Category Archives: original artwork

The Deserted Cottages, Recalling a Long-ago Image, and a Friend

painting of deserted cottages by lake

Deserted Cottages, pastel © B.E. Kazmarski

Original pastel painting, 17″ x 8.5″, 1999

Three years ago this month I posted the original of this painting of deserted cottages along Lake Erie for sale here and in my Etsy shop, including the story below connecting it to an old cardboard painting in my mother’s house found when I was selling it that had been an unwitting inspiration for my work today, along with memories of my mother.

A friend I hadn’t seen since middle school read the story, knew the place where the cottages had been and contacted me. We met and reunited our friendship after 35 years, and she bought the painting because she and her family had spent summers at that place while she was growing up. She had so many precious memories from all those years and the painting brought it all back to her. It also made a nice new bond between us and we regularly communicated after that, hoping to meet for a little vacation at a spot near this place she now visited over summers with her family, but also sharing our love of cats and crochet.

Unfortunately, she unexpectedly died this past summer. I’ve been remembering her daily since then and wondering how she could slip away so soon and unexpectedly, and it always brings me back to this painting. I’m so glad she had it with her for her last three years. She had a part of me with this painting, and I had a part of her with the memory each time I saw it in my portfolio, or as one of the prints I have on hand. I didn’t make it up to Lake Erie to spend time with her, but I will be sure to get to this area and remember her.

And here is the original story I published then, full of emotional connections as well. My mother had died earlier that year, 2011, and I was also renewing my bond with my art which I had let fall aside while I cared for her in her increasing illness over a decade.

. . . . . . .

Anything can become a learning opportunity and an inspiration, even a cheap cardboard painting stapled into a rickety wood frame. It worked for me.

I painted “Deserted Cottages” en plein air at a deserted campground in North East along Lake Erie. It was just a quick thing at the end of the day because the sun was going down and the light was changing fast, but I’d been painting all day and I was well warmed up. I quickly blocked in the buildings with just a few simple shapes and colors and their traceries of shadows, then the trees and grass, trying to catch the fluttering effect of the leaves in the wind allowing chunks of sky to show through, the tree trunks simplified and in high light-dark contrast, the blank expression of the boarded windows. I was pleased with the outcome, yet something was strangely familiar.

J.E. Warfield Painting

J.E. Warfield Painting

Six years later I put my mother’s house up for sale as she had moved to personal care, and took down her collection of cardboard art in plastic frames that I’d studied in depth growing up. It may not have been expensive, but there was a lot of it, in every room, including the basement. I particularly remembered the one long narrow painting with the signature J.E. Warfield because I liked the way the trees were leafy, not solid, and opened to the sky, the shadows traced across the ground and the buildings were very simple; after studying it as a child I felt that I could do that. Later, it hung on a paneling wall in the basement just inside the door from the garage where I entered for years, so I saw it every time I went into the house. Again, something was familiar.

I looked at “Deserted Cottages”, and looked at my cardboard Warfield. The tree trunks, the leaves, the simple buildings, the shadows—there it was! I could clearly see what I’d been aiming for as I’d painted six years before—this painting I’d been studying practically all my life.

detail of painting

Detail of the houses in the Warfield painting.

detail of painting

Detail of houses in my painting.

So it was a cheap cardboard painting stapled into a rickety wood frame—never underestimate the power of any image to inspire and teach! And I haven’t found out a darned thing about J.E. Warfield, but apparently this painting was a popular one judging by all the ones I’ve seen being sold as “vintage”.

Nothing is ever wasted for a creative person. I’ve learned to never dismiss something that impresses me for some reason, be it the cover of a bodice-ripper romance or a velvet painting or a doodle on a notebook, it goes “in there” somewhere and comes out somewhere else as a way I learned to work with color or shape or medium or just something that caught my eye and would catch others’ as well.

detail of painting

Detail of Warfield trees.

detail of painting

Detail of my trees.

Where to find this art

The art is 17″ x 8.5″, and when I originally posted this the original was hanging right above my desk, as it always had since I’d painted it.

While the original sold as mentioned above,  I have made a series of prints on paper and canvas which are available in my Etsy shop.

See other autumn art and landscapes

Click here to see an archive of autumn art and also landscape paintings.

And there are many more images to browse! Visit my Etsy shop to see what’s available in my Landscapes and Still Lifes Gallery.

I also have an e-newsletter for non-animal art like my landscapes and photography, which I usually deliver seasonally, click here to add your e-mail address.

. . . . . . .

All images in this post are copyright © Bernadette E. Kazmarski and may not be used without prior written permission.


The Splendor of Autumn, Original Art and Prints

peppers by bernadette e. kazmarski
autumn wildflower harvest by bernadette e kazmarski
autumn in the valley by bernadette e. kazmarski

The Studio of
Bernadette E. Kazmarski

The Splendor of Autumn

Original Art and Prints

market flowers by bernadette e. kazmarski
birches 1: autumn showers by bernadette e. kazmarski
Squashes by Bernadette E. Kazmarski
birches 2: radiance by bernadette e. kazmarski
backyard birds holiday card set by bernadette e kazmarski
Autumn has arrived in the angle and color of sunlight, leaves beginning to change from green to their autumn brilliance, geese flying south and my bird feeders mobbed by birds on some days, and cooler days and nights. I’m offering a special discount until the last day of autumn, December 20, 2014, on all autumn-themed artwork in my Etsy shop: 25% off anything in my Landscapes and Still Lifes Gallery. Just use the code “AUTUMN25″ for your special discount.Just as I have galleries of summer and winter artwork, so do I have a gallery of autumn artwork. Just a few are featured here but you can view and read about others in my Etsy gallery. As much of autumn artwork has to do with trees doing their autumn thing, and Western Pennsylvania is largely tree covered, I’ve had a lot of material to work with through the years. Some were painted en plein air, some were studio pieces.

Click on any of the images in this newsletter, top, sidebar, text area or bottom, to find out more about it.

pastel painting of autumn trailThis year I’m adding a new image to my autumn gallery, “Colorful Autumn Trail”, which I featured in my exhibit on the Panhandle Trail, “Sun Shadow Ice & Snow”. I am happy to say I sold the original during the event, but I have archival-quality digital prints of this piece, and can easily have gicleé prints and canvas prints made.

As a new way to present prints of my artwork. you’ll find many are gallery-wrapped canvas prints, including “Main Street at Twilight”, at the top. That’s not the only photograph in this collection, as I’m also offering the ever-popular “Market Flowers” and “Fresh Peppers”.

I’m also offering several popular paintings as canvas prints: “Birches 1: Autumn Showers” and  “Birches 2: Radiance”, and “Autumn in the Valley” and “Dusk in the Woods”. Each of these is 16″ x 20″ and would make wonderful sets of two or even four. They can hang unframed, just as they are, or they can easily slip into a standard frame size with no need for glass or mat. Please ask about framing options.

I’m offering a special discount until the last day of autumn, December 20, 2014, on all autumn-themed artwork in my Etsy shop: 25% off anything in my Landscapes and Still Lifes Gallery. Just use the code “AUTUMN25″ for your special discount.

. . . . . . .
I also have a selection of sets of holiday cards featuring scenes from nature in photos and art:
“Backyard Bird Paintings”“Cardinals on a Snowy Day”“Unexpected Berries”“Winter Walks”“Winter Beauty Paintings”
Browse my full selection of Holiday Cards.
. . . . . . .
Thank you for browsing my artwork in this e-newsletter. If you’d like to share this with a friend, please use the “Forward to a Fried” link below and this will ensure the e-mail and its contents compose correctly when forwarded, and if you’ve received this from a friend and want to receive my studio e-newsletters on a regular basis, use the “subscription preferences” below to sign up. As always, if you are no longer interested in receiving these e-mails, use the subscription preferences below to remove your e-mail from the list.
Visit my shop on Etsy  »
soft november afternoon by bernadette e kazmarski
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Autumn in the Valley

Autumn in the Valley, pastel painting, 31" x 27", 2009

Autumn in the Valley, pastel painting, 31″ x 27″, 2009

Autumn in the Watershed

Sloping hills blaze with autumn color at a rocky, rippled bend in Chartiers Creek, yet on the horizon deep gray-purple clouds hover; although the day was sunny I remember it being distinctly chilly with a sharpness to the breeze, especially on the water in a canoe, and winter is literally on the horizon.

For two reasons the scene was reminiscent and inspiring: first, that I rounded the bend to see this natural splendor in all its detail, brilliant color, fluttering leaves, rippling water, changing clouds, happening all on its own with no help from me or any other human (read the poem, below) ; and, second, it was an example of that “change of season” with the gray-purple clouds of winter arriving on the horizon, two seasons blending into one another. I needed to share this image, and it was so moving that the inspiration also became a poem, and the title for my third annual poetry reading and art show at Andrew Carnegie Free Library & Music Hall, Change of Season.

detail of painting

Detail of upper clouds.

And again, no, I couldn’t paint while paddling, and my little digital photos didn’t do the scene justice, yet other than wading down the creek and setting up an easel in the middle of the water, there was no other way of painting this. To take the scene from the tiny digital image to the full-size painting took a good bit of memory and visualization; it’s a good thing I’m very familiar with scenes like this. I don’t often work at this level of detail, especially at this size, but in order to share what I took from this moment, I found myself worker ever deeper into the minutiae of the scene so that others, viewing it, could hear the light lapping of the water, watch the clouds move, feel the warm sun on your back but the chill wind on your face, and the glory of those tree-covered hills.

detail of painting

Detail of that moment of change.

You really have to get into “the zone”, though, while working at that level on the painting, letting go of your space, yourself, to get back to that moment and all your perceptions from that time. I still go there when I look at the original, which was purchased and made a gift to Andrew Carnegie Free Library & Music Hall and hangs in the Reception Hall.

In the mini-ecosystem in the valley along Chartiers Creek, the color show begins a little later and the trees keep their leaves a little longer, perhaps because of the extra humidity along the water through the dry heat of late summer. The diversity of species is generally much greater in both the trees and the understory brush and grasses, which encourages a greater diversity of foliage color and shape. When the show begins, it’s absolutely breathtaking and it gets more stunning every day until a November storm rips the last of the leaves away.

detail of painting

Detail of reflections on the water.

This area of the creek is approximately below Rosslyn Farms, between Carnegie and Crafton. In this area, the creek’s channel was widened and dredged deeper and the banks made more sloping through the Fulton Flood Control Project, allowing all the runoff from upstream communities to flow ever faster down the valley without overflowing the banks or backing up into Carnegie, as had happened prior to the Project. Also, many of the trees were removed from the banks up to a certain level. Still, even with that modification, the channel remains beautiful and inviting in this lovely and unseen area of Chartiers Creek.

You can find a full-size giclee plus various sizes of digital prints, framed and unframed in my Etsy shop.

A Poem Inspired by the Scene

I actually wrote a poem about the scene before I did the painting, so inspiring was that particular moment.

Effortless

I paddled the canoe around the bend,
And was faced with the effortless beauty of the panorama,
The trees in all their colors, the sky with changing clouds,
The water moving and reflecting simultaneously,
All perfectly arranged,
I realized that my creations are but raindrops in a puddle,
Wisps of cloud that change and dissipate
My solitary accomplishments borne of great effort
Would never equal this one solitary scene
Or the one I would have seen the day before or the day after
Evolved on its own, no one to frame it and display it and promote it
As it quietly exists through the day.
We humans sometimes get to think everything happens because of us
But these trees and grasses and hills arrange themselves
And create great beauty effortlessly
Simply in the process of their everyday existence.
So I did a painting that can never match the original
So that I may remember my place.

Read the rest of the poetry from my annual poetry reading and art show at Andrew Carnegie Free Library & Music Hall, in 2009 entitled Change of Season.

Art On Sale

All my autumn artwork is on sale until the Winter Solstice. Read this post to find out more and how to use your discount code.

About Art of the Watershed

A series of seasonal images of the Lower Chartiers Watershed

pastel painting of snowy woods with stream at dusk

Dusk in the Woods, pastel © B.E.Kazmarski

“I have travelled a good deal in Concord,” said Henry David Thoreau in Walden, his paradox of exploring a small town and its surroundings teaching him as much about human life and the interactions of nature as if he had traveled rare and exotic places about the globe.

I’d love to paint faraway exotic places, but in the interests of time I stay close to home for my hiking, bicycling, canoeing, walking and painting excursions, that being the valley where the Lower Chartiers Creek flows.

I’ve seen some exquisite sights on my adventures, and committed them to various media. The most moving are the ones I’ve chosen to paint large and in detail so that I might convey at least a portion of the grandeur that moved me beyond awe to action, sharing the places right around us though most people would never see them. Thus was born the series offering an image indicative of the watershed in each season.

Visit my website to see the full set of paintings included in the “Art of the Watershed” series.

Autumn in the Valley availability

You can find a full-size giclee plus various sizes of digital prints, framed and unframed in my Etsy shop.


“View From Beechwood”, Original and Prints

painting of autumn street scene

“View from Beechwood”, 19″ x 15″, acrylic and ink, 1983.

This painting was another entry into Carnegie Painted, even though I’d done the painting years before, just out of college, long before I’d decided to devote my career to art. I had given it to my mother as a gift, and when she moved from her home to assisted living the painting moved with her until she had no wall space for it. When I took it back I realized how much I like it, and decided to enter it in the show and then make prints of it. I marvel that I created this when I did, 1983, and I know how much my mother enjoyed it.

This painting is acrylic and ink on watercolor paper, double-matted with a quarter-inch forest green bottom mat and natural white top mat, and figured antique gold frame. Painting is 15″ x 19″, mats total 3″, total size is 21″ x 25″. Please also ask about custom framing for a print. I am a skilled picture framer and have been framing my own originals and prints and others’ art for 25 years. I keep my rates reasonable because I love to see my artwork in a frame.

 

The framed original is for sale as well as a variety of prints on paper and canvas. Visit my Etsy shop for details.

SHIPPING

Shipping within the US is included in all the prices listed above

ORIGINAL PAINTING

The painting is 18.5″ wide x 13″ high, matted with a 4″ warm cream acid-free mat with 1/4″ burnished gold wood fillet edging and 1-1/4″ burnished gold frame. The backing is acid-free foam core and the glass is premium clear glass.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 18.25″ wide x 12.25″ and a roughly half-size of 8″ x 12″.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I, as the artist, could tell where detail and color were not as sharp as the original. Digital prints are available up to full size of 18.25″ wide x 12.25″, which is printed on 13″ x 19″ paper and so has very little white border. Other sizes have at least a 1″ white border, 2″ if possible. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. While I usually I set up canvases so the image runs from edge to edge, then the sides are black or white or a color that coordinates with the painting, these canvases actually wrap around using the area of the painting outside of the trim size.

SHIPPING

Prints up to 16″ x 20″ are shipped flat in a rigid envelope.


Subscribe to My E-newsletter

Subscribe to The Creative Cat e-newsletter for specials on exclusively feline-themed art and merchandise.

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


© 2014 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski

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Framed Original Pastel Sketch “April Cloud Study”

original pastel painting of clouds

“April Cloud Study”, original pastel, 9″ x 9″, 2013

A very overcast morning cleared up and turned into a lovely spring afternoon—and it looks like this!

It’s such a beautiful blue-sky day today it would be nice to remember it with a painting of blue sky and clouds. Once the weather turns warm and sunny the world begins coloring up nicely, and so it did one April afternoon. I decided to take some time to paint the clouds, literally and figuratively, standing out in my back yard with my pastel for about ten minutes—and by that time the skies were completely different.

Above is the framed version, below just the sketch on a scrap of drawing paper. I used a scrap of sanded pastel paper and it was cut unevenly, so there is a little bit along the left trimmed off that I liked. Well, that’s the way it goes.

The mats are 1.5″, white on white, with a little bit of a channel behind them so the pastel will fall behind the mat instead of on the mat. The frame is 12″ x 12″ and I was so inspired by the colors that I refinished it to coordinate with the painting in shades of blue green and lilac from the painting and a white crackle finish overall. You can find this painting in my Etsy shop.

pastel painting of clouds

“April Cloud Study”, pastel, 9.5″ x 10″ © Bernadette E. Kazmarski

See other original art and landscapes on “Today”

Click here to see an archive of original art.

 

And there are many more images of spring and summer! Click any image to find out more about it or visit my Landscapes and Still Lifes Gallery.

I also have an e-newsletter for non-animal art like my landscapes and photography, which I usually deliver seasonally, click here to add your e-mail address.

. . . . . . .

For a print of any photo, visit “purchasing” for availability and terms.

All images in this post are copyright © Bernadette E. Kazmarski and may not be used without prior written permission.


The Splendor of Autumn, Original Art and Prints

main street at twilight by bernadette e. kazmarski
peppers by bernadette e. kazmarski
autumn wildflower harvest by bernadette e kazmarski
autumn in the valley by bernadette e. kazmarski

The Studio of
Bernadette E. Kazmarski

The Splendor of Autumn

Original Art and Prints

market flowers by bernadette e. kazmarski
birches 1: autumn showers by bernadette e. kazmarski
Squashes by Bernadette E. Kazmarski
birches 2: radiance by bernadette e. kazmarski
backyard birds holiday card set by bernadette e kazmarski
Autumn has arrived in the angle and color of sunlight, leaves beginning to change from green to their autumn brilliance, geese flying south and my bird feeders mobbed by birds on some days, and cooler days and nights. I’m offering a special discount until the last day of autumn, December 20, 2014, on all autumn-themed artwork in my Etsy shop: 25% off anything in my Landscapes and Still Lifes Gallery. Just use the code “AUTUMN25″ for your special discount.Just as I have galleries of summer and winter artwork, so do I have a gallery of autumn artwork. Just a few are featured here but you can view and read about others in my Etsy gallery. As much of autumn artwork has to do with trees doing their autumn thing, and Western Pennsylvania is largely tree covered, I’ve had a lot of material to work with through the years. Some were painted en plein air, some were studio pieces.

Click on any of the images in this newsletter, top, sidebar, text area or bottom, to find out more about it.

pastel painting of autumn trailThis year I’m adding a new image to my autumn gallery, “Colorful Autumn Trail”, which I featured in my exhibit on the Panhandle Trail, “Sun Shadow Ice & Snow”. I am happy to say I sold the original during the event, but I have archival-quality digital prints of this piece, and can easily have gicleé prints and canvas prints made.

As a new way to present prints of my artwork. you’ll find many are gallery-wrapped canvas prints, including “Main Street at Twilight”, at the top. That’s not the only photograph in this collection, as I’m also offering the ever-popular “Market Flowers” and “Fresh Peppers”.

I’m also offering several popular paintings as canvas prints: “Birches 1: Autumn Showers” and  “Birches 2: Radiance”, and “Autumn in the Valley” and “Dusk in the Woods”. Each of these is 16″ x 20″ and would make wonderful sets of two or even four. They can hang unframed, just as they are, or they can easily slip into a standard frame size with no need for glass or mat. Please ask about framing options.

I’m offering a special discount until the last day of autumn, December 20, 2014, on all autumn-themed artwork in my Etsy shop: 25% off anything in my Landscapes and Still Lifes Gallery. Just use the code “AUTUMN25″ for your special discount.

. . . . . . .
I also have a selection of sets of holiday cards featuring scenes from nature in photos and art:
“Backyard Bird Paintings”“Cardinals on a Snowy Day”“Unexpected Berries”“Winter Walks”“Winter Beauty Paintings”
Browse my full selection of Holiday Cards.
. . . . . . .
Thank you for browsing my artwork in this e-newsletter. If you’d like to share this with a friend, please use the “Forward to a Fried” link below and this will ensure the e-mail and its contents compose correctly when forwarded, and if you’ve received this from a friend and want to receive my studio e-newsletters on a regular basis, use the “subscription preferences” below to sign up. As always, if you are no longer interested in receiving these e-mails, use the subscription preferences below to remove your e-mail from the list.
Visit my shop on Etsy  »
soft november afternoon by bernadette e kazmarski
Follow on Twitter | Friend on Facebook | Forward to Friend
unsubscribe from this list | update subscription preferences

 


“Taking Flight”, Original Pastel and Prints

detail of whopping crane painting“Taking Flight”, pastel on Canson pastel paper, 18.25″ wide x 12.25″ high

Many years ago I saw two captive whooping cranes, likely visiting the Pittsburgh Zoo. I marveled at their size–they were nearly as tall as me! But it was when one of them spread its wings that I was truly enchanted by the pure white body, neat brown wing tips and tiny touches of yellow highlight here and there, and the grace of that huge bird.

detail of whopping crane painting
Detail, cranes.

And I read about them and discovered their plight, having no idea they were so imperiled. Visiting what had once been their habitat on Assateague Island, Virginia, I imagined what they might have looked like in the whispering marshes.

detail of whopping crane painting
Detail, marsh grasses.

What would their afternoon have been like? Using my photos of those marshes and many images of whooping cranes, I painted this in pastel, trying to capture the details that had stayed with me at seeing them, but also the feeling of movement in the marshes I had visited, the waving sedges, lapping water and constant breeze from the ocean.

detail of whopping crane painting
Detail, water, “Taking Flight”.

And those late summer colors, blue sky reflected on the water, reflected on the cranes.

This painting is 18.25″ wide x 12.25″ high using Rembrandt pastels on Canson pastel paper because, again, I wanted to use the texture of the paper to break up the image, loosen up the edges to capture that feeling of constant movement on a breezy day in a marsh, the marsh grasses waving, the water lapping, the cranes splashing through the water. Though I wanted it loose it ended up being looser than I’d intended; I was still working in a fairly detailed style then and had pictured the birds with more detail, but I reached this point and stopped, then decided this was it.

This is an original pastel painting of two whooping cranes taking off in a marsh on a summer afternoon, 18.25″ wide x 12.25″ high using Rembrandt pastels on Canson pastel paper.

ORIGINAL PAINTING

The painting is 18.5″ wide x 13″ high, matted with a 4″ warm cream acid-free mat with 1/4″ burnished gold wood fillet edging and 1-1/4″ burnished gold frame. The backing is acid-free foam core and the glass is premium clear glass. You can find the original and prints made from it in my Etsy shop.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 18.25″ wide x 12.25″ and a roughly half-size of 8″ x 12″.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I, as the artist, could tell where detail and color were not as sharp as the original. Digital prints are available up to full size of 18.25″ wide x 12.25″, which is printed on 13″ x 19″ paper and so has very little white border. Other sizes have at least a 1″ white border, 2″ if possible. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. While I usually I set up canvases so the image runs from edge to edge, then the sides are black or white or a color that coordinates with the painting, these canvases actually wrap around using the area of the painting outside of the trim size.

SHIPPING

Prints up to 16″ x 20″ are shipped flat in a rigid envelope.

. . . . . . .

Other Wildlife Art

You can find other wildlife artwork in my Etsy shop.


Subscribe to My E-newsletter

Subscribe to The Creative Cat e-newsletter for specials on exclusively feline-themed art and merchandise.

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


© 2014 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski

FACEBOOK | TWITTER | LINKEDIN | ETSY SHOP | PINTEREST | TUMBLR | STUMBLEUPON | GOOGLE+ | EMAIL

HOME



“Sun Shadow Ice & Snow: Seasons Along the Panhandle Trail”, August 22 and 23

I'm having an art exhibit!

I’m having an art exhibit!


SUN SHADOW ICE & SNOW

seasons along the panhandle trail

original paintings and sketches

opening friday august 22 5:00 p.m. to 9:00 p.m.
through saturday august 23 noon to 9:00 p.m.

panhandle trail quarry area as part of Rock the Quarry

FEATURED WORK: “The Rope Swing” 14” X 22” Pastel

. . . . . . .

I’ve been visiting the Panhandle Trail for nearly 15 years with my bike and on foot, for exercise and inspiration, more inspiration than exercise, packing in with backpacks of camera equipment and art supplies. I’ve taken thousands of photos along the trail and off in the woods, but I’ve also done a number of sketches while there in pencil, charcoal, pastel and watercolor, and arriving home in my studio to do more from photos. I’ve collected a number of these for an exhibit, but not in a gallery—right on the trail, where I’ve spent so much time and found these inspirations. It’s the place where I found the scene of one of my favorite paintings, “Dusk in the Woods”.

quarry pond

The Quarry Pond

You’ll find me in my tent during Rock the Quarry, the annual fundraiser for the Collier Friends of the Panhandle Trail. I’ll have my exhibit set up and also have a small display of prints, photos and notecards I’ve created over the years of scenes from along the trail and off in the woods. Once Rock the Quarry is over, they all come home with me so this will be your only opportunity to see them all together, although I will set them up as an online gallery as I have been setting up each of my exhibits.

A portion of sales of art and merchandise during Rock the Quarry will benefit the Collier Friends of the Panhandle Trail.

So join me at Rock the Quarry August 22 and 23

I use this trail all the time, and part of my giveback is to maintain their website and the little bit of social networking that we do, along with photographing things. I always volunteer during the event, usually in the kitchen dishing out easy food, but this year I’m giving something different.

rock the quarry

Rock the Quarry 2013

What’s the quarry? The Panhandle rail line, which was removed to built the trail in the old rail bed, runs right through a century-old limestone quarry, a portion of which is still actively quarried. The quarry ponds are there and that and the woods around make a natural gathering place.

Music, food, science demo, games, raffles, bonfire, fire trucks, fun for all ages.

For over ten years, Rock the Quarry (RTQ) has been an annual tradition. RTQ features two days of music, food, and fun. Each year, RTQ showcases up-and-coming local musical talent. Day two of RTQ features lots of activities for the kids as well as the Grand Rubber Duck Race and the traditional Sunset Remembrance Ceremony.

For more information on the event including maps and parking, please visit www.panhandletrail.org.


Find out about events and festivals where you can find me and my work.

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E-newsletters

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All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


© 2014 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski

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Blue Tuna, original painting and 12 oz. mugs

three mugs with painting

Blue Tuna mugs with the original painting.

These are 12 oz. glazed ceramic mugs with the my painting “Blue Tuna” dye-sublimated into the surface. I am selling them individually, but will also a set of two or all three; see below. I photographed them with the framed original painting that was used to create the artwork.

mug with blue tuna painting

Section 1 of the mug.

This painting was an experiment on a “velour” style of pastel drawing paper. I wanted to get both the smooth transitions of light and dark in water, and the clarity of the reflections without really hard edges. Because the tuna are in fairly deep water, the ripple reflections are a little soft on the edges, and the velour helped to carry that.

mug with blue tuna painting

Section 2 of the painting.

The reproduction on the mugs is a little deeper and more vibrant than the original painting, but after seeing the proofs of these mugs I decided I liked it even though it wasn’t accurate to the original painting.

mug with blue tuna painting

Section 3 of the painting.

All three mugs are identical, but the design wraps around so I photographed it in three sections. Hope there’s no confusion!

If you would like a set of two mugs for $18.00 or three for $25.00, please let me know. I will fill your order if enough mugs are left.

Find them in my Etsy shop.

Original Painting

The original painting is also for sale in my Etsy shop. The painting is 18″ wide x 12″ high with a 6″ wide double slate-blue mat with blue core and 1″ wide silver metal frame with a beaded inner edge.

 

frame and mat on painting

Frame and mat on Blue Tuna.

If you’d like the painting and the mugs, please let me know and I’ll give you a deal on the whole thing!

And you can also purchase this painting as a print in various sizes and formats, and as a 5″ x 7″ greeting card in my Fine Art America gallery.


Subscribe to My E-newsletter

Subscribe to The Creative Cat e-newsletter for specials on exclusively feline-themed art and merchandise.

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


© 2014 | www.TheCreativeCat.net | Published by Bernadette E. Kazmarski

FACEBOOK | TWITTER | LINKEDIN | ETSY SHOP | PINTEREST | TUMBLR | STUMBLEUPON | GOOGLE+ | EMAIL

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A Garden Party Summer Art Exhibit

Garden Bench-1000px-for exhibit

The Studio of
Bernadette E. Kazmarski

presents

A Garden Party Summer Art Exhibit

And there’s no need to go anywhere—it’s all on your computer!

I’ve decided to add a few more new originals and a few prints to the mix so I’m extending my annual Garden Party Summer Art Exhibit through the end of August. The art includes some of last year’s original en plein air paintings and  framed originals from previous years as well as framed and unframed archival prints and canvas prints of summer-themed artwork, all in my Etsy shop.

I’m offering a special discount for the month of August, 25% off anything in my Landscapes and Still Lifes Gallery. Just use the code “GARDENPARTY” for your special discount. I’ve featured a few in this post—click any image to find out more about it or visit my Landscapes and Still Lifes Gallery.

If you are interested in receiving my Art and Merchandise e-newsletter, click here to sign up. I don’t do anything with your e-mail but send the occasional e-newsletter, I never share or sell or use in any other way. I’d rather be doing artwork!

April Cloud Study framed original pastel.

April Cloud Study framed original pastel.

Main Street Sunday digital print.

Main Street Sunday digital print.

Red Climbers framed print.

Red Climbers framed print.

Spring Morning Leaves original pastel.

Spring Morning Leaves original pastel.

Fruit framed original pastel.

Fruit framed original pastel.

Evening on the Beach canvas print.

Evening on the Beach canvas print.

Lilacs and Laundry framed original pastel.

Lilacs and Laundry framed original pastel.

And there are many more! Click any image to find out more about it or visit my Landscapes and Still Lifes Gallery, and don’t forget to use your “GARDENPARTY14″ discount code for 25% off your purchases.

If you’d like to sign up to receive this e-newsletter, which I usually deliver seasonally, click here to add your e-mail address.


All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


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