Category Archives: original artwork

Framed Original Sketches

watercolor of cat

“Blending”, watercolor.

A few more framed original daily sketches have gone to their new homes! I love being able to send a piece of original artwork, knowing these images of my cats are off in someone’s home. I always have ideas for mats and frames while I’m working, and do the framing myself. Also, once an original has been purchased, it’s also added to the gallery of prints for sale in my Etsy shop.Above is “Blending” and below is “Clash of Titans“, both headed for the same home, someone who has purchased several other framed daily sketches.

framed sketch of cats

“Clash of Titans”, pastel and charcoal.

Below is “Tonal Nap”, which went off to the same home as the two sketches above a few months ago.

framed sketch of cat

“Tonal Nap”, pastel.

The photos document the mats and frames for future reference since prints of paintings often work well with the same mat and frame as the original—sometimes I like to put one together for myself.

Below, “Vigilant Nap”, came out just as I’d wanted, with two mats that coordinate with the paper and some of the colors and textures in the sketch, but it’s overall monochromatic.

You can also find “Vigilant Nap” as the November image in my 12 Sketches of Cats 2014 Fine Art Wall Calendar—read more below!

framed sketch of cat

“Vigilant Nap”, charcoal.

framed sketch of cats

“Their Faces to the Sun”, ink and watercolor.

“Their Faces in the Sun”, above, and “Blue Purple Cats”, below, made their way to the same home, one of our friends in Canada, who has also purchased a few other sketches.

framed sketch of cats

“blue Purple Cats”, ink and watercolor.

Below, I deliver “Highlighted Silhouette” to a friend and customer who is Fromage and Cranberry‘s human—does Fromage think the sketch is her? Or another interloper house panther? And what does Cranberry think of a painting of a black cat in her home?

two cats looking at painting

Fromage inspects the painting close up, which Cranberry inspects Fromage and the painting!

Framed daily sketches usually add up to between $100 and $150 which includes the sketch, the framing and the shipping. I choose the framing from all my samples here, and cut the mat and finish the framing myself in my studio. If you are interested in an original sketch or any other artwork, just send me a message. it’s difficult to post all the sketches I do on Etsy or elsewhere since there are so many, but I often try to anticipate the ones others will want to purchase, and I sometimes mat and frame the ones I like personally.

Prints of these sketches will now be available as well in my Etsy shop, and in addition to the image itself I’ve also posted a photo of the framed original as an idea for framing a print, and mentioned that cost as well, just to see how that works.


12 Sketches of Cats 2014 Wall Calendar

"12 Sketches of Cats Calendar"

“12 Sketches of Cats 2014 Calendar”

If you’d like a few of my daily sketches but prefer to purchase prints, I have a deal for you. This calendar includes 14 images printed in archival inks on acid-free paper in a lovely calendar you can enjoy all year. Considering that I typically sell prints at this size and level of quality for $15.00 each, 14 prints would be $210.00. But this calendar, priced at $45.00, is a perfect idea if you want to purchase a number of prints, and $10.00 of each purchase is donated to a different feline rescue each month—right now it’s FosterCat.

I’ve always admired oversized “art calendars”, the ones where the art is foremost and the calendar just an incidental means of presenting it. Calendars are printed on quality text or cover stock and are only printed on one side of the page with plenty of clear space around the artwork because the image is intended to be framable with nothing printed on the back.

And so 12 Sketches of Cats is digitally printed in the same archival inks and acid-free natural 100# smooth cover stock I use for the digital art prints I sell. Each page is 11″ x 17″ so there is plenty of space to have the art at or near its native size with room for the name and information about the art with the calendar at the bottom. The calendar is spiral-bound at the top with a hole drilled just beneath the spiral so you display one page at a time.

In addition to keeping art near its native size I’ve also sized most of the artwork so it will easily fit a standard frame size. Some images, such as “Shades of Gray” and “World Cat” are smaller than the originals to fit the page. I chose sketches for popularity and narrowed them down for a variety of style and medium. All are in color but there is one bonus pencil sketch; no charcoal or ink sketches seemed to fit with the color art, so of course that might be a calendar of its own someday.

Read more about the 12 Sketches of Cats 2014 Fine Art Wall Calendar here.


black cat with mat cutter

Mimi manages things with the mat cutter.

Take a look at other new merchandise and featured artwork.

Once a week on Thursday I feature something new in my “shop”, whether that’s here on The Creative Cat, in my Etsy shop, on my main website or even at one of the bricks and mortar shops that carry my work.

Read about creating custom items

Find out more about creating custom items for your own home using the images you see here. Visit the “Ordering Custom Art” page to see samples and read bout how to order.

 

It’s all done under the close and careful supervision of my studio cats!


Subscribe to My E-newsletter
Subscribe to The Creative Cat e-newsletter for specials on exclusively feline-themed art and merchandise.

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


Inspired by felines you know! Visit Portraits of Animals on Etsy.

AfterDinnerNap-Etsy


© 2014 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski

Weekly schedule of features:
Sunday: Essays, Pet Loss, Poetry, The Artist’s Life
Monday: Adoptable Cats, TNR & Shelters
Tuesday: Rescue Stories
Wednesday: Commissioned Portrait or Featured Artwork
Thursday: New Merchandise
Friday: Book Review, Health and Welfare, Advocacy
Saturday: Your Backyard Wildlife Habitat, Living Green With Pets, Creating With Cats
And sometimes, I just throw my hands in the air and have fun!

FACEBOOK | TWITTER | LINKEDIN | ETSY SHOP | PINTEREST | TUMBLR | STUMBLEUPON | GOOGLE+ | EMAIL

HOME


Join Us at the Galleria 2014 Spring Art Show

Galleria poster for exhibit.
Galleria poster for exhibit.

Opening reception Saturday, March 15 6:30 to 8:00 p.m.

Friday, March 14 through Sunday, March 23

The Galleria Of Mt. Lebanon
1500 Washington Road, Pittsburgh, PA 15228

I am showing with the South Hills Art League in this exhibit including eight local art leagues and organizations. We set up last night for this exhibit, which is open Friday, March 14 through Sunday, March 23 at The Galleria Of Mt. Lebanon, sponsored by Painting With A Twist. Sales at the exhibit are cash and carry  and each league will be hosting technique classes.

Here are the paintings I am showing in this exhibit, “Afternoon Apples“, “Clementines” and “Spring Morning Leaves“:

Here is a gallery of some of the art by my colleagues in the South Hills Art League:

And here is a gallery of what a few of the other art league setups looked like:

Hope to see you there!

If you’d like to sign up to receive this e-newsletter, which I usually deliver seasonally, click here to add your e-mail address.


In This Valley Poetry Reading and Art Exhibit

In This Valley Poetry Reading and Art Exhibit

In This Valley Poetry Reading and Art Exhibit

In This Valley

Poetry Reading and Art Exhibit

Thursday, March 6, 2014, 7:00 PM

Andrew Carnegie Free Library & Music Hall, Reception Hall, 2nd Floor

Library Avenue, ink sketch

Library Avenue, ink sketch

As a part of the celebration of Carnegie’s 120th year, I will share poetry and art inspired by my home town. The program is free and a reception follows the reading.

West Main Street, original pastel

West Main Street, August Afternoon, original pastel

Much of what I do is inspired by the place I live as I’ve walked the trails and streets of Carnegie and the surrounding area, watching the land and people change from my childhood. I’ll be reading about a dozen poems, some of which I’ve presented in prior poetry readings, and a selection of new works.

View from Beechwood, acrylic painting

View from Beechwood, acrylic painting

I’ll also have some familiar paintings and prints as well as recent sketches, paintings and photographs and I’ll have a selection of note cards on display from the set “My Home Town”. In addition, a selection of my photographs from the collections “Of Harps and Fig Leaves” and “Carnegie Photographed” will also be part of the exhibit.

Table of Glass, original pastel

Table of Glass, original pastel

You can see samples of poetry and art from my prior poetry readings at Andrew Carnegie Free Library & Music Hall by visiting the poetry page on my website.

If you’re local, I hope to see you there!

main street carnegie

Main Street at Twilight, photo


House By Tracks, a Hot Summer Afternoon

pastel painting of house by railroad tracks

House by Tracks, pastel © B. E. Kazmarski

Nothing captures the heat of a summer day for me more than a view of railroad tracks, gravel blazing in the relentless August sun, the empty tracks themselves seeming to magnify the silence of a summer afternoon. Add to that the lush trees with deep, welcoming shadows and a faded blue sky and that’s late summer for me, possibly because I often used railroad tracks as a shortcut when walking around in summer.

I also wanted to capture the brilliant highlights on the greenery, and the greenery itself aside from the trees, the scrubby, tough wildflowers that grow in the gravel along the railroad tracks.

framed painting

Framed view.

I will really digress here and mention that I always associate it with the short story from Stephen King’s anthology Different Seasons entitled “The Body”, which became the movie Stand By Me. I was past my childhood days of following railroad tracks to the next town, but when I read that story something clicked for me—as a writer. As I read I could feel the sun beat down on my head, hear the insects, see the tracks stretch out before me in the quivering mirages of summer heat as if I was walking those tracks again and I decided I wanted to do that too, to take people to the place I was in my imagination by writing about it. I had always dismissed the things I’d taken in through my senses as my own experience and which others wouldn’t be interested in. I realized that the descriptive terms that built an image of physical place for the reader are built on what we take in through our senses.

I’ve always been fascinated by houses that were right next to railroad tracks as well, wondering how people managed to live there in the days when trains screamed by and emitted tons of toxic pollution. It all tells a story of a time gone by extending into today. While this house reminds me of many I’ve seen along other railroad tracks, this house is right off of Main Street in Carnegie and is still occupied. I took a few hours on a Sunday afternoon in 2002 to paint it for our annual art exhibit, Carnegie Painted.

This painting is sold!

So glad this painting went home for Christmas 2014, to a person whose grandma lived in a house like this, such wonderful memories she shared of her siblings walking across town with their mother to her mother’s home for Sunday dinner, and a house that had not too long before only had an outhouse and no running water, though it did by the early 60s. We think of these things from long ago, but friends of mine from high school grew up in houses without running water, or electricity, or just plain old. Time to remember these things.


House By Tracks, a Hot Summer Afternoon

pastel painting of house by railroad tracks

House by Tracks, pastel © B. E. Kazmarski

Nothing captures the heat of a summer day for me more than a view of railroad tracks, gravel blazing in the relentless August sun, the empty tracks themselves seeming to magnify the silence of a summer afternoon. Add to that the lush trees with deep, welcoming shadows and a faded blue sky and that’s late summer for me, possibly because I often used railroad tracks as a shortcut when walking around in summer.

I also wanted to capture the brilliant highlights on the greenery, and the greenery itself aside from the trees, the scrubby, tough wildflowers that grow in the gravel along the railroad tracks.

framed painting

Framed view.

I will really digress here and mention that I always associate it with the short story from Stephen King’s anthology Different Seasons entitled “The Body”, which became the movie Stand By Me. I was past my childhood days of following railroad tracks to the next town, but when I read that story something clicked for me—as a writer. As I read I could feel the sun beat down on my head, hear the insects, see the tracks stretch out before me in the quivering mirages of summer heat as if I was walking those tracks again and I decided I wanted to do that too, to take people to the place I was in my imagination by writing about it. I had always dismissed the things I’d taken in through my senses as my own experience and which others wouldn’t be interested in. I realized that the descriptive terms that built an image of physical place for the reader are built on what we take in through our senses.

I’ve always been fascinated by houses that were right next to railroad tracks as well, wondering how people managed to live there in the days when trains screamed by and emitted tons of toxic pollution. It all tells a story of a time gone by extending into today. While this house reminds me of many I’ve seen along other railroad tracks, this house is right off of Main Street in Carnegie and is still occupied. I took a few hours on a Sunday afternoon in 2002 to paint it for our annual art exhibit, Carnegie Painted.

This painting is sold!


A Garden Party Summer Art Exhibit

Garden Bench-1000px-for exhibit

The Studio of
Bernadette E. Kazmarski

presents

A Garden Party Summer Art Exhibit

And there’s no need to go anywhere—it’s all on your computer!

I’m featuring several new original en plein air paintings plus framed originals from previous years as well as framed and unframed archival prints and canvas prints of summer-themed artwork, all in my Etsy shop.

I’m offering a special discount for the month of August, 25% off anything in my Landscapes and Still Lifes Gallery. Just use the code “GARDENPARTY” for your special discount. I’ve featured a few in this post—click any image to find out more about it or visit my Landscapes and Still Lifes Gallery.

I’ve spent the past year focusing on building my following for feline and animal art, writing and poetry on The Creative Cat and now I’ve hit the trail again and I’ll be publishing seasonally with new and existing art and photography as well as other inspirations.

As always, if you’re no longer interested in receiving this e-newsletter, please use the unsubscribe link below. If you are interested in receiving The Creative Cat e-newsletter, click here to see a sample, and use the sign-up link to join the list. I don’t do anything with your e-mail but send the occasional e-newsletter, I never share or sell or use in any other way. I’d rather be doing artwork!

April Cloud Study framed original pastel.

April Cloud Study framed original pastel.

Main Street Sunday digital print.

Main Street Sunday digital print.

Red Climbers framed print.

Red Climbers framed print.

Sunset on the Bay original watercolor.

Sunset on the Bay original watercolor.

Spring Morning Leaves original pastel.

Spring Morning Leaves original pastel.

Fruit framed original pastel.

Fruit framed original pastel.

Evening on the Beach canvas print.

Evening on the Beach canvas print.

Lilacs and Laundry framed original pastel.

Lilacs and Laundry framed original pastel.

And there are many more! Click any image to find out more about it or visit my Landscapes and Still Lifes Gallery, and don’t forget to use your “GARDENPARTY” discount code for 25% off your purchases.

If you’d like to sign up to receive this e-newsletter, which I usually deliver seasonally, click here to add your e-mail address.


Spring Cleaning, prints of original pastel

pastel painting of spring yard with laundry

MEDIUM: Pastel; IMAGE SIZE: 14″ x 20″; 2006

The backyard of an old farmhouse near me, I was drawn at first by the forsythia, which was right on the edge of the road as I drove past, then as I slowed down I saw the colorful hanging laundry, always a favorite subject. That hazy spring sunlight with long shadows on the grass, young leaves on the trees and the white-sided house all combined in a scene that could have been any year in the previous century when everyone hung their laundry outside and that first spring day warm enough to dry it left it smelling so fresh.

Here’s a detail of the laundry:

detail of painting

Detail of laundry area.

This is painted with chalk pastel from photos and from life. The image is 14″ x 20″ with a two-inch tan marble acid-free mat and a vintage antique gold frame with premium clear glass. The painting is wired on the back and ready to hang.

The original was sold and is happily living in Canada but I have prints of this painting.

Prints

Full-size giclee: $75.00
Half-size giclee: $45.00

Digital print, 16″ x 9.5″: $25.00

Full-size gallery-wrapped canvas print: $75.00

Find it here on Etsy.


Winter White

pastel painting of panhandle trail in winter

Panhandle Outbound, pastel © B.E. Kazmarski

I love winter, and I don’t care who thinks I’m crazy.

I love the light, so much more of it with the leaves down from the trees and with the sun’s angle so much lower, more of it in the house and in the woods.

pastel painting of snow under trees

Morning Snow 2, pastel © B.E. Kazmarski

I love the colors, from the subtle pastels of a snowy morning to the bold jewel tones and earth tones of brambles, branches, stems and tree trunks and leaves left behind in contrast to the snow on a bright afternoon.

And I love the minimal, stark beauty of branches etched against snow and sky during a snowfall. I go out and play in it, and paint and photograph it.

Several years ago I collected all my winter sketches and hosted an exhibit entitled “Winter White”, and my guests and I enjoyed the art so much that I set it up on my website, each painting with the information about where it came from.

pastel painting of blue jays in bare tree

Jammin Jay Blues, pastel © B. E. Kazmarski

These are all small sketches, none larger than 12″ x 12″, in pastel, watercolor, pencil and pen and ink nearly all done en plein air, sometimes on the trails, sometimes in my backyard, often standing on my deck or sitting in the front seat of the car when the temperature was near zero.

In many cases they are my experiments with materials and styles, preparing my own drawing surfaces and using papers I’d never used before, breaking my own boundaries of studio work to refresh my palette and visualization.

pastel painting of small cat at big window

Winter Window, pastel © B.E. Kazmarski

I did my best to capture the essence of winter, and you’ll even see a few winter cats in here too.

I was greatly inspired by the book for an exhibit organized and shown in New York and San Francisco in 1999 entitled “Impressionists in Winter: Effets de Neige”. You can read about it on Artnet.com, or check your local library for the book from the exhibit. If you go there, find a painting called “The Magpie” by Claude Monet.

pastel painting of trees and snow

Solstice, pastel © B.E. Kazmarski

“Solstice”, pastel, 6″ x 6″

This painting is indeed from the Winter Solstice about a decade ago. As the sun began to set on a zero-degree day with a foot or more of snow the light was so beautiful that I took off in my car with my camera and art supplies. At the top of the hill the gentle pink and coral tones of the sunset melded with the blue of dusk on the field of unbroken snow at the old Christmas tree farm, one of my favorite spots. It was too cold to draw outside since I can’t wear gloves and would soon be dropping my pastels in the snow, so I positioned my car on a convenient side road and sketched this in my front seat. As it does sometimes, the sun seemed to hang in the trees just before it disappeared: solstice, “sun-stand-still”. It’s just a little thing, 6″ x 6″, one of my favorites, especially now that the place is gone to development. It became the inspiration for an exhibit I hosted in 2004, “Winter White”.

pastel painting

“Winter Colors”, pastel © B.E. Kazmarski

If you’re interested in any of the originals, you’ll see the available originals have prices listed and thumbnails to see them framed. I also have digital prints of of them, and because they are small they are available for $15.00 plus $5.00 in shipping. I also offer custom framing services. If you have any questions, please send me an e-mail. In the meantime, enjoy my views of winter! Visit Winter White.


My Autumn Gallery

painting of birch trees with autumn leaves

Birches 2: Radiance, ink and watercolor, 2002, © B. E. Kazmarski

As the Harvest Moon has passed and October approaches, I’m sensing signs of autumn everywhere, in the angle and color of sunlight, leaves beginning to change from green to their autumn garb, geese flying south and my bird feeders mobbed by birds on some days, and cooler days and nights.

Just as I have galleries of summer and winter artwork, so do I have a gallery of autumn artwork; I’ll feature just a few here in this post, but you can read about others in my Etsy gallery. As much of autumn artwork has to do with trees doing their autumn thing, and Western Pennsylvania is largely tree covered, I’ve had a lot of material to work with through the years. Some are painted en plein air, but some are studio pieces, like the birch trees above.

And I can offer an infinite number of things on Etsy, but sometimes it’s easier to let you choose what you want. Please scroll to the end for details.

Birches 1 and 2

painting of birch trees with autumn leavs

Birches 1: Autumn Showers, oil pastel, 1999 © B.E. Kazmarski

From the time I met the paper birch in our front yard I have always been attracted to the delicately detailed white bark of birch trees which seemed to emit its own faint light in any season. Here, in the darkness of the woods, the grouping of white trunks looks like a crowd clustered for discussion, decorated by a maple branch in Birches 1: Autumn Showers.

The technique was an experiment borne of an off-hand remark from a fellow artist. I had just been experimenting with oil pastels, which at first felt like slippery crayons but soon grew to have their own life as I understood the best ways to achieve the colors and textures I wanted. The artist friend mentioned that you could also work with them using turpentine, either softening the crayons in it or drawing on the paper, then painting turpentine over the oil pastel to blend or spread. I chose to use a combination of these as well as wetting the paper with the turpentine and drawing on that area with the oil pastel. The resulting painting actually looks dimensional, and I know it’s only because of the different textures in the work.

Birches 2, detail

Here’s a detail of Birches 2: Radiance.

We have lovely birch groves here in Western Pennsylvania, and this image was reminiscent of one I had encountered while hiking somewhere near me. Not just the white bark, but the contrast with the thin dark twigs and ripples in the bark, is eye-catching, but that autumn display of yellow leaves is nearly blinding. Add a few other leaves to the mix and it becomes a classic autumn scene.

This painting is a real favorite in any color or size; I think others react to the details and the colors as I did when I saw the scene and visualized the painting.

The original is quite large, 22″ x 23″, and drawn in a very fine line black ink. I used a technical pen (a Rapidograph, if anyone remembers those) to draw all the details of the birch trees, taking nearly three weeks just to draw the trees. Even though I’d been visualizing it with the color added for the leaves, after all that work I was hesitant to start painting into the drawing for fear I’d mess it up and ruin all that work. But I got over that and began filling in the leaves in all shades of yellow.

Other subjects too

I’ll review other individual paintings as well, including their meaning to me at the time I painted them since, for some reason, most of my autumn paintings have a story having something to do with family, or my career, and even my cats.

painting of autumn street scene

View from Beechwood

View from Beechwood

This was another entry into Carnegie Painted, even though I’d done the painting years before, just out of college, long before I’d decided to devote my career to art. I had given it to my mother as a gift, and when she moved from her home to assisted living the painting moved with her until she had no wall space for it.

When I took it back I decided to enter it in the show and make prints of it. I marvel that I created this when I did, 1983, and I know how much my mother enjoyed it.

painting of deserted cottages by lake

Deserted Cottages, pastel © B.E. Kazmarski

Deserted Cottages

I painted this painting “Deserted Cottages” en plein air at a deserted campground in North East along Lake Erie. It was just a quick thing at the end of the day because the sun was going down and the light was changing fast, but I’d been painting all day and I was well warmed up. After years of enjoying this painting I posted the story and reconnected with a friend from high school; I’ll write about this some time soon, but I sold the original, and have prints.

Autumn Wildflower Harvest

Autumn Wildflower Harvest

It was one of those moments that completely overtakes me–the extraordinary in the ordinary. I had gathered these wildflowers on the way home from work during one of those too-brief, clear September evenings, warm, but with a creeping chill in the shadows. Goldenrod and fall asters are just about my favorites, so I brought some home and placed them in the vase on the table on my deck. You can read more about the time of this painting in The Artist’s Life: The Splendor of Autumn on The Creative Cat. I still have the original and can also make prints.

Autumn in the Valley

Autumn in the Valley

Sloping hills blaze with autumn color at a rocky, rippled bend in Chartiers Creek, yet on the horizon deep gray-purple clouds hover; although the day was sunny I remember it being distinctly chilly with a sharpness to the breeze, especially on the water in a canoe, and winter is literally on the horizon. I sold the original painting, but have many varieties of prints available.

Squashes, oil pastel

Squashes

This is the piece my customer commissioned to coordinate with “Green Apples“, also in this gallery. We discussed several subjects, but as the summer waned and she mentioned golds and earth tones, I knew it had to be squashes.

Ordering Custom Artwork

I have several originals still available, but I also have prints of each of them, framed and unframed, in all sizes from 8″ x  10″ to the full size of the painting, whatever that may be, and in grades from high quality digital to high quality giclee. I’d love to see any of these as canvas prints, which I make individually per order because these are not standard sizes and I need to purchase custom materials but my test prints have been extraordinary, especially with this autumn gallery.

I can offer an infinite number of things on Etsy, but sometimes it’s easier to let you choose what you want. Please read my page for Ordering Custom Artwork on The Creative Cat to see the possibilities you can choose from, and don’t hesitate to ask questions!


Blue Waves Canvas Print

watercolor of waves

Blue Waves, watercolor © B. E. Kazmarski

I first saw the ocean at the age of 30 when I visited Assateague Island, Virginia and felt as if I’d come home to an old friend; I also enjoyed meeting the wild ponies after having read all the books in the Misty of Chincoteague series by Marguerite Henry (and closely studying the illustrations by Wesley Dennis) and read about the island and wildlife refuge.

I conspired how to make a living so I could stay there, but instead brought my photos back and have been painting from them ever since. I have a few originals left and in this heat of August in Pennsylvania I’m thinking of a trip to the beach where the breeze blows and I can run into the water and swim whenever I want.

“Blue Waves” was the last of a series of small paintings of ocean waves, executed as I experimented with watercolor techniques and materials. I wanted to capture the constant movement and sound of the waves, and in this case I used a spattering of opaque white to render the spray as the waves broke on the beach. I’m pleased to say I sold the original and now am offering canvas prints.

This is a signed digital canvas print of an original watercolor painting, gallery-wrapped on wooden canvas stretchers. For this painting instead of painting the sides with black or another color, I left the original rough edges of my watercolor along with the pencil marks on the print and allow that to wrap around the sides, ready to hang or frame as you choose.

The original was only 3″ x 5″, but canvas stretchers are difficult to find smaller than 8″ so I make a slightly larger print and gallery wrap it. It is printed in archival inks on primed canvas, signed by the artist and wrapped and stapled on wooden canvas stretchers. Find it in my Etsy shop.

Other prints of beach paintings

print of watercolor of evening on the beach

Evening on the Beach, canvas print of watercolor © B.E. Kazmarski

Evening on the Beach is another work inspired by the beach at Assateague Island painted in 2000. I was back to a study of watercoloring and wanted to capture the changing sunlight on that late summer evening and experiment with all the new colors I’d found and techniques for painting sand and grasses.

pastel painting of sailboat on lake

Serenity, canvas print of pastel painting © B.E. Kazmarski

Serenity is a signed digital canvas print of an original pastel painting, gallery-wrapped on wooden canvas stretchers. For this painting also instead of painting the sides with black or another color, I left the original rough edges of my pastel on the print and allow that to wrap around the sides, ready to hang or frame as you choose.

This sailboat drifted lazily for hours on the calm waters of Lake Arthur in Western Pennsylvania. As the August afternoon tended toward evening, the sky began to grow pink and the shadows darkened and lengthened, and the serene moment seemed to last for hours.

Painted “en plein air” as I sat on one of the beaches at the north end of the lake, watching this sailboat was one of my favorite afternoons; this painting always takes me back to that day.

This painting is 21″ wide x 8″ high, larger than the original but canvas stretchers smaller than 8″ are difficult to obtain. I’ve allowed the rough edges from my original sketch to wrap around the sides instead of printing with black or another color. It’s printed in archival inks on primed canvas, signed by the artist and wrapped and stapled on wooden canvas stretchers.

Other waterscapes

I have many others which you can find under “Waterscapes” on my website, though they are from an era when my photographic abilities and equipment weren’t quite where they are now. I hope to track them down and offer prints some day, but for now you can find these and others in my shop on Etsy.


Follow

Get every new post delivered to your Inbox.

Join 1,308 other followers

%d bloggers like this: