out the door.

I was very pleased with the looser, more decorative quality of this painting. Up to then all my watercolors had been very tight, detailed, realistic images. Of course I had set goals for my art career when I’d started working at home, and this was one of them—loosen up!

One other thing to note with this painting—paperwhite narcissus and most other plants growing from bulbs can be very toxic to cats, causing renal failure in a matter of hours. I knew about lilies at the time, but not about other bulbs, and I force-bloomed daffodils, tulips, crocuses, hyacinth, snowdrops, squills, you name it. I know my cats had chewed on them through the years because they chewed on everything, and I never noticed any issues. A couple of years after this, however, I suddenly lost my dilute tortie Nikka in February to acute renal failure and I will always wonder if this was what caused it and I removed all of these materials from my home. If I force blooms for display now, it is done outside, in my cold frame, and they stay outside too.

Original, prints, cards and merchandise

framed watercolor

“Interior With Cat”, matted and framed.

“Interior with Cat” is new in my Etsy shop and the original is still available. I used two elements in the mat and frame that I liked in the cloth pattern: the red outline around the outside, and the outlines on the fruit, which were actually a deep olive green but I used black core mats for the outline effect, and finished it with a narrow white painted wood frame. Click here to see the original on Etsy.

I also have it available as a full-size 8 x 12 digital art print or an 8×10 digital art print that will fit in a premade frame by trimming a bit off the top of the image. “Interior With Cat” is also one of the images included in my  Feline Greetings Art Cards as a 5 x 7 image.

I can also have a full-size giclée made upon request. And I will soon have keepsake boxes and wall-mounted art in this design.



Also browse Featured Artwork

I also feature artwork which has not been commissioned, especially my paintings of my own cats. If you’d like to read more about artwork as I develop it, about my current portraits and art assignments and even historic portraits and paintings, I feature commissioned portrait or other piece of artwork on Wednesday. Choose the categories featured artwork.


Subscribe to My E-newsletter
Subscribe to The Creative Cat e-newsletter for specials on exclusively feline-themed art and merchandise.

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


Inspired by felines you know! Visit Portraits of Animals on Etsy.

AfterDinnerNap-Etsy


© 2014 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski


In This Valley Poetry Reading and Art Exhibit

In This Valley Poetry Reading and Art Exhibit

In This Valley Poetry Reading and Art Exhibit

In This Valley

Poetry Reading and Art Exhibit

Thursday, March 6, 2014, 7:00 PM

Andrew Carnegie Free Library & Music Hall, Reception Hall, 2nd Floor

Library Avenue, ink sketch

Library Avenue, ink sketch

As a part of the celebration of Carnegie’s 120th year, I will share poetry and art inspired by my home town. The program is free and a reception follows the reading.

West Main Street, original pastel

West Main Street, August Afternoon, original pastel

Much of what I do is inspired by the place I live as I’ve walked the trails and streets of Carnegie and the surrounding area, watching the land and people change from my childhood. I’ll be reading about a dozen poems, some of which I’ve presented in prior poetry readings, and a selection of new works.

View from Beechwood, acrylic painting

View from Beechwood, acrylic painting

I’ll also have some familiar paintings and prints as well as recent sketches, paintings and photographs and I’ll have a selection of note cards on display from the set “My Home Town”. In addition, a selection of my photographs from the collections “Of Harps and Fig Leaves” and “Carnegie Photographed” will also be part of the exhibit.

Table of Glass, original pastel

Table of Glass, original pastel

You can see samples of poetry and art from my prior poetry readings at Andrew Carnegie Free Library & Music Hall by visiting the poetry page on my website.

If you’re local, I hope to see you there!

main street carnegie

Main Street at Twilight, photo


House By Tracks, a Hot Summer Afternoon

pastel painting of house by railroad tracks

House by Tracks, pastel © B. E. Kazmarski

Nothing captures the heat of a summer day for me more than a view of railroad tracks, gravel blazing in the relentless August sun, the empty tracks themselves seeming to magnify the silence of a summer afternoon. Add to that the lush trees with deep, welcoming shadows and a faded blue sky and that’s late summer for me, possibly because I often used railroad tracks as a shortcut when walking around in summer.

I also wanted to capture the brilliant highlights on the greenery, and the greenery itself aside from the trees, the scrubby, tough wildflowers that grow in the gravel along the railroad tracks.

framed painting

Framed view.

I will really digress here and mention that I always associate it with the short story from Stephen King’s anthology Different Seasons entitled “The Body”, which became the movie Stand By Me. I was past my childhood days of following railroad tracks to the next town, but when I read that story something clicked for me—as a writer. As I read I could feel the sun beat down on my head, hear the insects, see the tracks stretch out before me in the quivering mirages of summer heat as if I was walking those tracks again and I decided I wanted to do that too, to take people to the place I was in my imagination by writing about it. I had always dismissed the things I’d taken in through my senses as my own experience and which others wouldn’t be interested in. I realized that the descriptive terms that built an image of physical place for the reader are built on what we take in through our senses.

I’ve always been fascinated by houses that were right next to railroad tracks as well, wondering how people managed to live there in the days when trains screamed by and emitted tons of toxic pollution. It all tells a story of a time gone by extending into today. While this house reminds me of many I’ve seen along other railroad tracks, this house is right off of Main Street in Carnegie and is still occupied. I took a few hours on a Sunday afternoon in 2002 to paint it for our annual art exhibit, Carnegie Painted.

This painting is sold!

So glad this painting went home for Christmas 2014, to a person whose grandma lived in a house like this, such wonderful memories she shared of her siblings walking across town with their mother to her mother’s home for Sunday dinner, and a house that had not too long before only had an outhouse and no running water, though it did by the early 60s. We think of these things from long ago, but friends of mine from high school grew up in houses without running water, or electricity, or just plain old. Time to remember these things.


House By Tracks, a Hot Summer Afternoon

pastel painting of house by railroad tracks

House by Tracks, pastel © B. E. Kazmarski

Nothing captures the heat of a summer day for me more than a view of railroad tracks, gravel blazing in the relentless August sun, the empty tracks themselves seeming to magnify the silence of a summer afternoon. Add to that the lush trees with deep, welcoming shadows and a faded blue sky and that’s late summer for me, possibly because I often used railroad tracks as a shortcut when walking around in summer.

I also wanted to capture the brilliant highlights on the greenery, and the greenery itself aside from the trees, the scrubby, tough wildflowers that grow in the gravel along the railroad tracks.

framed painting

Framed view.

I will really digress here and mention that I always associate it with the short story from Stephen King’s anthology Different Seasons entitled “The Body”, which became the movie Stand By Me. I was past my childhood days of following railroad tracks to the next town, but when I read that story something clicked for me—as a writer. As I read I could feel the sun beat down on my head, hear the insects, see the tracks stretch out before me in the quivering mirages of summer heat as if I was walking those tracks again and I decided I wanted to do that too, to take people to the place I was in my imagination by writing about it. I had always dismissed the things I’d taken in through my senses as my own experience and which others wouldn’t be interested in. I realized that the descriptive terms that built an image of physical place for the reader are built on what we take in through our senses.

I’ve always been fascinated by houses that were right next to railroad tracks as well, wondering how people managed to live there in the days when trains screamed by and emitted tons of toxic pollution. It all tells a story of a time gone by extending into today. While this house reminds me of many I’ve seen along other railroad tracks, this house is right off of Main Street in Carnegie and is still occupied. I took a few hours on a Sunday afternoon in 2002 to paint it for our annual art exhibit, Carnegie Painted.

This painting is sold!


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